Night cap

For one reason or another, certain sketches on Saturday Night Live are created and rehearsed, but ultimately never make it onto the live broadcast. Here are a pair of sketches cut after dress rehearsal that I felt deserved a look thanks to NBC actually posting them on their website. The first was cut from when Zach Galifianakis hosted. I'll have to assume it was timing reasons because this seems to be too funny not to have included in the show.




The second is even more fascinating. It comes from the Justin Bieber episode. Instead of trying to explain why this didn't work, I'll let Bill Hader and a pair of SNL writers do it as they commentate on the sketch and explain why it became the "greatest trainwreck" ever.

Tribe Watch '13 (Week 13)

Record: 44 - 38

Standing: Tied for first place in the AL Central

It was looking initially like it would be another uneventful week. We began by splitting the four game set with the Orioles in which we looked like we could have easily won all four games or lost all four games. Still, splitting against a solid team like Baltimore was positive. The start of the four game series with the White Sox made it seem as if we were in for an ominous weekend. In the first game of a double-header, our starter is unable to get out of the first inning and put the Indians in an early five-run deficit. However, the Tribe finally woke up and managed to clobber Chicago 19-10 in the first game. Then then had a four run 9th inning in the second game that allowed to come back and win that won as well. The Indians then proceed to sweep the entire four games capping it off today with a shutout victory by Justin Masterson. Those first three games against Chicago showed the Indians tenacity. They not only came from behind in each of those games, but they did so when it would have been much easier to just throw in the towel. Friday's double header lasted over seven hours to get those two games in. Between the length of the games and the amount of innings that the bullpen had to throw because of poor starting pitching, it's amazing we came away with any wins. And yet, this team pulled through and had an amazing weekend. To do it against those losers from Chicago made it even sweeter. Perhaps the best news of all to come out of the Tribe's successful weekend is the fact that they have climbed back up into first place, now tied with Detroit, who had a rough week. We're starting to see guys like Nick Swisher get hot again, so it seems like this team isn't about to die like they have the past years. We can improve our standing in the division further this week as we play another pair of divisional opponents. This long road trip finishes up this week as we make a stop in Kansas City to play the Royals for 3 games. Then we head home this weekend for a big series against the Tigers. The outcome of that series could really cement who's the best in this division as we head into the All Star Break. As we head into the 4th of July, let's hope the Indians provide some fireworks of their own. Go Tribe!

Hell to pay

I know we've already seen a pair of horror comedies this year (A Haunted House, Scary Movie 5), so I can understand if there's some viewer fatigue for this genre. That said, I couldn't help but post the trailer for yet another movie that spoofs the horror genre. Hell Baby seems to have the edge over those previous films if for no other reason than it's been written and directed by the guys behind Reno: 911. I certainly laughed a lot watching the trailer, so I hope the true for the movie as a whole as well.

Die hardly

The old adage goes, "those who cannot remember the past are condemned to repeat it". This is a phrase that doesn't exactly hold true in Hollywood. Instead, studios tend to repeat history because they do remember the past. When a formula works, they reuse it time and time again. One of the most frequently used formulas is the Die Hard formula. For the past 25 years since the original Bruce Willis film hit theaters, Hollywood has frequently used the 'one man overcomes the odds to defeat a group of evil terrorists' trope. It's one thing when we are talking about a sequel to the franchise (which we already saw this year). It's another thing when it's a completely separate film that borrows the framework. So then, what are we to make of a film that not only uses the trope but then also uses the exact same context and setup as another film that was released mere months before it?

That is the question were left answering as White House Down, the latest film from master of disaster Roland Emmerich, hits theaters. Just like Olympus Has Fallen (a film which I have yet to see) did this past spring, our country has been put into peril as terrorists infiltrate the White House and hold our government hostage. Playing the role of John McLain this time (right down to the white tank top) is Channing Tatum playing John Cale, a security guard for the Speaker of the House who has aspiration of working for the Secret Service.

When all hell breaks loose, Cale finds himself as the lone guy able to help protect President James Sawyer (Jamie Foxx, doing a not so subtle job of actually playing President Obama). The two scamper through the White House hoping to avoid death while also trying to eliminate the bad guys. Of course, the film finds time to have this racially mismatched duo crack wise with each other during the down moments, which feels cribbed from Die Hard 3.

We then move on to borrowing from the fourth Die Hard film as the protagonist's kid is put into peril. In this case, the moppet is Joey King, playing Cale's daughter. She's a political junkie who happened to be visiting the White House with her father at the time of the attacks. And of course, to remind us that the apple doesn't fall too far from the tree, we get several scenes of her finding ways of talking tough and standing up to the terrorists, even though most 10 years would be absolutely petrified by the events that occur in the film.

And if you thought that Die Hard 2 was ignored, you'd be wrong. These domestic terrorists are able to gain access to these government buildings with embarrassing ease largely because of their being at least one, if not more, moles within the President's administration. Apparently, in this America, the concept of background checks is the only thing that is too far-fetched.

I will grant you that director Roland Emmerich will never be confused as someone who makes sophisticated films. If you've seen any of his previous films, you'll know that they require you to stop thinking and just enjoy the goofy ride. I've been able to do that with some of his past films because they are so outlandish in their attempts at putting people in peril. However, after completely destroying the world in 2012, he really had no way of topping himself and thus this film feels like a let down. There are a few moments of zany inspiration, like a rocket launcher being used during a car chase on the front lawn of the White House, but it overall just felt like a noisy rerun of better action films.

There's an attempt to add some gravitas to the picture through its casting. James Woods is the retiring head of the Secret Service. Maggie Gyllenhaal is a Secret Service agent. And Richard Jenkins plays the aforementioned Speaker of the House. They all manage to keep a straight face through this silly plot, but their presence alone isn't enough to improve the overall quality of the film. As for Tatum and Foxx, they seem to be having fun in their respective roles, but they also come off as pale imitations of the real or fictional person they are emulating.

For a film like this to work, there needs to be a true sense of fun, which is absent here. You have to slog through a half hour of obvious exposition to set up every single plot payoff that will come in the film's finale. And as the action starts to pick up, the film spends too much time trying to figure out how reverent it should be when it comes to depicting a White House under siege. I also could have done with one or two fewer twists that come near the films end that unnecessarily overcomplicate the film's plot. I don't have a problem when a film liberally borrows from a successful formula, but White House Down follows it so dutifully that it prevents the film from being the escapist fun that it should be. Grade: C

Check this out

A big moment occurred this past week on The Price is Right. A game that many thought had been long retired made a glorious return. After a 4 year absence, Check Game came back all refurbished and looking good. Even if people hardly use checks anymore, it's still great to see this classic return to the price game rotation. You can watch it's first playing below.

Tribe Watch '13 (Week 12)

Record: 38 - 36

Standing: Second in AL Central (4 games behind Detroit)

A rather ho hum week for the Tribe. They managed to take two out of thee from both Kansas City and Minnesota. I certainly can't complain about that. Winning series is the name of the game and if we can keep that up, we'll be in good shape. Right now though, there's not a lot of energy or excitement behind the wins. We're not hitting as well as we could. We're not pitching as well as we could. We're doing just enough to eke out wins. For now that's ok, especially against divisional opponents. The wins against KC certainly helped put some separation between us and them for now. But I'd certainly like to see some more of that magic that we had during our really good stretch a month ago. Right now, I think a few key injuries are preventing that. Those won't last, so hopefully that means we can get that spark back sooner rather than later. In the meantime, let's just keep winnings and you'll find I'll have very little to complain about. Looking ahead to this week, we begin a lengthy road trip that involves playing a pair of 4-game series; first against Baltimore and then against the White Sox. Baltimore is showing that their postseason appearance last year wasn't a fluke. The Indians have not played well thus far against AL East teams, so it would be nice if that would begin to change. As for Chicago, they may have plummeted to the bottom of our division, but that doesn't mean we should take them lightly. I'd love to see us take advantage of their poor play and really beat up on them. If they do, you'll be looking at one very happy Indians fan come next week. Go Tribe!

Legend...wait for it...ary

Great Odin's raven! It's actual footage from Anchorman 2: The Legend Continues. No more teasers folks. Sit back, put on some jazz flute, and take in your first look at the new adventures of the Channel 4 News Team.

Fight or flight

Back in 2006, the attempt to reboot the Superman franchise seemed like a sure bet. Comic book movies had been growing in popularity and this film was being directed by a man who had already successfully kick-started a different comic book movie franchise. And yet despite all the things it had going for it, Superman Returns never really took flight. There were several theories as to why it didn't catch on with the public. Some went as far as to say that perhaps a good Superman movie was impossible given the dramatic limitations associated with his character.

Fast forward to 2012 where Marvel sees huge success with The Avengers film. Not to be outdone, DC Comics became dead set on making a Justice League movie, in order to have their own successful film featuring a group of superheroes. But for that to happen, they need to once again re-establish the characters individually. Enter Man of Steel, the latest attempt at establishing the Superman franchise.

Once again, we begin with a telling of the familiar story of how Kal-El was sent to Earth, Smallville, Kansas to be exact, because his home planet is on the brink of extinction. Superman's father, Jor-El (Russell Crowe), struggles with the decision to send his son away while also dealing with the treasonous General Zod (Michael Shannon), who differs philosophically from him on how the future of Krypton should be handled. The end result is General Zod being sent away to a limbo prison known as the Phantom Zone; this confinement is short-lived, however, as the destruction of Krypton enables Zod to become free

The film hits its stride as the scene shifts to Earth and focuses on Kal-El, now Clark Kent, and his upbringing. The film takes a non-linear approach to show how Clark has struggled with being different from everyone else, yet unable to show this to the world. Kevin Costner playing Clark's Earth father Jonathan is excellent in his scenes. He adds an emotional heft to his scenes that almost make it feel like he's in a different movie than everyone else. You feel the struggles he goes through to give protect Clark from the rest of the world while also protecting the rest of the world from Clark. The other interesting thing about this portion of the film is the decision to make Clark a wandering loner once he becomes an adult. Unsure of who he is or why he's different, Clark migrates from one town to the next hoping to avoid arousing suspicion. I like the Bruce Banner/Hulk approach they take to depicting this character and since it seems like we aren't going to be seeing another film solely featuring the big green guy anytime soon, why not use it here.

Though familiar, this front half of the film largely works. The back end of the picture is a different story as the plot shifts to the central conflict between Superman and Zod, who has come to Earth seeking Superman with plans to use him as a way to create a new Krypton. From the moment these two meet the film turn into a seemingly endless collection of action scenes that never find a way of differentiating from each other. It is one fistfight after another as Superman takes on Zod and his group of devoted soldiers. With Zod's group all being Kryptonians, they too have the same powers as Superman on Earth, which means their battles are quite epic and destructive. One of the driving narratives in all Superman stories, this film included, is Superman's devotion to Earth and to protect its citizens. Those motives can be questioned here given the way he leaves multiple towns in complete ruin in an effort to stop Zod.

Christopher Nolan's presence as a producer for the film does not seem like it was enough to counter director Zach Snyder's (300, Watchmen) compulsion for mind-numbing action. With his Batman trilogy, Nolan focused more on theme and narrative. Snyder takes an approach more akin to the Transformers franchise where the focus is on maximizing carnage instead of developing a compelling story. By the time the movie reaches its inevitable end, I felt exhausted, not enthralled.

While Man of Steel is a flawed film, I don't feel as if its problems set the franchise back in the same way that Returns did. This film suitably establishes the key pieces that can be used to set up future films. British actor Henry Cavill, though occasionally wooden in his delivery, has the perfect look for the role and I'm certainly interested to see what he could do in this role a second time. Amy Adams is also good as a more modern take on Lois Lane. In a way, Man of Steel works similarly to the first film of his Marvel counterpart, Captain America. Both films have their flaws, but succeed in at least showing us that these modern defenders of America still have a place in our post-modern society. Grade: C+

Balls to the Wall

After aiming at families with Hugo, Martin Scorcese returns to more adult fare with his latest, The Wolf of Wall Street, starring Leonardo Dicaprio, Matthew McConaughey, and Jonah Hill. This looks to be in the vein of Goodfellas, as it focuses on the excesses of people in power but you all know that it will inevitably all come crashing down on them. You can check out the first trailer for the film below.

Tribe Watch '13 (Week 11)

Record: 34-34

Standing: Second in AL Central (4.5 games behind Detroit)

The Indians had hit rock bottom the week prior as they were in the midst of an eight game losing streak and an even longer losing streak on the road. Thankfully this past week has seen some improvement in the team, at least as it relates to winning. The Tribe manages to take two out of three from both the Rangers in Texas and against the Nationals at home. I would not say that the wins were dominating, but the key for this team right now is to win series. If they do that on a consistent basis, they can compete. Clearly there are still guys offensively who are slumping. The good news is that slumps don't last forever, so they'll start to get hot again before you know it. The other positive for this team is that the schedule gets a lot easier from here on out. Only about a third of the Indians' remaining games will be against teams who currently have a winning record. It's important though that we continue to stay competitive right now for several reasons. One is because you don't want to fall too far behind Detroit. If they gain too much of a lead in the division, we'll lose some of our motivation to win. Second, if the front office feels like we are close, they'll be more compelled to be active near the trading deadline, which would mean hopefully making a move that would bring in a key piece to help fill in the gaps. Winning this week will be particularly important since we'll be facing off against a pair of divisional rivals. First, we begin a three-game set with the Kansas City Royals starting tonight. Kansas City has been on a roll recently and they are only a half game behind us in the standings. It'll be important to beat them so as to remain in second place. Then this weekend we take on the Minnesota Twins. The Twins are a team that we should beat on paper, but when it comes to divisional rivals, there's no such thing as a guarantee. Both series will be in Cleveland, where we've played much better. Let's hope the city of Cleveland keeps coming out to support this team. I'd love to see Progressive Field to be rocking all week long. Go Tribe!

Pucker up

A few weeks, a pair of pitchers from the Cleveland Indians, Zach McAllister and Vinnie Pestano, did a video for the MLB Fan Cave while in New York. They created a mobile Kiss Cam they took around the city for unsuspecting citizens to participate in. I like these efforts to get athletes more involved with the fans and to show their funny side as well. You can check out their hijinx below.

Omen holiday

Nearly five years ago to the day, I made a post on my blog about a viral video featuring Seth Rogen and Jay Baruchel dealing with the apocalypse. Fast forward to today and that short clip has mushroomed into a full fledged movie. This is the End features Rogen and Baruchel, as well some of their other famous friends like James Franco, Jonah Hill, Craig Robinson, and Danny McBride playing exaggerated versions of themselves as they deal with the end of days.

The film begins with Franco throwing a house party for all of his famous Hollywood friends. This of course leads to several celebrity cameos having fun with their real life personalities. For instance, you'll never be able to look at Michael Cera the same way after having seen this movie. Things turn cataclysmic in a hurry, however, as massive sinkholes develop, sending most of the party guests to their death. The central cast initially survive and barricade themselves in Franco's house unsure of what's happening.

It doesn't take long before the gang goes all Lord of the Flies on each other as they squabble over food rations, sleeping arrangements, and facing their mortality. The amount of humor your derive from these scenes will vary greatly. For me, I found there to be far more misses than hits when it came to the jokes. What was interesting is that most of the scenes weren't unfunny. Rather it's that I found myself sitting there nodding in agreement with what was being said rather than laughing at the anarchy. Because these guys are playing versions of themselves, a lot of the jokes were at the expense of each other. They would mock their personality traits or their bad movies or just their general phoniness. While some will be amused by the self-deprecating nature of the humor, I found myself wondering if these guys shouldn't be taking these comments more seriously and reevaluate their career choices.

Making the film more problematic is the tone that's created surrounding the humor. There are some truly disturbing scenes, especially early on as people meet their untimely death. I realize that the apocalypse isn't exactly a day in the park, but it was hard for me to appreciate the film's humor given the unpleasant setting that it had established. A lot of the horror and craziness of the film felt more like something from Sam Raimi, which is not a genre that I'm particularly fond of.

Despite placing the film within a very specific context, This is the End too often feels disjointed. The film moves from one comedy bit to the next with no sense of progression. Ideas and jokes are introduced but very few get paid off by the end of the film. You'll have things like Emma Watson randomly show up which provides the guys with an opportunity to make a few rape jokes and then she's gone and they move onto the next riff. You begin to see that this has been a project that's been percolating for 5 (or more) years. They have this collection of various ideas that may work individually but really don't add up to anything worthwhile.

I will give credit though for giving the right cast members the appropriate personalities in the film. For instance, Jay Baruchel is intended to serve as the heart and humanity of the film, which works considering he's probably the most likeable and least "Hollywood" of the bunch. Meanwhile, Danny McBride does what he does best by playing the douchy a**hole and Jonah Hill is a disingenuous prick. I probably would have struggled with the film even more than I did had they tried to force unnatural personalities onto any of these guys.

It's interesting that this film comes right off the heels of The Internship. In many ways these films couldn't be more different. While I seem to be in disagreement with a lot of other critics on both of these films, a lot of what my reviews for both pictures come down to is mood. The Internship offered a sunny optimism that infectiously made me enjoy all of the characters in the film. I'd much rather spend two hours with that cast than I would with the dreary, unpleasant narcissism that's on display in This is the End.

After watching this movie, it's become clear that this was an idea that worked as a short viral video and should have stayed at that. As a feature length movie, this is nothing more than a poorly cobbled together collection of bits, some of which are admittedly very funny, that really don't add up to anything more than a crass vanity project for Rogen and co. I actually could do a whole separate post analyzing why the film's final joke doesn't work at all, but given that it features another surprise cameo, I won't discuss it any further here. I have been a fan of a lot of these guys' work in the past, but there have been a lot of misfires by them, Rogen in particular, recently that make me question whether or not I should continue seeing their future films. Unless some drastic changes are made, I'm afraid "this is the end" for me watching this work. Grade: C

Seeing things

Last year, a documentary called Room 237 generated some buzz by offering a Critical Theory approach to examining Stanley Kubrick's film, The Shining. The film posits several theories about hidden meanings supposedly embedded into the film. For fans of the horror film, this offered a tantalizing look into some potential conspiracy theories. If you're not familiar with this documentary, here's the trailer for it.




The reason why I mention Room 237 is because today a video was released for a film called Spook Central, which supposedly gives the same critical treatment to Ghostbusters. If this film is legit, I will be very excited to see it. However, there are some elements to it that suggest this is a hoax rather than the real deal. While the voiceovers in the trailer sound legit, the editing of the video clips is rather rough and unpolished. Then there's the fact that some websites are reporting that "Ivo Shandor" directed this film (Shandor was a character in the film) and yet the video shows Michael Beck as the director. Other names listed in the credits of the video are of people who are dead. So who knows what to think at this point. If it turns out to be bogus, it's still fun to watch and ponder if such a film could be made. Decide for yourself by watching the video below.

RBR: Promised Land

While there are some subjects that just scream "this needs to be made into a movie", I highly doubt that the debate on frakking is one of them. And yet, here we are with a movie about just that. Matt Damon stars as a rising star at a natural gas company who's job it is to convince people in small farming communities to sell the rights for their land to be mined for gas. When he and his partner (played by Frances McDormand) visit a small Pennsylvania town they are met by a colorful cast of townsfolk and a bit more opposition than they are used to when presenting the issue. To further complicate matters, a young environmentalist, played by John Krasinski (The Office) comes into town to further the anti-frakking cause. Directed by Gus Van Sant (Good Will Hunting), the film has its heart in the right place but struggles to maintain a compelling narrative. I knew exactly what the end result would be. However, I will give the film some credit for including a twist that I did not see coming that helps the story come to its inevitable conclusion. This is a movie that is difficult to hate, but it is also one that is difficult to get excited about unless you are really interested in the debate over this controversial extraction method. I liked most of the performances here, although I felt as if the film did not do its female characters much service here. Both McDormand and Rosemarie DeWitt, as a local girl that both Damon and Krasinski vie for, come off unfavorably based on the decisions that they make in the film. There are certainly far worse films that you could consider renting instead of this one, but outside of its unique subject matter, there's not a lot here that really warrants a recommendation. Rating: ***

Tribe Watch '13 (Week 10)

Record: 30 - 32

Standing: Second in AL Central (5.5 games behind Detroit)

What an utterly disastrous week for the Indians. The team was already struggling and then they proceed to get swept by both the Yankees and the Tigers. Our losing streak is at 7 games. We have lost 11 straight games on the road, which is the longest streak the Indians have had in over twenty years. We are back under .500 for the season. And we are now 5 and half games out of first place. There just are not many bright spots for this team right now as the offense is not producing and the pitching, while not terrible, have been giving up runs in key situations. The only thing I'm holding on to right now and keeping me from believing we are destined to have another second half implosion is the fact that we are playing an unbelievably rough schedule right now. It's been weeks since we have played a sub .500 team. We've got one more tough week and then things cool off considerably. We have to find a way to weather this storm. This week the Indians finish up this brutal road trip with a 3 game series in Texas. Then they will come back home this weekend to play the Washington Nationals. If we can have even a moderately productive week, it may help us refocus and get back to our winning ways against the lesser teams that we'll eventually play. If we have another week like this past one, then there may not be any recovery from it, which would set us up for another long disappointing summer. It may look bleak at the moment, but we gotta keep this town as "Believeland". Send some positive energy toward this team - any little bit could help these days. As always, Go Tribe!

RBR: Gangster Squad

In 2012, this had been one of my most highly anticipated films of the year. On the surface it had an interesting story, a rising director, and a stellar cast. The interest in this film certainly was not by me alone as there had been a lot of buzz around the film in the months prior to its release. Then last July everything changed. After the horrible shooting at the Colorado theater, a major scene from this film involving gangsters opening fire in a theater had to be removed and replaced with an alternative scene. This pushed the film's release back to January of this year. This to me was a curious move. I understood the need for reshoots so as to be sensitive to the victims, but releasing the film in January, a time typically set aside as a dumping ground for bad movies, didn't make sense if the film was as good as it appeared. Turns out, it was apropos to give it that release date as this is a wildly disappointing film. While certainly not terrible, I sat in wonderment as to how such talented people could be involved in such mediocre work. The film is slow going to begin as it tries to establish all of its primary character. The central battle is between square-jawed good cop, John O'Mara (Josh Brolin) and boxer turned mobster, Mickey Cohen (Sean Penn). Penn, who I feel often overacts too much in his roles turns in a surprisingly forgettable performance here. You never really feel the menacing hold that he supposedly has over the city of Los Angeles. O'Mara puts together a group of fellow cops who's mission it is to take out Cohen. They include a number of decent character actors including Anthony Mackie, Michael Pena, Giovanni Ribisi, and Robert Patrick. As this squad comes together to find ways of picking apart Cohen's empire, the film does pick up a bit. These scenes work for the most part, but also don't offer anything that we haven't seen in other gangster films. If the focus had remained on the squad vs. Cohen, the film may have worked better. Unfortunately, they saddle the film with unnecessary subplots like the romance between Jerry (Ryan Gosling), who plays a renegade member of the squad, and Grace (Emma Stone), who is also seeing Cohen. I love Emma Stone, but she doesn't work in this role. The one performance that does work here is Mireille Enos, who plays Brolin's wife. Early on, it seems like she's just going to be the stereotypical cop wife who's constantly worried about her husband's safety. However, we see that she actually plays a more integral role in her husband's efforts to take down Mickey. Frankly, I would have actually liked to see more of their relationship and eliminate Emma Stone's character completely. As for the film's climax, it is not only unsatisfying, but also somewhat unbelievable given what we are told about Cohen's boxing background. With such a deflating ending, the whole movie vanishes from your memory almost as soon as its over. I'd like to say that the performances alone make it worthy enough to a be rental, but I can't. The only real crime being committed here is it stealing 2 hours away from audience's lives. Rating: ** 1/2

Tern back time

I've been doing my best to catch up on my movie reviews and now it turns out I can actually do one BEFORE a movie is widely released in theaters. Earlier this week I caught a sneak preview of The Internship, the first re-teaming of Vince Vaughn and Owen Wilson since 2005's Wedding Crashers. It's pretty remarkable to think that it's taken this long to get these two back on screen together considering how successful that film was and the struggles both men have had at recapturing that greatness alone since then.

In this new outing, they play a couple of struggling watch salesmen who find themselves being squeezed out of their own industry. In the sales world, the human being is going the way of the dinosaur it seems. Desperate to stay relevant, Vaughn's Billy comes up with the idea of having him and Wilson's Nick apply for an internship at Google. Despite not being in the typical demographic of who gets selected, these two guys manage to earn a chance of vying for the position. Once on Google's campus, they compete with a group of young, tech-savvy nerds in a series of "mental Hunger Games" for one of the internship slots.

A lot has been and will continue to be made about the proliferation of Google in this movie. Some critics have gone so far as to say the movie is nothing more than a 2 hour commercial for the search engine. I, however, did not take much issue with this. Yes, they likely could have told the same story using a completely fake tech company, but I never felt as if I was constantly being persuaded to use their services. The inclusion of Google seems organic to the story and creates a unique atmosphere that feels different than if this were set on an average college campus or corporate office. In fact, I probably had a tougher time with the Miller Lite product placement, than I did with Google. That seemed way more forced than their use of Google.

What didn't feel forced was the performances and friendship of Vaughn and Wilson. They pick right up where they left off with the fast-talking, laid-back fun they so easily conveyed in Crashers. What's more, there seems to be an energy to their performances that hasn't been seen from either of them in a long time as well. Vaughn, especially has seemed like he's phoned it in on a lot of his recent comedies, so it was nice to see him get excited with a role once again (this may partially have to do with the fact that Vaughn also co-wrote the script). No doubt if you were a fan of their previous work together, you'll be happy to see them back together here.

Though not nearly as wild or raunchy as their previous effort (this film is rated PG-13), this film works because it delivers laughs consistently. There are 2 or 3 big scenes that not only offers an overall humorous presence, but contain several good jokes within the scenes. Without spoiling it, there's a really great scene involving the characters competing in an "athletic competition" that had me rolling with laughter. The film also doesn't rely solely on Vaughn and Wilson to provide all the humor. Supporting actors like Aasif Mandvi (The Daily Show) and Josh Gad (The Book of Mormon) steal their scenes. You also have some cameos appearances from some well known people. They pop-in, generate a few laughs, and quickly leave so as not to bog down the story.

Some will argue that a film like this doesn't need its 2 hour runtime, but in this particular case I think it worked. For one, I never felt like the movie dragged. And perhaps more importantly, with the extra time I felt like director Shawn Levy (Real Steel) was able to let the story breathe a little bit more. The group of younger students that Vaughn and Wilson team up with are each given some character development that enables us to have a rooting interest in their success just as much as we want to see Vaughn and Wilson triumph. With that said, the inclusion of a love story between Wilson and a Google employee played by Rose Byrne probably didn't need to be included, even if there's nothing wrong with their scenes.

Nothing about the story in The Internship is particularly new. It takes elements of the fish-out-of-water story, along with college campus hijinx to give us another tale of the underdog's unlikely ability to win. Any feeling of cynicism toward that lack of originality is eliminated because of the lack of cynicism seen in the film. Despite being beaten down by the world at every turn, these two characters remain enthusiastic about life and infuse that into everyone they meet. And unlike a movie like Larry Crowne where the positivity was seen as naiveté toward current real life economic hardships, the optimism here is infectious and makes you believe that the American Dream is still possible for each and every one of us.

The Internship does not have the same sharpness as some of the best comedies of the past decade, but I would have to call this a pleasant surprise. The film's trailer does not properly convey how much fun this film is. Even if you know where the story is heading, the jokes aren't telegraphed and that is what's most important about a movie like this. If you're looking to laugh, I recommend you use Google to search for when The Internship is showing in your city (oh no, maybe the film got to me after all!!). Grade: B

All bets are on

Here's your first look at Ben Affleck's follow-up (as an actor) to Argo. In Runner Runner he goes to the dark side as he tangles with Justin Timberlake in the world of online gambling. I'm not sure if it's best picture worthy, but certainly looks like it could be an exciting thriller. You can check out the trailer below.

A space time continuum

One of my most enjoyable movie watching experiences was with the 2009 reboot of the Star Trek franchise. Director J.J. Abrams had the unenviable task of trying to reboot an iconic franchise for a whole new generation. While it is always daunting to try and take on a role played so famously by someone else, it was the cast that made that movie work. They not only had great chemistry with each other, but they all seemed to find a way to balance paying homage with infusing something new into their characters.

Four years later, the Enterprise crew is back for a new set of adventures in Star Trek Into Darkness. Once again, Abrams directs this likeable cast of explorers as they battle an enigmatic villain named John Harrison. Played with scowling menace by Benedict Cumberbatch, Harrison wreaks havoc on Starfleet with attacks on several of their buildings. Captain Kirk (Chris Pine) and his crew are tasked with taking out the threat but they learn there's more to this character than just being your average terrorist. Of course, I can't say too much more about him without spoiling key pieces to the film's story

Without going into too great of detail to the movie's plot points, I can say that I don't feel the story holds up well under scrutiny. Whenever you're dealing with big budget action picture, there are likely going to be some plotholes. Those don't bother me as much as the familiarity factor. Too much of the overall story, as well as individual set pieces feel cribbed from other films. Take for instance the scene where the Enterprise crew has midway through the film captured Harrison and placed him in a "secure" cell so that they can interrogate him. This setup has been done way too much recently in films including Skyfall, The Avengers, and The Dark Knight. Anyone with half a brain can see exactly what will happen next.

The writers not only borrow material from other franchises, but from their own as well. Several of the film's key plot points were done in previous Trek films. If you recall in the 2009 reboot one of the twists was that the timeline had been altered thanks to Spock going through a wormhole. This was how the film could justify having both Zachary Quinto and Leonard Nimoy both play Spock. I guess the writers felt this gave them justification for revisiting storylines from the original series and films and giving them slight changes. It's too cute of a concept and just comes off as being lazy rather than clever. The fact that it took this group four years to make a film that at times feels like a remake of Wrath of Khan is rather disappointing.

The issues of disappointment, however, really only come after you have left the theater. In the moment, Star Trek Into Darkness holds up as a thoroughly entertaining film. Once again, the interplay between the cast is what works the best. The actors have great comedic timing with each other during the film's lighter moments. And yet when things get more serious, you largely buy into the emotions (or in Spock's case lack of emotion) that they try to convey.

From a technical standpoint, the movie is also a winner. I know some get irritated with Abrams' use of lens flare, but it's only noticeable if you want it to be noticeable. The rest of the visual effects are impressive and give the film an added sense of drama. You appreciate the detail that goes into each location whether it is the intricacies of the construction inside the Enterprise or the unique, strange planets that the crew travels to. Watching it, I wasn't only impressed with what I was seeing, but also excited about the prospect of Abrams being able to bring that same creative vision to the Star Wars franchise in a few years.

Like the vast area that the Enterprise travels through, Star Trek Into Darkness is an empty thrill. It's a well made film that really does not offer viewers anything new. The excitement that the 2009 reboot offered has begun to wane. All of the parts are there to allow this to remain a successful franchise, but future films need to be smarter with the stories they tell. This sequel offers few surprises and telegraphs the few that it does have with unnecessarily heavy amount of scenes of exposition. With J.J. moving over to Jedi country, hopefully some new voices can come in and do something great with the solid foundation is in place. As for this film, while very entertaining as summer popcorn fare, its story boldly goes where too many men have gone before. Grade: B

How do you Do?

It wouldn't be summer it seems without at least one teen sex comedy. Some can be downright awful, but The To-Do List starring Parks and Recreation's Aubrey Plaza seems like it might have some wit to go along with the raunchiness. At the very least, it can boast a stellar cast of very funny people. Check out the trailer below, but warning, the clip is NSFW!

Tribe Watch '13 (Week 9)

Record: 30 - 26

Standing: Second in AL Central (0.5 games out of first place)

From a record standpoint, the Indians did better this week than the previous week, but it was still something of a letdown. The week began with the Indians splitting their series with the Reds as both teams won both of their home games. I was pleased that our starting pitching did well against their potent lineup and if we were to face them again in the World Series, I have confidence that we would not be outmatched. The Tribe then finished out their homestand by losing 2 of 3 to Tampa Bay. The first game should have been a rain out, but given the poor scheduling done by MLB, their hand was forced and the game didn't truly get started until midnight and was a battle of bullpens, so not the best display of our talent. The one that hurts is our loss on Sunday. It hurts for a few reasons. One is that is was a lopsided loss and we haven't had a ton of those so far this year. Second, it was a rare bad start by pitcher Zack McAllister. Losing that game also meant we lost the series. But perhaps worst of all is that it was a deflating loss that comes on the eve of the Tribe's most important road series of the year. Our next 9 games will be on the road against the likes of the New York Yankees, Detroit Tigers, and Texas Rangers. Detroit and Texas are currently in first place in their respective divisions and the Yankees were atop the AL East last week before going on a recent skid. These are three very good teams that the Indians will need to find a way of staying competitive against. If we can somehow come out with at least 5 wins on this road trip, I'll be very happy. It'll also further bolster my confidence that this team has what it takes to play in the postseason. It may be disastrous, it may be great, but either way I'll be watching them every step of the way. Go Indians!