RBR: Lawless

Somewhere buried inside Lawless, the true story of the Bondurant brothers who ran the biggest moonshine outfit in Virginia during prohibition, is a really good movie. It's unfortunate that director John Hillcoat is unable to get that on screen. For everything going for this film, there seems to be some sort of counteracting element. Tom Hardy, who more people saw as Bane in The Dark Knight Rises this summer, actually gives a more compelling performance here as Forest Bondurant. He is a man of few words and yet you hang on to everything he says. But then there's Shia Labeouf who is completely out of place here. Too much of the film centers around his petulant character that becomes more grating as the movie goes along. Labeouf's hacky performance though is not the only problem with this film. Gary Oldman who plays a Chicago gangster is excellent as always but is severely underutilized. I expected him to play a much larger role, yet by the film's climax he's completely gone. There are also some major pacing issues with the film. The first half of the film feels very choppy and unfinished. Scenes are strung together with no real coherency. At times I felt like I had been drinking moonshine and kept blacking out. The second half of the film turns into a traditional shoot-out that felt needlessly bloody and violent without giving a completely satisfactory conclusion. While I've focused on a lot of the negatives, I don't want to give the impression that this is a film without merit. The flaws of this film are only more apparent because of how close it was to being a great movie. I think if the subject matter is of interest to you, I would definitely recommend checking this film out now that it's available to rent. Though it's not a 100 proof, there's still enough here to give you a decent buzz. Rating: ****

Into the Knight

A staple in comic book storytelling is to stack the odds against the hero so that it seems impossible for him to come out victorious, only for him to do just that. Director Christopher Nolan was placed into a similar situation when tasked with trying to bring his Batman trilogy to a close. After the success of 2008's The Dark Knight, high expectations were set for the follow-up. When you add in tragic real-life events that create an ominous setting around the film, it seems nearly impossible for the film to be well received and yet like any good hero, he found a way to succeed.

The Dark Knight Rises begins eight years after the events of the previous film. In the wake of Harvey Dent's murder, the streets of Gotham have been cleaned up and Batman has vanished after taking the fall for Dent's death. With the Caped Crusader not needed, Bruce Wayne (Christian Bale) struggles to find meaning in his life and ends up being a Howard Hughes-esque recluse. Of course, this being Gotham, an evil presence is always lurking somewhere. Enter Bane (Tom Hardy), a man with a metal breathing mask who is hellbent on anarchy and destruction.

While Bane is a new character, we quickly learn that his origins, as well as his motives, are strongly connected to storyline elements established in the first film of this trilogy. Nolan and his brother, who co-wrote the script, do a great job of having characters and themes introduced in Batman Begins come full circle here. This is not to say that this film in any way feels like a retread of the earlier film.

In fact, Bane is not the only fresh face that is part of the crowded cast. Joseph Gordon Levitt plays John Blake, a young cop who becomes allies with Commissioner Gordon (the always terrific Gary Oldman). Though a new character to the Batman universe, he fits right in, thanks in part to a great performance by Gordon Levitt, and in some ways serves as the soul of the film.

One of the most heavily discussed additions to this film was the casting of Anne Hathaway as Catwoman. Fanboys were quick to complain about this decision, but they couldn't have been more wrong. She nails the character and brings an energy to the screen in each of her scenes. You would have thought that after being wrong about casting Heath Ledger as the Joker, people would learn to trust Nolan's judgment. Though I don't believe any plans are in place, I would have no problem if they wanted to spinoff her character into its own franchise.

Despite all of these characters, the film still centers around Batman, even if he doesn't necessarily have a tremendous amount of screen time. Nolan has always been equally interested in both Batman and Bruce Wayne and in this film, we see that before Batman can truly be back, Bruce Wayne has to come back as well. Those looking for endless scenes of Batman fighting bad guys may not appreciate what they get here, but in doling out those scenes sparingly, we get a much stronger payoff by the end. The last third of the movie is particularly strong. I wasn't exactly sure how things were going to play out, but I loved every minute of it. It's thrilling, exciting, moving, and altogether satisfying.

If there's a criticism to made against the film, I could argue that it's not as 'fun' of a movie, especially in comparison to The Dark Knight. That may not be a fair comparison though given the tonal differences between the two films' villains. Plus, Return of the Jedi offers a valid case as to why it isn't a good idea to close your trilogy on merriment. This is a film that's highly ambitious, especially in trying to tackle topical themes like greed, fear, leadership, civil discontent, and corruption. As much as I liked it, I feel that I and a lot of people will continue to appreciate it more on successive viewings.

Commissioner Gordon said that Batman was not the hero Gotham needed, but the hero they deserved. Fans of this franchise deserved a satisfying conclusion to this story. Thanks to Christopher Nolan and his extraordinary cast, they have gotten just that. Grade: A-

RBR: This Means War

This is another sad example of when bad movies happen to good actors. I love Reese Witherspoon and Chris Pine and Tom Hardy are both rising stars, yet being in this film did not of them any service. The ridiculous set up involves Pine and Hardy playing CIA agents who are also friends and also just happen to be dating the same girl (Witherspoon). They decide to use all of their available spy tactics in order to be the one that ultimately wins the girl. Their efforts are stalkerish and mean, yet are meant to be played for laughs. Meanwhile, Witherspoon's character doesn't come off well either as she's never upfront to either guy about seeing someone's else. We also have to trudge through several unfunny scenes involving her receiving advice from Chelsea Handler, who's stiff delivery grates on you quickly. About the only funny line in the film comes from Chris Pine who confuses Handler for an old man (How is that there's only a one year age difference between Handler and Witherspoon?) The implausibility of the story may have been tolerated more had it not been coupled with the poor direction of McG. Action scenes are edited at a dizzying pace and every shot in the film apparently required a bright light to be shone in the background. I'm not there will be many people tempted into seeing this because of its cast, but do yourself a favor and skip it. Rating: **

Excitement Rises

I should have posted this sooner, but I held off watching this latest trailer for The Dark Knight Rises until I could see it in theaters. Since I got to see it with The Avengers yesterday (review forthcoming), I can now put it up here. If you haven't seen it yet, give it a look below.

RBR: Tinker Tailor Soldier Spy

I actually saw this film several weeks ago but held off doing my review because I had hoped to watch it again before writing my critique of it. Now I'm not sure when or if I'll see it again, so before it completely evaporates from my memory, I figured I better take care of it now. This is one of those dense films that rewards patient moviegoers who enjoy paying close attention to what they are watching. Based off of a John LeCarre novel, the film focuses on an ex-British spy named George Smiley (Gary Oldman) who's tasked with trying to find a mole. Set during the Cold War, paranoia runs high as anyone and everyone is a likely suspect. From a narrative perspective, this is not an easy film to follow. It plays loose with its timeline and it takes you a long trying to figure out who each character is. Those who aren't willing to put in the effort will likely get frustrated with this film quickly. But if you stick with it, you'll be rewarded with several good performances by the cast. The film also creates an effective moody tone that enables a lot of the scenes to crackle with tension and thrills. Still the inaccessible nature of the film makes it tough for me to completely love the film. If you want a challenge, I would recommend you give this film a try, but this is not a movie for everyone. Right now I feel that this film falls just short of my top ten list, although I may be open to reconsideration if I get a chance to rewatch it again at some point. Rating: ****

Making a good first Depression

Check out the preview for Lawless, a Depression-era drama set to come out this summer. It's an effective trailer for a film that has an impressive cast, even if Shia LeBeouf feels woefully out of place here amongst the rest of the talented actors. This may serve as some effective adult counter-programming among the rest of the blockbusters aimed at younger audiences.

RBR: Warrior

When this film came out last fall, I initially dismissed it as something that I would not have any interest in. However, after it received surprisingly strong reviews and earned Nick Nolte an Oscar nomination, I decided to be open-minded and give it a try. The story surrounds two estranged brothers (Tom Hardy and Joel Edgerton) who have had different upbringings but have fighting in their blood. When a major MMA tournament is announced both brothers sign up for it hoping for some sort of redemption. Emotions boil over as we arrive at the inevitable conclusion of them facing each other in the finals. Like Real Steel the story doesn't offer the viewer anything too new. However, the acting is solid here, especially Nolte who is worthy of his nomination. The film was also made by people familiar with the sport of Mixed Martial Arts as the fights are expertly filmed and come off as authentic. Perhaps its unfair to compare, but given how close this film came out to the similar and better, The Fighter it's hard not looking at this as a lesser film. Still, if this is a genre you enjoy or if you are a fan of MMA fighting, I feel you'll find this to be an enjoyable film. Rating: *** 1/2