RBR: Oz The Great and Powerful

I can't claim to be any huge devotee to The Wizard of Oz like others can. The Judy Garland original doesn't do a whole lot for me, but I can at least credit for creating movie magic. Through pure ingenuity and filmmaking, the audience feels as if they have been transported to a magical land just as much as Dorothy does. That ability is one of the reasons why it continues to find new fans constantly. I don't believe anyone will be looking as fondly to this prequel, which stars James Franco as the man who would become a wizard. We begin in Kansas where Franco plays Oscar, a Kansas magician who makes a living out of fooling people, especially women who take a shining to him. When one of his cons catching up with him, Oscar tries to flee in a hot air balloon, only to get caught up in a tornado that sends him to Oz. Though the screen pops with bright colors upon arriving in this magical land, everything feels as phony as Oscar's magic act. The computer graphics used to create Oz do it no justice, creating a distance from the audience. Instead of getting caught up in this world, you are preoccupied with watching Franco try to do a bunch of green screen acting. Some actors can pull it off, but Franco isn't one of them. Along the way, we get introduced to a number of character, both new and old, including three witches - Theodora (Mila Kunis) Elenora (Rachel Weisz) and Glinda (Michelle Williams) - one of whom becomes quite "wicked" before the movie concludes. None of these characters are particularly interesting. For most of the film, I just sat waiting just to see how they would connect this with the Garland film. The third act is decent as we see the wizard finally use his magic to its fullest capability. Somewhere buried in this movie is a decent origin story, but it is not expertly explored here. This had the potential to be a new classic but ends up being another soulless adventure that tries to get by on pure visual gimmickry. The curtain gets pulled back for audiences before they even have a chance to be amazed. Rating: ** 1/2

Trouble bruin

Seth McFarland is nothing if not a multitasker. Most know him for being the creative force behind three of FOX's wildly popular Sunday animated shows (Family Guy, American Dad, and The Cleveland Show). He's also been known to dabble in music, releasing an album recently of him crooning like Sinatra. In his latest effort, Ted, he's the writer and director, as well as provides the voice of the titular talking teddy bear. With his first foray into film, McFarland proves he's can successfully bring his brand of comedy to the big screen.

The film is about a boy named John Bennett, who after struggling to make real friends, wishes that his stuffed teddy bear could come to life. Lo and behold, his wish comes true and the two become best friends all the way into adulthood (Mark Wahlberg plays the adult John). The pair become quite the duo of raunch and debauchery as they drink, smoke weed, and curse up a storm (and curse at a storm even, given their fear of thunder). All of this comes at the dismay of John's longtime girlfriend (played by Mila Kunis), who would like to see him settle into adulthood.

With a film like this, you come for the premise and stay for the jokes. In the case of this film, the humor is a mixed bag. What was remarkable though was that as I sat in a crowded theater, there were really no jokes that fall flat. McFarland's humor is a scattershot attack on everything, which resulted in every joke earning laughs, but not from everyone in the crowd. I for one really enjoyed a running gag about Tom Skeritt, that few other people seemed to appreciate, yet there were other jokes that earned big laughs from other viewers while I saw the punchline coming a mile away. I can't guarantee you'll laugh at everything here, but you're bound to find at least a few jokes that tickle your funny bone.

Of course this wouldn't be a Seth McFarland production if he didn't bring along a number of the people who have worked with him on his tv shows. Alex Borstein, Patrick Warburton, Patrick Stewart, and a whole host of others (plus Kunis) all contribute to the hilarity in some form or another. In addition, there are several other familiar faces new to the McFarland universe including Joel McHale and Giovanni Ribisi, plus some other surprise cameos that I won't spoil here.

But for as much as I laughed, there are still some weaknesses. For one, as much as I like Wahlberg and Kunis individually I didn't find them to have particularly strong chemistry and they just didn't have an overall good fit. More importantly, the film struggles from a narrative perspective. The central theme of growing up and choosing love over friendship doesn't feel particularly fresh and has been done better by other films. You also have the ADD nature to McFarland's storytelling that is problematic in his TV shows as well. Thrown into this film are subplots involving Kunis' lecherous boss (McHale) and a stranger (Ribisi) obsessed with having Ted be a toy for his son. Each of these serve as a distraction rather than an enhancement for the central plot. Lastly, while I respect McFarland for wanting to have this truly be his film, I did not think much of his work as a director. The film has somewhat of a cheap look to it and it could have come off so much better in more capable hands.

In the end though, most people are not coming for cinematography and in-depth plot development, so the film's weakness are not likely to keep people away from seeing this film. What you get here is basically an extra long episode of Family Guy with no restraints as to what can be said or shown. For most, and that includes myself, that's certainly enough. If the previews don't make it clear enough, this film definitely earns all of its R-rated, so leave your morals at the door when you watch this movie. McFarland lets the fur fly here and the result is a bear-y funny movie. Grade: B

RBR: Friends With Benfits

It's hard not to compare this to No Strings Attached considering they share the same set up and both feature an actress from Black Swan, but I'll do my best to base my review solely on its own merits. One of the things that this film does in setting up its 'sex with no consequences' premise is to mock and tear down the conventions and cliches found in most romantic comedies. I have no problem with that and in fact some of their snark towards the genre produces some good laughs (take that Katherine Heigl!). The problem comes with the fact that while mocking them, the film itself fails to rise above those cliches. This is disappointing considering director Will Gluck had been successful at escaping the cliches of the high school comedy genre with his previous film, Easy A. Justin Timberlake and Mila Kunis have a light, breezy chemistry and you can buy them being together whether it's as sleepin' buddies or in a relationship. There's no reason other than it's a movie to have them go through some sort of conflict or strife. It feels forces and causes the audience to grow impatient waiting for the inevitable reconciliation. While that flaw is disappointing, it does not completely ruin the film. As I said, the two leads work well together and unlike so many romantic comedies, this film features an appealing supporting cast thanks in large part to terrific actors like Richard Jenkins and Patricia Clarkson. In comparison to most films in this genre, this one is watchable and entertaining. Just don't expect it to transcend the genre like it thinks it does. Rating: ***