RBR: The Master

I actually watched this several weeks ago, but have had difficulty finding the time to write this review. And I don't mean that I haven't had any free time, it's that this movie had a more profound impact on me than most that it made it more difficult to put my thoughts into words. This is the latest film by noted director Paul Thomas Anderson, who also helmed films like Boogie Nights and There Will Be Blood. Once again he displays visual mastery with the way he depicts the action that unfolds on the screen. He also has another sprawling, yet captivating narrative that establishes interesting characters that equally puzzle and fascinate audiences. Anderson seems to frequently tell stories that rely on the theme of mentor/protege and in this film, that relationship is brought to the forefront. The Master earned a lot of buzz prior to its release when it was believed that this film was intended to be a scathing commentary on Scientology. While some parallels can be drawn, I found myself not really caring whether or not this was based on any actual group and was instead just invested in these particular people. Phillip Seymour Hoffman plays Lancaster Dodd, the charismatic leader of a group referred to as The Cause, who takes Freddie Quell (Joaquin Phoenix), a Naval veteran struggling with issues of anger and alcoholism, under his wing. As we listen to Dodd and watch the way Freddie follows him, it becomes apparent that this movie is more than just determining whether or not Dodd is a charletan. This is about control and the tenuous nature of staying in control. When do we let others control us and when, if ever, do we take control of our own lives? The answers aren't always clear and Anderson doesn't make it any easier for us to try and find out those answers with the way he presents this story. Certain scenes take on an almost dreamlike state to make you further distance you from a grounded reality. This is not the easiest film to follow, but those who are up for a challenge will be greatly rewarded. The film looks great, is filled with terrific performances (included an understated performance by Amy Adams playing Dodd's wife), and gives you plenty to think about long after you've finished watching it. I can't say this is a movie that I eagerly want to watch repeatedly, but if I get a chance to see it again, I feel I will no doubt uncover even more about what's going on than I did in my first viewing. It's a shame that this did not get even greater recognition during the awards season, because it's certainly worthy of it. Fans of Paul Thomas Anderson need to do themselves a favor and check out this spellbinding film. Rating: **** 1/2

2012 Fall Movie Preview (September)

This week I'll be looking at the top films I'm looking forward to over the next four months as well as identifying some other big releases set to come out soon.

HOTEL TRANSLYVANIA (September 28)
Plot: Welcome to the Hotel Transylvania, Dracula's lavish five-stake resort, where monsters and their families can live it up, free from meddling from the human world. But here's a little known fact about Dracula: he is not only the Prince of Darkness; he is also a dad. Over-protective of his teenage daughter, Mavis, Dracula fabricates tales of elaborate dangers to dissuade her adventurous spirit. As a haven for Mavis, he opens the Hotel Transylvania, where his daughter and some of the world's most famous monsters - Frankenstein and his bride, the Mummy, the Invisible Man, a family of werewolves, and more - can kick back in safety and peace. For Drac, catering to all of these legendary monsters is no problem, but his world could come crashing down when one ordinary guy stumbles on the hotel and takes a shine to Mavis.

Quick thoughts: After a rough stretch of bad movies, Adam Sandler hopes to turn things around in the friendly environment of computer animation. Though the basic story isn't novel (over-protective dad can't let go of his little girl), the setting lends itself to a number of wild and colorful characters. Opening a month before Halloween, this will no doubt be a big hit with kids.


LOOPER (September 28)
Plot: In the futuristic action thriller "Looper," time travel will be invented, but it will be illegal and only available on the black market. When the mob wants to get rid of someone, they will send their target 30 years into the past, where a 'looper' - a hired gun, like Joe (Joseph Gordon-Levitt) - is waiting to mop up. Joe is getting rich and life is good, until the day the mob decides to 'close the loop,' sending back Joe's future self (Bruce Willis) for assassination. The film is written and directed by Rian Johnson and also stars Emily Blunt, Paul Dano, and Jeff Daniels.

Quick thoughts: I took an interest in this film fairly early on and with each preview I've seen or read, it has continued to build. I always appreciate films that come up with novel or unique plots. And you gotta love this cast. Joseph Gordon-Levitt has already had quite a year and this one might just end up being his best one yet.


THE MASTER (September 14)
Plot: Set in America in the years following World War II, a charismatic intellectual (Philip Seymour Hoffman) launches a faith-based organization and taps a young drifter (Joaquin Phoenix) as his right-hand man. But as the faith begins to gain a fervent following, the onetime vagabond finds himself questioning the belief system he has embraced, and his mentor.

Quick thoughts: This one has really been generating some Oscar buzz, particularly after its first trailer was released. Though still a lot is unclear about this movie, it appears that it will be in some way based on life of Scientology founder, L. Ron Hubbard. That will no doubt create some controversy. Directed by Paul Thomas Anderson, who also directed There Will Be Blood, this will be if nothing else, captivating.


TROUBLE WITH THE CURVE (September 21)
Plot: Gus Lobel (Clint Eastwood) has been one of the best scouts in baseball for decades, but, despite his efforts to hide it, age is starting to catch up with him. Nevertheless, Gus, who can tell a pitch just by the crack of the bat, refuses to be benched for what may be the final innings of his career. He may not have a choice. The front office of the Atlanta Braves is starting to question his judgment, especially with the country's hottest batting phenom on deck for the draft. The one person who might be able to help is also the one person Gus would never ask: his daughter, Mickey (Amy Adams), an associate at a high-powered Atlanta law firm whose drive and ambition has put her on the fast track to becoming partner. Against her better judgment, and over Gus's objections, Mickey joins him on his latest scouting trip to North Carolina, jeopardizing her own career to save his. Forced to spend time together for the first time in years, each makes new discoveries, revealing long-held truths about their past and present that could change their future.

Quick thoughts I can't help the fact that I'm a sucker for baseball movies, so I immediately wanted to check this one out. The fact that it features Clint Eastwood in front of the camera for the first time in four years just sweetens the deal. Now that the Cleveland Indians have given up their season, this may be the only good baseball I have to look forward to for the rest of the year. Last year's baseball movie, Moneyball, topped my 'best of' list. I'd have no problem if this accomplished the same feat this year.


OTHER POSSIBLE FILMS OF INTEREST
The Words (September 7)
Finding Nemo 3D (September 14)
End of Watch (September 21)
Won't Back Down (September 28)