Ant hardly wait

From comingsoon.net:

Rumored for the role since earlier this year, Paul Rudd is Marvel Studios' choice to headline Ant-Man! The Wrap reports that the Anchorman 2: The Legend Continues star will play Hank Pym in the July 31, 2015 release.

Set to begin production early next year in Georgia, Ant-Man will be directed by Edgar Wright, who co-wrote the script with Joe Cornish (Attack the Block).

Although there's no assurance yet that it remains the case, Wright's original plans for the film called for both Pym and the later Ant-Man of the comics, Scott Lang, to appear in the feature.

"The idea that we have for the adaptation is to actually involve both... Henry Pym and Scott Lang," Wright told SuperHeroHype some years ago. "So you actually do a prologue where you see Pym as Ant-Man in action in the 60's, in sort of 'Tales to Astonish' mode basically, and then the contemporary, sort of flash-forward, is Scott Lang's story, and how he comes to acquire the suit, how he crosses paths with Henry Pym, and then, in an interesting sort of Machiavellian way, teams up with him."

The film, which is supposed to launch "Phase Three" of the Marvel Cinematic Universe, will follow Avengers: Age of Ultron's May 1, 2015 release.

The World is not enough

Even though I saw it on opening weekend, I am once again behind the times when it comes to my movie reviews. In this case, it's for the latest entry in the Marvel film universe, Thor: The Dark World. This is the second solo film for the man with the mighty hammer, although he of course played an integral role in last summer's The Avengers as well.

While Thor's focus has been mainly on helping Earth in his previous adventures, this latest film sees him back in his home of Asgard. With his brother, the evil manipulative Loki (Tom Hiddleston) safely locked away in prison, Thor is enjoying peace among the worlds and poised to take over the throne from his father, Odin (played by Anthony Hopkins). Of course, peace and quiet does not last for very long as an dangerous army of dark elves, led by Malekith (Christopher Eccleston) is awakened and has set their sights on destroying Asgard and all of the other worlds in order to bring darkness across the entire universe.

The dark elves were reawakened thanks to Thor's Earth-bound love interest Jane Foster (played once again by Natalie Portman). While conducting some scientific research, Jane discovers the mysterious Aether, a substance that is the key to the dark elves' existence and their plan to bring darkness to the universe.

If all of this sounds a bit murky, shall we say, and confusing, then you're not alone. Once again Marvel has struggled to come up with a compelling villain to square off against one of its primary superheroes. The structure of the Marvel universe and the way these films are presented has certainly yielded big business but is also creatively putting them into a bind. The writers of these films are stuck with trying to find a villain that's compelling enough to be the focus of the film, yet not strong enough to make it reasonable that they can be dealt with by simply one hero as opposed to the entire Avenger team. Coupled with that is a lack of endgame to these films. As a result, each one is feeling procedural and perfunctory.

That is not to say that this film is not without its merits. Chris Hemsworth has embodied this larger than life character so smoothly that it makes you struggle to see anyone else but him in this role. And despite being imprisoned at the beginning of the film, there is still plenty of Loki found in this movie. He plays of Hemsworth and the cast very well to bring add some humor and malevolence to the scenes he is in. It is a shame that the Marvel films cannot develop additional villains that are as compelling as him. Let's hope that changes soon because they will be unable to keep going back to the Loki well every time.

Those who are fans of the fantasy genre will likely get more mileage out of this film than I did. Director Alan Taylor, who has worked in the past on shows like Game of Thrones knows how to stage the action nicely. He probably would have been better severed with having a film that remained exclusively in Asgard. The split time between Asgard and Earth presents some limitations. For one, too many characters from each world gets introduced without proper development. The Earth scenes are also problematic for the sake that they feel obligatory. It was as if the producers felt viewers would be turned off if the film wasn't at least partially rooted in our own world.

Too me, the Thor character works best as a team member rather than a solo star. This is certainly no knock on Hemworth. I just find myself caring less about Asgardian politics and more about seeing Thor just smash things with his hammer. As a weekend afternoon diversion, Thor: The Dark World is perfectly acceptable theater. But if you're looking for something truly epic, you'll have to keep waiting. This is a case of a lot of thunder, but the storm is still far off in the distance. Grade: B-

Winter is coming

As we count down the days until the Thor sequel hits theaters, the first trailer for a sequel to a different Avenger has hit the Internet. Here's your first look at Captain America: The Winter Soldier

Bad robot

We've got some cool Avengers 2 casting news today, courtesy of EW.com:

Avengers: Age of Ultron has its psycho robot.

James Spader has signed on to play the villain in writer-director Joss Whedon’s upcoming superhero sequel, Marvel announced today.

The film is set to open May 1, 2015.

Marvel’s announcement didn’t specify whether the three-time Emmy winner Spader (Boston Legal, The Practice) will perform motion-capture to play the mechanical being (as Mark Ruffalo does for his scenes as The Hulk), or simply provide the character’s voice.

Smart money says Spader’s commitment won’t be too intense. He’s starring in the NBC series The Blacklist this Fall, as an ex-government fugitive now helping the FBI track down the world’s most wanted criminals. That probably won’t give him a lot of time to go galavanting in a robot suit.

Whedon recently told EW’s James Hibberd about his plans for the character, an artificial intelligence with a heavy-duty god-complex, overwhelmed with rage toward his creators and longing to overtake the planet with his own spawn.

Think of him as a droid with one hell of a set of daddy issues. “As a character I love [Ultron],” Whedon says, “because he’s so pissed off.”

“I knew right away what I wanted to do with him,” Whedon added. “He’s always trying to destroy the Avengers, goddamn it, he’s got a bee in his bonnet. He’s not a happy guy, which means he’s an interesting guy. He’s got pain. And the way that manifests is not going to be standard robot stuff. So we’ll take away some of those powers because at some point everybody becomes magic, and I already have someone [a new character, Scarlet Witch] who’s a witch.”

In Marvel comics lore, Ultron is the creation of scientist Hank Pym, a.k.a. Ant-Man, a hero who has a suit that allows him to shrink to tiny proportions and a transmitter that can manipulate insects to do his bidding. Pym is a genius R&D guy, and Ultron is one of his greatest creations. But since the machine is designed to be self-aware and self-teaching, it quickly develops a narcissistic quirk in its programing that sends it off the rails into murder and mayhem.

Ultron begins rebuilding himself into more and more powerful iterations and seeks to create artificial life on his own in a twisted desire to become a parent — especially important since he feels betrayed by his own builder, Pym, when he doesn’t support his programming’s new murderous bent.

But Ant-Man, a film being co-written and directed by The World’s End filmmaker Edgar Wright, won’t be out until after the Avengers sequel. So there is a question about whether Ultron’s origin story will be changed, or if Pym will show up a little early. (Whedon has told Annalee Newitz of io9.com that he won’t.)

In footage shown at Comic-Con in July to announce the title and reveal Ultron as the new villain, it begins with a close-up of what appears to be Iron Man’s mask. We hear various lines from the assorted Avengers that were spoken in previous Marvel movies. As they bicker, the Iron Man helmet revolves and is pulverized by an unseen force.

At the end, we see the title reveal — and Iron Man’s mask has become Ultron’s grinning, fang-like metallic skull.

That has led to a lot of speculation that Robert Downey Jr.’s Tony Stark, no slouch in the Research & Development field for new technology, may be rewritten as the creator of Ultron, whose mission is to eradicate organic life from Earth and replace it with his own mechanical offspring.

Right now, we can only guess. But one thing is for certain — this pairing of ’80s Brat Packers Downey Jr. and Spader is the most unlikely Less Than Zero reunion anyone could have imagined.

Maybe Ultron just wants Stark to give him his 50K?

UPDATE: Even Whedon has gotten in on the action, tweeting this out to his followers…

All these old Spader & Spader/Downey references and NO LOVE FOR “TUFF TURF”?!?!?! Step up your game, people! #madthrilledbtw

Dark matter

With The Wolverine still fresh in theaters, we already begin to shift gears and get ready for the next Marvel entry. Here's the newest trailer for Thor: The Dark World

Mandarin play

I am waaaaay behind on my reviews, but I'm hoping to correct that starting now with my review of the first summer blockbuster of 2013.

How do you top dealing with an invading race of evil aliens? Well if you're Tony Stark, you take on an even tougher opponent - anxiety attacks. That's right, in Iron Man 3 we see the seemingly unflappable Tony Stark (Robert Downey Jr.) struggle with internal stress after the events that took place in last summer's The Avengers. Of course, there's still evil elsewhere in the world that he has to deal with, but we'll get to that in a moment.

Perhaps realizing that there was no way to top the out-of-this-world story of The Avengers, this film takes a closer look at the man in the metal suit. This is as much a Tony Stark film as it is an Iron Man film and that's not a bad thing. In this third outing, we dig deeper into Stark's growing realization of his responsibilities whether that's to his devoted assistant/girlfriend Pepper Potts (Gwyneth Paltrow), his close friend Rhodey (Don Cheadle), or the American population. That onus weighs heavily on Stark who can't sleep and avoids talking to anyone about his problems. Thankfully for the audience, Stark has too much of an ego to pull a Bruce Wayne recluse act, so instead he opts to hide his fears through sarcasm and wit. Once again, Downey shines here, delivering a number of hilarious one-liners.

Downey's performance stands out here, even moreso than normal, thanks to Shane Black, who took over directing duties from Jon Favreau. Black, who also co-wrote the film, has worked with Downey before and knows how to get the most out of him. Black, who's previous credits include Kiss Kiss Bang Bang and writing the original Lethal Weapon, really makes this film his own. Aside from knowing how to write for Downey, some of the other elements in the film including the Christmas setting and the buddy cop vibe are representative of Black's style as well. While I had no problems with Favreau's work, I really liked what Black brought to the franchise.

Some Iron Man fans, however, may take umbrage with some of the decisions he made. The biggest one of all will deal with the film's central villain, The Mandarin. While this villain does not have the same pop culture recognition as other comic book villains, he is considered by many to be Iron Man's greatest foe. In the film, he's an enigmatic character with a flare for the dramatic. Played by Sir Ben Kingsley, this is one of the most interesting villains I've ever seen in a film like this. While the role isn't as meaty as say Heath Ledger's Joker, there's a lot more going on with the character than just menace. As someone who was not a reader of the comics, the creative liberties that the film takes with the character's origins did not bother me, but I can understand why some would not embrace this interpretation.

This revised Mandarin works for me because there seems to be a concentrated effort to make a character that has been in existence for several decades relevant in today's society. The villains have been a weakness to this point in the franchise, but that changes here and elevates the movie as result. This is particularly true when it comes to the film's climax. In the first two films, particularly in the second, the final battle was underwhelming and perfunctory. This time, the audience gets more bang for their buck as good vs. evil clashes in grand fashion on an oil tanker. I would probably say that the film's final act is still its weakest, but in comparison to what we got earlier in the franchise, this is a vast improvement.

If I had a complaint about the film, it's that I would have liked for the story to build more toward future films, since we know more Avengers adventures are to come. Instead, this is very much a stand-alone film. Yes, the film makes a few references to the greater Marvel universe but nothing that really gets you excited for the future or provides you a sense of what's to come. Still, as summer blockbuster fare this does nothing but deliver. You have some fine performances, a nice balance of comedy and drama, and a few exhilarating action sequences (I particularly enjoyed the Air Force One rescue scene). What more could you ask for?

At the film's end, there's the promise that "Iron Man will return" and let's hope that means for more than just another go-round with the Avengers. While I recognize that Downey Jr. isn't getting any younger and may also get tired of putting on the big metal suit, there's no one else I could ever see playing this role. He brings Iron Man to life in more ways than one. Grade: A-

Agents of change?

You'll be getting a lot of TV news from me this week as the networks announce their upcoming fall lineups. One show that we already know will be on the fall lineup is the spinoff to the Avengers franchise, focusing more specifically on the group known as S.H.I.E.L.D. Set to air on ABC, you can already get your first, albeit extremely brief, look at what you can expect from Marvel's Agents of S.H.I.E.L.D.

Patton's speech

Hopefully you saw last week's episode of Parks and Recreation, which featured guest star Patton Oswalt playing a concerned Pawnee citizen who decides to filibuster the city council in an effort to stop certain charter laws from being changed. The focus of his filibuster was his proposed script for the upcoming Star Wars: Episode VII movie. If you missed it, you should certainly check out the episode, since it was fantastic. In the meantime, you can watch below the equally amazing uncut version of the entire filibuster that was done in one take. It's a thing of pure nerd awesomeness.

Deja view

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The Sum of All Cheers

With The Avengers blowing out box office records left and right, it may be a little pointless to do a review for the film now. But given that I haven't done a full movie review in a long time and the fact that everyone still wants to talk about this movie, I don't think anyone will mind.

There were certainly a lot of high expectations going into this film. You have the rabid fans of the comics, eager to see this super team on the big screen. But you also have all of the movie fans who have sat through several individual comic book movies that primarily served to set up this film. The good news is that despite those high expectations and the task of juggling such a large cast of characters, this film is a success
Credit to director Joss Whedon for taking on such a difficult task. He has shown though that he was more than capable of the job. He does a great job of not only giving each of the main characters sufficient screen time, but gives them individual opportunities to shine. Whedon's presence is also felt throughout the film as he peppers the script with several humorous one-liners and moments that are a trademark of his work. Despite a story that deals with the possible destruction of our planet, he finds plenty of chances to keep the feel of the film light and fun.

I will say that while this movie is a pure blockbuster thrill ride, it's not a perfect film. In many ways the creation of this film mirrors the path The Avengers take themselves to come together. The first half of the film feels a bit disjointed. Like the titular team, it consists of several individually great scenes that don't really build on each other. I began to get anxious waiting for something to happen and it felt like the plot was treading water - something I did not expect given how much time was spent with character development in the heroes' individual films.

However, things finally start to gel once we move into the final battle featuring the Avengers taking on Loki (brother of Thor) and the evil alien race that is set on destroying Earth in hopes of obtaining the Tesseract, the cosmic cube containing immense energy. This final act is just pure geek heaven as you watch each of these superheroes that you have come to love and enjoy team up and kick ass in a collective effort. Finally, we get the payoff that we've all waiting for and it delivers in spades.

Yes, this movie is all about being a team, but I would be remiss if I did not take time to point some indivually great performances in the film. Of course, Robert Downey Jr. is once again terrific as the brilliant, pompous, and sarcastic Tony Stark/Iron Man. He manages to be a star without upstaging anybody else in the movie, which is no easy feat. However, the true MVP of this film may be Mark Ruffalo, who steps in to play the Hulk/Bruce Banner. In the past, Marvel has failed at trying to find someone to play the green giant, but they finally got it right here. Ruffalo gives a nuanced performance as Banner and Whedon and co. do the rest in making the Hulk the awesome, destructive force that fans want him to be. Some of the best moments in The Avengers come from watching "Hulk Smash".

Again, no one is waiting on my recommendation to see this film, but I heartily endorse it nonetheless. This is what the summer movie season is all about. This film manages to blend humor and action seemlessly and create a movie that anyone can enjoy, despite the fact that it features a guy in a metal suit, a giant green monster, and the God of Thunder. So if you're the one guy on this planet who hasn't seen it yet, go out and do so. And for the rest of you, check it out again and catch the things you may have missed (especially the two post-credit scenes - one which happens after the main credits and the other which comes after all of the credits. Each are interesting in their own unique way). Just as the Avengers assemble here united in a common goal, we too can put aside our differences and unite in support of such an enjoyable film. Grade: B+