Fight or flight

Back in 2006, the attempt to reboot the Superman franchise seemed like a sure bet. Comic book movies had been growing in popularity and this film was being directed by a man who had already successfully kick-started a different comic book movie franchise. And yet despite all the things it had going for it, Superman Returns never really took flight. There were several theories as to why it didn't catch on with the public. Some went as far as to say that perhaps a good Superman movie was impossible given the dramatic limitations associated with his character.

Fast forward to 2012 where Marvel sees huge success with The Avengers film. Not to be outdone, DC Comics became dead set on making a Justice League movie, in order to have their own successful film featuring a group of superheroes. But for that to happen, they need to once again re-establish the characters individually. Enter Man of Steel, the latest attempt at establishing the Superman franchise.

Once again, we begin with a telling of the familiar story of how Kal-El was sent to Earth, Smallville, Kansas to be exact, because his home planet is on the brink of extinction. Superman's father, Jor-El (Russell Crowe), struggles with the decision to send his son away while also dealing with the treasonous General Zod (Michael Shannon), who differs philosophically from him on how the future of Krypton should be handled. The end result is General Zod being sent away to a limbo prison known as the Phantom Zone; this confinement is short-lived, however, as the destruction of Krypton enables Zod to become free

The film hits its stride as the scene shifts to Earth and focuses on Kal-El, now Clark Kent, and his upbringing. The film takes a non-linear approach to show how Clark has struggled with being different from everyone else, yet unable to show this to the world. Kevin Costner playing Clark's Earth father Jonathan is excellent in his scenes. He adds an emotional heft to his scenes that almost make it feel like he's in a different movie than everyone else. You feel the struggles he goes through to give protect Clark from the rest of the world while also protecting the rest of the world from Clark. The other interesting thing about this portion of the film is the decision to make Clark a wandering loner once he becomes an adult. Unsure of who he is or why he's different, Clark migrates from one town to the next hoping to avoid arousing suspicion. I like the Bruce Banner/Hulk approach they take to depicting this character and since it seems like we aren't going to be seeing another film solely featuring the big green guy anytime soon, why not use it here.

Though familiar, this front half of the film largely works. The back end of the picture is a different story as the plot shifts to the central conflict between Superman and Zod, who has come to Earth seeking Superman with plans to use him as a way to create a new Krypton. From the moment these two meet the film turn into a seemingly endless collection of action scenes that never find a way of differentiating from each other. It is one fistfight after another as Superman takes on Zod and his group of devoted soldiers. With Zod's group all being Kryptonians, they too have the same powers as Superman on Earth, which means their battles are quite epic and destructive. One of the driving narratives in all Superman stories, this film included, is Superman's devotion to Earth and to protect its citizens. Those motives can be questioned here given the way he leaves multiple towns in complete ruin in an effort to stop Zod.

Christopher Nolan's presence as a producer for the film does not seem like it was enough to counter director Zach Snyder's (300, Watchmen) compulsion for mind-numbing action. With his Batman trilogy, Nolan focused more on theme and narrative. Snyder takes an approach more akin to the Transformers franchise where the focus is on maximizing carnage instead of developing a compelling story. By the time the movie reaches its inevitable end, I felt exhausted, not enthralled.

While Man of Steel is a flawed film, I don't feel as if its problems set the franchise back in the same way that Returns did. This film suitably establishes the key pieces that can be used to set up future films. British actor Henry Cavill, though occasionally wooden in his delivery, has the perfect look for the role and I'm certainly interested to see what he could do in this role a second time. Amy Adams is also good as a more modern take on Lois Lane. In a way, Man of Steel works similarly to the first film of his Marvel counterpart, Captain America. Both films have their flaws, but succeed in at least showing us that these modern defenders of America still have a place in our post-modern society. Grade: C+

Dead and loving it

R.I.P.D. is based on a graphic novel and from the look of this first trailer, this could either be a wild, fun ride or an unmitigated disaster ala Jonah Hex.

Super trooper

For certain films, I find myself on the fence as to whether or not I actually want to see it and it usually takes a really good trailer to convince me. Well the latest Superman movie, Man of Steel was one of those movies and the latest trailer has won me over. I'm now ready to see Superman take flight again. If you haven't seen it yet, here's the trailer for you to see.

Privileged planet

Fans of the sci-fi film District 9 have been anxious to see what director Neill Blomkamp has in store for a follow up. Well wait no more as here's the first look at his new film, Elysium due out this August.

2 tickets to the Guns show

Here's a trailer for the new action comedy 2 Guns starring Denzel Washington and Mark Wahlberg. This looks like it could be a lot of fun, particularly during the dog days of summer.

Chain of Fools

The cast of This is the End decided to get in the holiday spirit and offer up a new "trailer" to promote their movie. Check it out below.

Claws for concern

Iron Man isn't the only Marvel superhero gracing the screen this summer. Wolverine is back as well and this time he's fighting ninjas. Check out the first full trailer for The Wolverine

Fur beta kappa

School is almost back in session for Mike and Sully. Here's the new trailer for the Monsters Inc. prequel, Monsters University

Tony Express

Hard to believe, but it's already time to start thinking about summer 2013. After the big success of The Avengers this year, everyone's anxious to see what will happen to these characters next. Well, you can get your first glimpse at one of them with the newly released teaser trailer for Iron Man 3.

Into the Knight

A staple in comic book storytelling is to stack the odds against the hero so that it seems impossible for him to come out victorious, only for him to do just that. Director Christopher Nolan was placed into a similar situation when tasked with trying to bring his Batman trilogy to a close. After the success of 2008's The Dark Knight, high expectations were set for the follow-up. When you add in tragic real-life events that create an ominous setting around the film, it seems nearly impossible for the film to be well received and yet like any good hero, he found a way to succeed.

The Dark Knight Rises begins eight years after the events of the previous film. In the wake of Harvey Dent's murder, the streets of Gotham have been cleaned up and Batman has vanished after taking the fall for Dent's death. With the Caped Crusader not needed, Bruce Wayne (Christian Bale) struggles to find meaning in his life and ends up being a Howard Hughes-esque recluse. Of course, this being Gotham, an evil presence is always lurking somewhere. Enter Bane (Tom Hardy), a man with a metal breathing mask who is hellbent on anarchy and destruction.

While Bane is a new character, we quickly learn that his origins, as well as his motives, are strongly connected to storyline elements established in the first film of this trilogy. Nolan and his brother, who co-wrote the script, do a great job of having characters and themes introduced in Batman Begins come full circle here. This is not to say that this film in any way feels like a retread of the earlier film.

In fact, Bane is not the only fresh face that is part of the crowded cast. Joseph Gordon Levitt plays John Blake, a young cop who becomes allies with Commissioner Gordon (the always terrific Gary Oldman). Though a new character to the Batman universe, he fits right in, thanks in part to a great performance by Gordon Levitt, and in some ways serves as the soul of the film.

One of the most heavily discussed additions to this film was the casting of Anne Hathaway as Catwoman. Fanboys were quick to complain about this decision, but they couldn't have been more wrong. She nails the character and brings an energy to the screen in each of her scenes. You would have thought that after being wrong about casting Heath Ledger as the Joker, people would learn to trust Nolan's judgment. Though I don't believe any plans are in place, I would have no problem if they wanted to spinoff her character into its own franchise.

Despite all of these characters, the film still centers around Batman, even if he doesn't necessarily have a tremendous amount of screen time. Nolan has always been equally interested in both Batman and Bruce Wayne and in this film, we see that before Batman can truly be back, Bruce Wayne has to come back as well. Those looking for endless scenes of Batman fighting bad guys may not appreciate what they get here, but in doling out those scenes sparingly, we get a much stronger payoff by the end. The last third of the movie is particularly strong. I wasn't exactly sure how things were going to play out, but I loved every minute of it. It's thrilling, exciting, moving, and altogether satisfying.

If there's a criticism to made against the film, I could argue that it's not as 'fun' of a movie, especially in comparison to The Dark Knight. That may not be a fair comparison though given the tonal differences between the two films' villains. Plus, Return of the Jedi offers a valid case as to why it isn't a good idea to close your trilogy on merriment. This is a film that's highly ambitious, especially in trying to tackle topical themes like greed, fear, leadership, civil discontent, and corruption. As much as I liked it, I feel that I and a lot of people will continue to appreciate it more on successive viewings.

Commissioner Gordon said that Batman was not the hero Gotham needed, but the hero they deserved. Fans of this franchise deserved a satisfying conclusion to this story. Thanks to Christopher Nolan and his extraordinary cast, they have gotten just that. Grade: A-

Deja view

Feel like every movie you see is exactly the same, well here's your proof...

Every 3D Movie is the Same - watch more funny videos

Creation story

Much ado has been made about Ridley Scott's latest film Prometheus as to whether or not it is a prequel to the beloved Alien franchise. Whether it be fans of the original series or those just curious about the mystery surrounding this new movie, this has become one of the most anticipated films of the year. Of course, with that anticipation comes the possibility of disappointment if it fails to live up to expectations. Thankfully, this film manages to satisfy those expectations, even if it doesn't fully address everything that some may have wanted the film to do.

Prometheus is about a pair of scientists who believe they have discovered the beings responsible for the creation of the human race and set off on a space voyage along with a crew of several other travelers to the moon that they believe these beings are on. Of course, like most sci-fi space explorations they get more than they bargained for once they begin exploring this distant land.

One of the early signs that there is a connection between this film and the Alien series is the presence of an android on this space flight. David (played by Michael Fassbender) is perhaps the most compelling character in the film. He's not only integral to the interactions the humans have with the beings they encounter, but he also posits some of the film's most compelling questions. At times, David's motives are a bit unclear. The fact that he's a robot, and thus possesses no human emotions, only complicates matters. At times this can be frustrating. But ultimately, I think what it does is spurs healthy debate amongst those who enjoy and want to discuss this movie in great detail.

David's motives are not the only aspect of this film that is left unanswered. The film addresses but does not give clear answers to some major philosophical questions including 'where did we come from' and 'is our fate entirely in our control?'. It should come as no surprise that one of the film's co-writers is Damon Lindelof, who wrote for the TV series, Lost The Lost DNA is felt heavily throughout the film as it not only deals with those eternal debates but only tackles things like daddy issues and infertility.

Again, if you have someone who is willing to engage you on these topics after seeing the film, they make for a rich cinematic experience, but I would also imagine that there will be plenty out there who find their addition to the film's narrative unnecessary. Some people are simply looking for a film that features gooey creatures bursting out of people's chests and scaring the bejeebus out of audiences. Thankfully, the film offers plenty of that in here as well. Let there be no doubt at this point, that this IS an Alien prequel both in story and in spirit. There are plenty of frightful moments in this film that leave many of the human characters in great peril. Without giving too much away, one of the film's best scenes involves Dr. Elizabeth Shaw (Noomi Rapace) attempting surgery on herself in an awesomely squemish sequence. After all these years, Scott still knows how to craft a good creature feature.

While it's hard to overlook it when we're talking about film featuring tons of slimy aliens, there is several noteworthy acting performances as well. As noted above, Fassbender is great as David as he continues to deliver one fine performance after another. Charlize Theron as the corporate-minded executive who oversees the Prometheus flight gives a nice, steely performance. I also really liked Idris Elba, who has a number of great lines as the hard-edged captain of the ship.

In the end, Prometheus may have been a bit too ambitious trying to tackle larger issues than were necessary for a series like this. But it's hard for me to fault them for that. A little mythology never hurt anyone and we could use more film that inspire discussion rather than the mindless dreck that only appeals to those who like to see things go BOOM. The film, with its impressive visual look, really attacks you from all senses and leaves you satisfied. And just like the evil creatures who haunt our protagonists here, once you get a taste, it'll leave you wanting more. Grade: B+

Don't Treadstone on me

I've been on the fence about extending the Bourne franchise without Matt Damon, but this latest trailer for The Bourne Legacy has me completely sold. From the looks of things they've found a way of successfully integrating the existing storyline while also creating something unique as well. They appear to have enough actors from the previous films couples with some excellent new additions to make this a must see come this August. Have a look for yourself.

Political dogfight

Leslie Knope and the folks at Parks and Recreation aren't the only ones involved in comedic political campaigns. Later this summer, Will Ferrell and Zack Galifianakis will be squaring off in the political comedy, The Campaign. Here's your first look at the film via two fake political ads.

Excitement Rises

I should have posted this sooner, but I held off watching this latest trailer for The Dark Knight Rises until I could see it in theaters. Since I got to see it with The Avengers yesterday (review forthcoming), I can now put it up here. If you haven't seen it yet, give it a look below.

Making a good first Depression

Check out the preview for Lawless, a Depression-era drama set to come out this summer. It's an effective trailer for a film that has an impressive cast, even if Shia LeBeouf feels woefully out of place here amongst the rest of the talented actors. This may serve as some effective adult counter-programming among the rest of the blockbusters aimed at younger audiences.

Total remake

Here's the first trailer for Total Recall, a remake of the 1990 Arnold Schwarzenegger sci-fi action film.

In cyberspace, no one can hear you scream

Every time I see or read something new about Ridley Scott's upcoming sci-fi film, Prometheus I get increasingly excited for it to come out. Case in point, the latest trailer for the film which hit the web yesterday. Check it out for yourself...

Hero squad

I'm sure everyone's seen this by now, but if not, here's the first full trailer for the highly anticipated Avengers film, set to open in theaters next May.