The World is not enough

Even though I saw it on opening weekend, I am once again behind the times when it comes to my movie reviews. In this case, it's for the latest entry in the Marvel film universe, Thor: The Dark World. This is the second solo film for the man with the mighty hammer, although he of course played an integral role in last summer's The Avengers as well.

While Thor's focus has been mainly on helping Earth in his previous adventures, this latest film sees him back in his home of Asgard. With his brother, the evil manipulative Loki (Tom Hiddleston) safely locked away in prison, Thor is enjoying peace among the worlds and poised to take over the throne from his father, Odin (played by Anthony Hopkins). Of course, peace and quiet does not last for very long as an dangerous army of dark elves, led by Malekith (Christopher Eccleston) is awakened and has set their sights on destroying Asgard and all of the other worlds in order to bring darkness across the entire universe.

The dark elves were reawakened thanks to Thor's Earth-bound love interest Jane Foster (played once again by Natalie Portman). While conducting some scientific research, Jane discovers the mysterious Aether, a substance that is the key to the dark elves' existence and their plan to bring darkness to the universe.

If all of this sounds a bit murky, shall we say, and confusing, then you're not alone. Once again Marvel has struggled to come up with a compelling villain to square off against one of its primary superheroes. The structure of the Marvel universe and the way these films are presented has certainly yielded big business but is also creatively putting them into a bind. The writers of these films are stuck with trying to find a villain that's compelling enough to be the focus of the film, yet not strong enough to make it reasonable that they can be dealt with by simply one hero as opposed to the entire Avenger team. Coupled with that is a lack of endgame to these films. As a result, each one is feeling procedural and perfunctory.

That is not to say that this film is not without its merits. Chris Hemsworth has embodied this larger than life character so smoothly that it makes you struggle to see anyone else but him in this role. And despite being imprisoned at the beginning of the film, there is still plenty of Loki found in this movie. He plays of Hemsworth and the cast very well to bring add some humor and malevolence to the scenes he is in. It is a shame that the Marvel films cannot develop additional villains that are as compelling as him. Let's hope that changes soon because they will be unable to keep going back to the Loki well every time.

Those who are fans of the fantasy genre will likely get more mileage out of this film than I did. Director Alan Taylor, who has worked in the past on shows like Game of Thrones knows how to stage the action nicely. He probably would have been better severed with having a film that remained exclusively in Asgard. The split time between Asgard and Earth presents some limitations. For one, too many characters from each world gets introduced without proper development. The Earth scenes are also problematic for the sake that they feel obligatory. It was as if the producers felt viewers would be turned off if the film wasn't at least partially rooted in our own world.

Too me, the Thor character works best as a team member rather than a solo star. This is certainly no knock on Hemworth. I just find myself caring less about Asgardian politics and more about seeing Thor just smash things with his hammer. As a weekend afternoon diversion, Thor: The Dark World is perfectly acceptable theater. But if you're looking for something truly epic, you'll have to keep waiting. This is a case of a lot of thunder, but the storm is still far off in the distance. Grade: B-

Playing the race card

As usual, I'm way late on getting to one of my reviews, but at least this one will be a full one and not a quick hit, so take what you can get.

When you think of some of the greatest athletes in their respective sports, it could be argued that they would not have achieved their greatness had it not been for a rival who equaled them in skill and forced them to be even better. That is certainly true for the two men at the center of Rush, a film about the real-life rivalry of Formula 1 racers James Hunt and Niki Lauda. Directed by Ron Howard, this film gives us one of the best stories about rivalry that I have ever seen.

Hunt (played by Chris Hemsworth) is a blond-haired playboy who has seen success in every venture of his life. Before moving up to Formula 1, he relishes as the big fish in the small pond. His first true taste of competition comes from Lauda (played by Daniel Bruhl). His calculated efforts to be the fastest on the track rub Hunt the wrong way. After establishing these characters, the film focuses on the 1976 season as both men risk everything in order to be champion.

What makes their story interesting is how these two were true opposites. Hunt had his dashing good looks and carefree attitude. Lauda was more the intellectual, using his brains to gain a competitive. Hunt was a people person, while Lauda was stand-offish and brusk. Having a rival be your polar opposite is not a new storytelling device. Yet what makes Rush stand out is that neither man is portrayed negatively or as the villain here. Each man has their strengths and their weaknesses. Howard lets history dictate how we feel about these individuals rather than telling us who we should root for.

Howard should also be commended for the way he is able to depict the racing scenes themselves. You gain the thrill and exhilaration of watching the races just as if you were at the speedway yourself. Howard does not shy away from the dangerous nature of the sport. Scenes involves crashes and wrecks are realistically shown, neither sugar-coating the scares nor exploiting the violence. If you are at all familiar with the rivalry between the two, you know that Lauda is involved in a life-threatening crash midway through the season. We watch in shocked amazement as he refuses to let the accident deter his motivation to be the best

While the focus is on the events on the track, we do get glimpses into the personal lives of these two and the roles they played on their ability to win. Each man has varying levels of success when it comes to their love life. Hunt, for instance, sees his marriage (his wife is played by Olivia Wilde) fall apart in the midst of the season. Although Howard is right to focus on the racing, I would have liked to see him flesh out the women in these guys' lives more fully

Given that Howard does not take as many creative liberties with their story as some directors do when telling the real life stories of other notable people, there are not a lot of surprises here if you are at familiar with the outcome of the '76 season. I personally did not know the end result so I was fully engrossed in how things would play out. However, others may feel cheated that the film does not offer more than a summary of their competitive season.

Credit goes to both Hemsworth and Bruhl for their performances here. Both are outstanding in fully fleshing out who these men were and showing their complexities. I would imagine many will come to the film simply for the racing scenes and will leave surprise as to how good both of these men are in their respective roles. In a different year, I could see either one earn some awards buzz, but I have a feeling this year will have too crowded of a field for their work to be recognized.

I cannot say that I am a huge fan of car racing, but the competitive nature of athletes does capture my attention. For that reason, this movie is excellent. Its story transcends the featured sport and focuses more on the will to win. That is a theme that anyone can relate to. When it comes to athlete biopics, this one is able to rush ahead of the pack. Grade: A-

2013 Fall Movie Preview (November)

THOR: THE DARK WORLD (November 8)
Plot: Marvel's "Thor: The Dark World" continues the big-screen adventures of Thor, the Mighty Avenger, as he battles to save Earth and all the Nine Realms from a shadowy enemy that predates the universe itself. In the aftermath of Marvel's "Thor" and "Marvel's The Avengers," Thor fights to restore order across the cosmos...but an ancient race led by the vengeful Malekith returns to plunge the universe back into darkness. Faced with an enemy that even Odin and Asgard cannot withstand, Thor must embark on his most perilous and personal journey yet, one that will reunite him with Jane Foster and force him to sacrifice everything to save us all.

Quick thoughts: Iron Man 3 proved that there can be life after The Avengers, although that movie had the benefit of having the awesome Robert Downey Jr. Still, I think a lot of people are going to be very interested to see the latest adventures in Asgard, especially if it means more Loki. This should serve as a nice alternative to the mostly sophisticated fare that will around in the fall.


THE WOLF OF WALL STREET (November 15)
Plot: Based on Jordan Belfort's best-selling memoir "The Wolf of Wall Street," which chronicles Belfort's dramatic rise and fall on Wall Street, along with his hard-partying lifestyle and tumultuous personal life, which included drug and alcohol addiction.

Quick thoughts: How does a cross between Goodfellas and Wall Street sound? By itself that would be a winning combo. When you combine that with the fact that this is being directed by Martin Scorsese and has an all-star cast featuring the likes of Leonardo DiCaprio, Matthew McConaughey, and Jonah Hill, you've got a film that has crazy high expectations. Maybe this is the one that finally earns Leo his Oscar.


DELIVERY MAN (November 22)
Plot: From DreamWorks Pictures comes "Delivery Man," the story of affable underachiever David Wozniak, whose mundane life is turned upside down when he finds out that he fathered 533 children through sperm donations he made twenty years earlier. In debt to the mob, rejected by his pregnant girlfriend, things couldn't look worse for David when he is hit with a lawsuit from 142 of the 533 twenty-somethings who want to know the identity of the donor. As David struggles to decide whether or not he should reveal his true identity, he embarks on a journey that leads him to discover not only his true self but the father he could become as well.

Quick thoughts: The most recent trailer suggests that this will be more of a dramedy than a zany comedy, despite its premise. I'm ok with that as long as the story is good. The fact that the studio pushed this back from its original October release date suggests they have some confidence that this will be a real winner with families during the Thanksgiving holiday.


OLDBOY (November 27)
Plot: "Oldboy" is a provocative, visceral thriller that follows the story of an advertising executive (Josh Brolin) who is abruptly kidnapped and held hostage for 20 years in solitary confinement. When he is inexplicably released, he embarks on an obsessive mission to discover who orchestrated his bizarre and torturous punishment only to find he is still trapped in a web of conspiracy and torment.

Quick thoughts: If you are not familiar, this is an adaptation of a cult Japanese film that was released about a decade ago. I have not seen the original, but I will admit that the film's high concept certainly has me intrigued. Spike Lee is often hit or miss with me, but I am hoping that because he's working with proven material here, he'll be able to deliver something that will be equally satisfying.


OTHER POSSIBLE FILMS OF INTEREST
Dallas Buyers Club (November 1)
Last Vegas (November 1)
The Hunger Games: Catching Fire (November 22)
Nebraska (November 22)

Bad robot

We've got some cool Avengers 2 casting news today, courtesy of EW.com:

Avengers: Age of Ultron has its psycho robot.

James Spader has signed on to play the villain in writer-director Joss Whedon’s upcoming superhero sequel, Marvel announced today.

The film is set to open May 1, 2015.

Marvel’s announcement didn’t specify whether the three-time Emmy winner Spader (Boston Legal, The Practice) will perform motion-capture to play the mechanical being (as Mark Ruffalo does for his scenes as The Hulk), or simply provide the character’s voice.

Smart money says Spader’s commitment won’t be too intense. He’s starring in the NBC series The Blacklist this Fall, as an ex-government fugitive now helping the FBI track down the world’s most wanted criminals. That probably won’t give him a lot of time to go galavanting in a robot suit.

Whedon recently told EW’s James Hibberd about his plans for the character, an artificial intelligence with a heavy-duty god-complex, overwhelmed with rage toward his creators and longing to overtake the planet with his own spawn.

Think of him as a droid with one hell of a set of daddy issues. “As a character I love [Ultron],” Whedon says, “because he’s so pissed off.”

“I knew right away what I wanted to do with him,” Whedon added. “He’s always trying to destroy the Avengers, goddamn it, he’s got a bee in his bonnet. He’s not a happy guy, which means he’s an interesting guy. He’s got pain. And the way that manifests is not going to be standard robot stuff. So we’ll take away some of those powers because at some point everybody becomes magic, and I already have someone [a new character, Scarlet Witch] who’s a witch.”

In Marvel comics lore, Ultron is the creation of scientist Hank Pym, a.k.a. Ant-Man, a hero who has a suit that allows him to shrink to tiny proportions and a transmitter that can manipulate insects to do his bidding. Pym is a genius R&D guy, and Ultron is one of his greatest creations. But since the machine is designed to be self-aware and self-teaching, it quickly develops a narcissistic quirk in its programing that sends it off the rails into murder and mayhem.

Ultron begins rebuilding himself into more and more powerful iterations and seeks to create artificial life on his own in a twisted desire to become a parent — especially important since he feels betrayed by his own builder, Pym, when he doesn’t support his programming’s new murderous bent.

But Ant-Man, a film being co-written and directed by The World’s End filmmaker Edgar Wright, won’t be out until after the Avengers sequel. So there is a question about whether Ultron’s origin story will be changed, or if Pym will show up a little early. (Whedon has told Annalee Newitz of io9.com that he won’t.)

In footage shown at Comic-Con in July to announce the title and reveal Ultron as the new villain, it begins with a close-up of what appears to be Iron Man’s mask. We hear various lines from the assorted Avengers that were spoken in previous Marvel movies. As they bicker, the Iron Man helmet revolves and is pulverized by an unseen force.

At the end, we see the title reveal — and Iron Man’s mask has become Ultron’s grinning, fang-like metallic skull.

That has led to a lot of speculation that Robert Downey Jr.’s Tony Stark, no slouch in the Research & Development field for new technology, may be rewritten as the creator of Ultron, whose mission is to eradicate organic life from Earth and replace it with his own mechanical offspring.

Right now, we can only guess. But one thing is for certain — this pairing of ’80s Brat Packers Downey Jr. and Spader is the most unlikely Less Than Zero reunion anyone could have imagined.

Maybe Ultron just wants Stark to give him his 50K?

UPDATE: Even Whedon has gotten in on the action, tweeting this out to his followers…

All these old Spader & Spader/Downey references and NO LOVE FOR “TUFF TURF”?!?!?! Step up your game, people! #madthrilledbtw

2013 Fall Movie Preview (September)

I know this is a little later than when I normally do this, but I'll be looking at the major movies coming out for the remainder of this year over the next few days. There looks to be some good stuff, so let's get right to it.

CLOUDY WITH A CHANCE OF MEATBALLS 2 (September 27)
Plot: "Cloudy with a Chance of Meatballs 2" picks up where Sony Pictures Animation's mouth-watering comedy left off. Inventor Flint Lockwood thought he saved the world when he destroyed his most infamous invention -- a machine that turned water into food causing cheeseburger rain and spaghetti tornadoes. But Flint soon learns that his invention survived and is now creating food-animals - "foodimals!" Flint and his friends embark on a dangerously delicious mission to battle hungry tacodiles, shrimpanzees, hippotatomuses, cheespiders and other foodimals to save the world again!

Quick thoughts: I'll admit that I was only lukewarm on the first Cloudy movie, but the story is based on a clever idea. When the first trailer came out a few months ago, I legitimately laughed at some of the clever word play and 'foodimals' that they came up with. The kids will not doubt eat this one up, but let's hope that this sequel serves up a bit more for the adults as well.


DON JON (September 27)
Plot: Jon Martello (Joseph Gordon-Levitt) is a strong, handsome, good old fashioned guy. His buddies call him Don Jon due to his ability to "pull" a different woman every weekend, but even the finest fling doesn't compare to the bliss he finds alone in front of the computer watching pornography. Barbara Sugarman (Scarlett Johansson) is a bright, beautiful, good old fashioned girl. Raised on romantic Hollywood movies, she's determined to find her Prince Charming and ride off into the sunset. Wrestling with good old fashioned expectations of the opposite sex, Jon and Barbara struggle against a media culture full of false fantasies to try and find true intimacy in this unexpected comedy written and directed by Joseph Gordon-Levitt.

Quick thoughts: I'll admit the film's plot doesn't scream mainstream audience, but the fact the Gordon-Levitt wrote and directed this film has me intrigued. He has been able to show a good amount of range on-screen, now we'll see if he has the same success behind the camera as well. The film has already played at some film festivals and has earned good buzz so this may become an unlikely success.


HELL BABY (September 6)
Plot: Rob Corddry ("Children's Hospital," "Hot Tub Time Machine") and Leslie Bibb ("Iron Man") star in "Hell Baby," a horror comedy about an expectant couple forced to enlist the help of the Vatican's elite exorcism team after they move into a haunted fixer-upper in New Orleans. The hilariously zany feature directing debut of writing-acting duo Robert Ben Garant and Thomas Lennon ("Night at The Museum," "Reno 911!: Miami"), "Hell Baby" also stars Keegan Michael Key ("Key and Peele," "Due Date"), Michael Ian Black ("This Is 40"), Riki Lindhome ("Million Dollar Baby"), Rob Huebel ("Children's Hospital," "The Descendants") and Paul Scheer ("The League").

Quick thoughts: We have already seen the horror genre played for laughs several times this year, but I'm hoping the talent behind this film is enough to have it rise above those other mediocre efforts. Lennon and Garant have proven with Reno 911 that they now how to mine comedy out of more serious material. Just like with Cloudy, I found myself laughing a lot at the trailer, so I'm hopeful that translates well when seeing the full length film.


RUSH (September 20)
Plot: Two-time Academy Award winner Ron Howard ("A Beautiful Mind," "Frost/Nixon"), teams once again with fellow two-time Academy Award nominee, writer Peter Morgan ("Frost/Nixon," "The Queen"), on "Rush," a spectacular big-screen re-creation of the merciless 1970s rivalry between James Hunt and Niki Lauda. The epic action-drama stars Chris Hemsworth ("The Avengers") as the charismatic Englishman James Hunt and Daniel Bruhl ("Inglourious Basterds") as the disciplined Austrian perfectionist Niki Lauda, whose clashes on the Grand Prix racetrack epitomized the contrast between these two extraordinary characters, a distinction reflected in their private lives.

Quick thoughts: I can't say that I typically go for a lot of racing movies, but this one has a pedigree behind it that helps it stand out from those others. I typically am very impressive with Ron Howard's films and I'll be interested to see what he brings to the table when it comes to filming the racing scenes. It seems like someone from the Hemsworth family is in every film that comes out these days, but there's no denying that Chris has good charisma and should do well in this daredevil playboy role. If this film meets its potential, it could be a major player come awards season


OTHER POSSIBLE FILMS OF INTEREST
Riddick (September 6)
Insidious Chapter 2 (September 13)
A Single Shot (September 20)
Prisoners (September 20)

Getting hammered

Some people have been having some fun with the new Thor trailer that came out last week. First up we have Conan reprising a bit where he shows us why he doesn't think Chris Hemsworth is the right guy to be playing Thor.



Then someone thought it would be a good idea to smash up the new trailer with the world of Arrested Development. You can check out that end result, called 'Thorested Developement' below.

Dark matter

With The Wolverine still fresh in theaters, we already begin to shift gears and get ready for the next Marvel entry. Here's the newest trailer for Thor: The Dark World

Bringing the thunder

Just as the excitement for the upcoming Iron Man 3 hits its peak, we get reminded that there are other Marvel franchises gearing up for new stories as well. Here's your first look at Thor: The Dark World set to come out this November.

Vroom Vroom

Gentlemen start your engines and rev up for your first look at Ron Howard's new racing drama, Rush based on the real life rivalry between two Formula 1 racers.

The Sum of All Cheers

With The Avengers blowing out box office records left and right, it may be a little pointless to do a review for the film now. But given that I haven't done a full movie review in a long time and the fact that everyone still wants to talk about this movie, I don't think anyone will mind.

There were certainly a lot of high expectations going into this film. You have the rabid fans of the comics, eager to see this super team on the big screen. But you also have all of the movie fans who have sat through several individual comic book movies that primarily served to set up this film. The good news is that despite those high expectations and the task of juggling such a large cast of characters, this film is a success
Credit to director Joss Whedon for taking on such a difficult task. He has shown though that he was more than capable of the job. He does a great job of not only giving each of the main characters sufficient screen time, but gives them individual opportunities to shine. Whedon's presence is also felt throughout the film as he peppers the script with several humorous one-liners and moments that are a trademark of his work. Despite a story that deals with the possible destruction of our planet, he finds plenty of chances to keep the feel of the film light and fun.

I will say that while this movie is a pure blockbuster thrill ride, it's not a perfect film. In many ways the creation of this film mirrors the path The Avengers take themselves to come together. The first half of the film feels a bit disjointed. Like the titular team, it consists of several individually great scenes that don't really build on each other. I began to get anxious waiting for something to happen and it felt like the plot was treading water - something I did not expect given how much time was spent with character development in the heroes' individual films.

However, things finally start to gel once we move into the final battle featuring the Avengers taking on Loki (brother of Thor) and the evil alien race that is set on destroying Earth in hopes of obtaining the Tesseract, the cosmic cube containing immense energy. This final act is just pure geek heaven as you watch each of these superheroes that you have come to love and enjoy team up and kick ass in a collective effort. Finally, we get the payoff that we've all waiting for and it delivers in spades.

Yes, this movie is all about being a team, but I would be remiss if I did not take time to point some indivually great performances in the film. Of course, Robert Downey Jr. is once again terrific as the brilliant, pompous, and sarcastic Tony Stark/Iron Man. He manages to be a star without upstaging anybody else in the movie, which is no easy feat. However, the true MVP of this film may be Mark Ruffalo, who steps in to play the Hulk/Bruce Banner. In the past, Marvel has failed at trying to find someone to play the green giant, but they finally got it right here. Ruffalo gives a nuanced performance as Banner and Whedon and co. do the rest in making the Hulk the awesome, destructive force that fans want him to be. Some of the best moments in The Avengers come from watching "Hulk Smash".

Again, no one is waiting on my recommendation to see this film, but I heartily endorse it nonetheless. This is what the summer movie season is all about. This film manages to blend humor and action seemlessly and create a movie that anyone can enjoy, despite the fact that it features a guy in a metal suit, a giant green monster, and the God of Thunder. So if you're the one guy on this planet who hasn't seen it yet, go out and do so. And for the rest of you, check it out again and catch the things you may have missed (especially the two post-credit scenes - one which happens after the main credits and the other which comes after all of the credits. Each are interesting in their own unique way). Just as the Avengers assemble here united in a common goal, we too can put aside our differences and unite in support of such an enjoyable film. Grade: B+