Playing the race card

As usual, I'm way late on getting to one of my reviews, but at least this one will be a full one and not a quick hit, so take what you can get.

When you think of some of the greatest athletes in their respective sports, it could be argued that they would not have achieved their greatness had it not been for a rival who equaled them in skill and forced them to be even better. That is certainly true for the two men at the center of Rush, a film about the real-life rivalry of Formula 1 racers James Hunt and Niki Lauda. Directed by Ron Howard, this film gives us one of the best stories about rivalry that I have ever seen.

Hunt (played by Chris Hemsworth) is a blond-haired playboy who has seen success in every venture of his life. Before moving up to Formula 1, he relishes as the big fish in the small pond. His first true taste of competition comes from Lauda (played by Daniel Bruhl). His calculated efforts to be the fastest on the track rub Hunt the wrong way. After establishing these characters, the film focuses on the 1976 season as both men risk everything in order to be champion.

What makes their story interesting is how these two were true opposites. Hunt had his dashing good looks and carefree attitude. Lauda was more the intellectual, using his brains to gain a competitive. Hunt was a people person, while Lauda was stand-offish and brusk. Having a rival be your polar opposite is not a new storytelling device. Yet what makes Rush stand out is that neither man is portrayed negatively or as the villain here. Each man has their strengths and their weaknesses. Howard lets history dictate how we feel about these individuals rather than telling us who we should root for.

Howard should also be commended for the way he is able to depict the racing scenes themselves. You gain the thrill and exhilaration of watching the races just as if you were at the speedway yourself. Howard does not shy away from the dangerous nature of the sport. Scenes involves crashes and wrecks are realistically shown, neither sugar-coating the scares nor exploiting the violence. If you are at all familiar with the rivalry between the two, you know that Lauda is involved in a life-threatening crash midway through the season. We watch in shocked amazement as he refuses to let the accident deter his motivation to be the best

While the focus is on the events on the track, we do get glimpses into the personal lives of these two and the roles they played on their ability to win. Each man has varying levels of success when it comes to their love life. Hunt, for instance, sees his marriage (his wife is played by Olivia Wilde) fall apart in the midst of the season. Although Howard is right to focus on the racing, I would have liked to see him flesh out the women in these guys' lives more fully

Given that Howard does not take as many creative liberties with their story as some directors do when telling the real life stories of other notable people, there are not a lot of surprises here if you are at familiar with the outcome of the '76 season. I personally did not know the end result so I was fully engrossed in how things would play out. However, others may feel cheated that the film does not offer more than a summary of their competitive season.

Credit goes to both Hemsworth and Bruhl for their performances here. Both are outstanding in fully fleshing out who these men were and showing their complexities. I would imagine many will come to the film simply for the racing scenes and will leave surprise as to how good both of these men are in their respective roles. In a different year, I could see either one earn some awards buzz, but I have a feeling this year will have too crowded of a field for their work to be recognized.

I cannot say that I am a huge fan of car racing, but the competitive nature of athletes does capture my attention. For that reason, this movie is excellent. Its story transcends the featured sport and focuses more on the will to win. That is a theme that anyone can relate to. When it comes to athlete biopics, this one is able to rush ahead of the pack. Grade: A-

2013 Fall Movie Preview (September)

I know this is a little later than when I normally do this, but I'll be looking at the major movies coming out for the remainder of this year over the next few days. There looks to be some good stuff, so let's get right to it.

CLOUDY WITH A CHANCE OF MEATBALLS 2 (September 27)
Plot: "Cloudy with a Chance of Meatballs 2" picks up where Sony Pictures Animation's mouth-watering comedy left off. Inventor Flint Lockwood thought he saved the world when he destroyed his most infamous invention -- a machine that turned water into food causing cheeseburger rain and spaghetti tornadoes. But Flint soon learns that his invention survived and is now creating food-animals - "foodimals!" Flint and his friends embark on a dangerously delicious mission to battle hungry tacodiles, shrimpanzees, hippotatomuses, cheespiders and other foodimals to save the world again!

Quick thoughts: I'll admit that I was only lukewarm on the first Cloudy movie, but the story is based on a clever idea. When the first trailer came out a few months ago, I legitimately laughed at some of the clever word play and 'foodimals' that they came up with. The kids will not doubt eat this one up, but let's hope that this sequel serves up a bit more for the adults as well.


DON JON (September 27)
Plot: Jon Martello (Joseph Gordon-Levitt) is a strong, handsome, good old fashioned guy. His buddies call him Don Jon due to his ability to "pull" a different woman every weekend, but even the finest fling doesn't compare to the bliss he finds alone in front of the computer watching pornography. Barbara Sugarman (Scarlett Johansson) is a bright, beautiful, good old fashioned girl. Raised on romantic Hollywood movies, she's determined to find her Prince Charming and ride off into the sunset. Wrestling with good old fashioned expectations of the opposite sex, Jon and Barbara struggle against a media culture full of false fantasies to try and find true intimacy in this unexpected comedy written and directed by Joseph Gordon-Levitt.

Quick thoughts: I'll admit the film's plot doesn't scream mainstream audience, but the fact the Gordon-Levitt wrote and directed this film has me intrigued. He has been able to show a good amount of range on-screen, now we'll see if he has the same success behind the camera as well. The film has already played at some film festivals and has earned good buzz so this may become an unlikely success.


HELL BABY (September 6)
Plot: Rob Corddry ("Children's Hospital," "Hot Tub Time Machine") and Leslie Bibb ("Iron Man") star in "Hell Baby," a horror comedy about an expectant couple forced to enlist the help of the Vatican's elite exorcism team after they move into a haunted fixer-upper in New Orleans. The hilariously zany feature directing debut of writing-acting duo Robert Ben Garant and Thomas Lennon ("Night at The Museum," "Reno 911!: Miami"), "Hell Baby" also stars Keegan Michael Key ("Key and Peele," "Due Date"), Michael Ian Black ("This Is 40"), Riki Lindhome ("Million Dollar Baby"), Rob Huebel ("Children's Hospital," "The Descendants") and Paul Scheer ("The League").

Quick thoughts: We have already seen the horror genre played for laughs several times this year, but I'm hoping the talent behind this film is enough to have it rise above those other mediocre efforts. Lennon and Garant have proven with Reno 911 that they now how to mine comedy out of more serious material. Just like with Cloudy, I found myself laughing a lot at the trailer, so I'm hopeful that translates well when seeing the full length film.


RUSH (September 20)
Plot: Two-time Academy Award winner Ron Howard ("A Beautiful Mind," "Frost/Nixon"), teams once again with fellow two-time Academy Award nominee, writer Peter Morgan ("Frost/Nixon," "The Queen"), on "Rush," a spectacular big-screen re-creation of the merciless 1970s rivalry between James Hunt and Niki Lauda. The epic action-drama stars Chris Hemsworth ("The Avengers") as the charismatic Englishman James Hunt and Daniel Bruhl ("Inglourious Basterds") as the disciplined Austrian perfectionist Niki Lauda, whose clashes on the Grand Prix racetrack epitomized the contrast between these two extraordinary characters, a distinction reflected in their private lives.

Quick thoughts: I can't say that I typically go for a lot of racing movies, but this one has a pedigree behind it that helps it stand out from those others. I typically am very impressive with Ron Howard's films and I'll be interested to see what he brings to the table when it comes to filming the racing scenes. It seems like someone from the Hemsworth family is in every film that comes out these days, but there's no denying that Chris has good charisma and should do well in this daredevil playboy role. If this film meets its potential, it could be a major player come awards season


OTHER POSSIBLE FILMS OF INTEREST
Riddick (September 6)
Insidious Chapter 2 (September 13)
A Single Shot (September 20)
Prisoners (September 20)

Vroom Vroom

Gentlemen start your engines and rev up for your first look at Ron Howard's new racing drama, Rush based on the real life rivalry between two Formula 1 racers.

Here's a release date. No, I'm witholding it. Look at me getting off.

UPDATE: Netflix has since confirmed that the new season will be released sometime in May but would not give a specific date. So only 5 more months of waiting now. Huzzah!

Those Arrested Development folks sure like to toy with our emotions. Earlier today, it seemed like the release date for the Season 4 episodes on Netflix had been announced only for Netflix to rebuke the claim. We do know that they'll appear only sometime in 2013, but for now, we'll just have to wait a bit longer to see when exactly it will be. If you're interested, here's a story from Boing Boing.net reporting on the incorrect release date.

Let's end 2012 with some truthiness: gossip site Oh No They Didn't got wind of some new details concerning the fourth season of Arrested Development and its upcoming premiere on Netflix. Apparently, a publicity site for Fox prematurely posted a new image, a May 4, 2013 premiere date, and a list of episode titles before taking it all down. A few sites have reported this as the official release date, but Vulture contacted a Netflix representative who said the date "is wrong."

A debunked rumor is not the most fun way to start out a year of heavily-anticipated entertainment, but at least we know it's on its way! (I'd still count on a May premiere. Seems like it would make a lot of sense -- just as all the network shows are ending, the Bluths swoop in and save us all from summer programming.)

2013 Movie Preview (#30 - 25)

Now that we've survived the end of the world, we can begin looking forward to a new year. And with that comes a whole new slate of big movies to preview. This seems to be a particularly solid year of comedies, dramas, and action films. Without any further ado, here's what you can look forward to in the next 12 months.

#30. Gangster Squad (January 11)

Plot: Los Angeles, 1949. Ruthless, Brooklyn-born mob king Mickey Cohen (Sean Penn) runs the show in this town, reaping the ill-gotten gains from the drugs, the guns, the prostitutes and--if he has his way--every wire bet placed west of Chicago. And he does it all with the protection of not only his own paid goons, but also the police and the politicians who are under his control. It's enough to intimidate even the bravest, street-hardened cop...except, perhaps, for the small, secret crew of LAPD outsiders led by Sgt. John O'Mara (Josh Brolin) and Jerry Wooters (Ryan Gosling), who come together to try to tear Cohen's world apart. "The Gangster Squad" is a colorful retelling of events surrounding the LAPD's efforts to take back their nascent city from one of the most dangerous mafia bosses of all time.

Personal Opinion: You may recall that this film was originally scheduled to come out last year, but after the tragic Colorado movie theater shooting last July reshoots were needed on this film in order to eliminate a similar scene. You may also recall that I had this on my 2012 movie preview and fairly high on the list at that. Its placement here should in no way indicate that I've lost faith in the film. Rather, I just felt that since I've already given it coverage and that it's coming out in just a couple of weeks that we should merely give everyone a reminder here and focus the rest of the list on the fresh films for 2013.


#29. Saving Mr. Banks (December 20)

Plot: Two-time Academy Award winner Emma Thompson and fellow double Oscar-winner Tom Hanks topline Disney's "Saving Mr. Banks," inspired by the extraordinary, untold backstory of how Disney's classic "Mary Poppins" made it to the screen.

Personal Opinion: This is one of two high-profile, awards season-caliber films starring Tom Hanks coming out next year. There are few bigger figures in Hollywood than Walt Disney, so it will be very intersting to see how Hanks depicts him here. From the little I've read about this story, it seems like it was quite the bumpy road getting the film version of Mary Poppins made, so I'm definitely excited to see this film and learn more about it. The only question is that since this is a Disney film, will the depiction of Walt be accurate or simply a puff piece that paints their founder in an entirely favorable light.


#28. We're the Millers (August 9)

Plot: David Burke (Sudeikis) is a small-time pot dealer whose clientele includes chefs and soccer moms, but no kids - after all, he has his scruples. So what could go wrong? Plenty. Preferring to keep a low profile for obvious reasons, he learns the hard way that no good deed goes unpunished when he tries to help out some local teens and winds up getting jumped by a trio of gutter punks. Stealing his stash and his cash, they leave him in major debt to his supplier, Brad (Ed Helms). In order to wipe the slate clean - and maintain a clean bill of health - David must now become a big-time drug smuggler by bringing Brad's latest shipment in from Mexico. Twisting the arms of his neighbors, cynical stripper Rose (Aniston) and wannabe customer Kenny (Will Poulter), and the tatted-and-pierced streetwise teen Casey (Emma Roberts), he devises a foolproof plan. One fake wife, two pretend kids and a huge, shiny RV later, the "Millers" are headed south of the border for a Fourth of July weekend that is sure to end with a bang.

Personal Opinion: I typically do not gravitate toward pot movies, but this one seems to be less about the wacky tabacky and more about the wacky road trip adventure of these characters. And the characters in this film include a large list of my favorite comedic actors. In addition to the cast members listed above, people like Nick Offerman and Kathryn Hahn will also pop up here. If nothing else, the story about Jennifer Aniston working a stripper pole in this movie was enough to convince me to check it out.


#27 Rush (September 20)

Plot: Set against the sexy, glamorous and spectacular golden age of Formula 1 racing, "Rush" portrays the exhilarating true story of two of the greatest rivals the world has ever witnessed - handsome English playboy James Hunt (Hemsworth) and his methodical, brilliant opponent, Niki Lauda (Bruhl). Following their personal lives on and off the track, Rush follows the two drivers as they push themselves to the breaking point of physical and psychological endurance, where there is no shortcut to victory and no margin for error. If you make one mistake, you die.

Personal Opinion: The last time director Ron Howard teamed up with writer Peter Morgan, it was for the fantastic adaptation of Frost/Nixon. With Rush they're giving us a different face off, but one that sounds just as intriguing. Though I don't know much about these racers, the little that I've read sounds like a fascinating story. Given its placement in mid-September I would look for this to kick off the awards season buzz. And even if it's quality isn't up to snuff as it relates to the Oscars, the racing scenes should no doubt thrill audiences.


#26. Side Effects (February 8)

Plot: "Side Effects" is a provocative thriller about Emily and Martin (Rooney Mara and Channing Tatum), a successful New York couple whose world unravels when a new drug prescribed by Emily's psychiatrist (Jude Law) - intended to treat anxiety - has unexpected side effects.

Personal Opinion: Based on the trailer I saw, I have mixed feelings on this one. It could be a very cool thriller on the dark side of experimental drugs or it could be a sad weepy that bores me to tears. Ultimately what wins out is that this is directed by Steven Soderbergh and will be his last film as he claims to be retiring. I typical love Soderbergh work so I'll be checking this out to see what he has in store for a grand finale.


#25. R.I.P.D. (July 19)

Plot: Based on the Dark Horse mini-series, "R.I.P.D." (short for "Rest In Peace Department") is Peter Lenkov's comedic amalgam of the police and zombie genres featuring two dead police officers whose job it is to help the dead "rest in peace."

Personal Opinion: With the recent success of The Walking Dead, you can expect to see a LOT of zombies on the big screen in the next year. Most of them I'll be skipping, but this one has a unique enough premise to even pique my interest. I can't rate it higher though given the mixed bag of a cast. It features Jeff Bridges, which instantly propels the quality of the film. However, Ryan Reynolds appears to be the film's lead and he has yet to prove to me that he's leading man material. His most recent features have all been underwhelming and his performance was often a reason for that. Hopefully Bridges' awesomeness wins out here.

Early Christmas present

From Deadline.com:

EXCLUSIVE: Good news for Arrested Development fans. The new season of the cult Mitch Hurwitz comedy commissioned by Netflix will be larger than originally planned. I’ve learned that, during production on the 10 new episodes ordered by Netflix, Hurwitz shot more material than planned and also came up with ideas for additional scenes and storylines. Hurwitz, producing studio 20th Century Fox TV and Imagine TV approached Netflix, which agreed to expand the order to what I hear will be 12-15 episodes. As a result, production on the show, originally slated to wrap right after Thanksgiving, was extended for a few more weeks. But, given the complexity of adding material as you go on a show where none of the actors are in first position and filming has to be done around their existing schedules, I hear 20th TV at the end of last week decided to pause production so Hurwitz can review the footage already in the can and take his time figuring out the best way to incorporate the new arcs. Once he is done, the studio will begin working on securing the actors needed. Filming is tentatively slated to resume in late January. The producers have some breathing room as Netflix is targeting a spring premiere date for Arrested Development when it plans to make all episodes available at the same time.

“We are thrilled with the direction of the show, with the footage we have seen and with the relationship between Mitch, Imagine, 20th and Netflix,” a Netflix spokeswoman said. “At this time, we are not confirming or announcing the final episode count but we are sure fans will be thrilled when we do.”

Further Development

Fans of Arrested Development got some big news this week regarding the upcoming 4th(!) season that will air on Netflix. For more details on what we can expect and when we can expect it, here's a report from Vulture.com:

Doubters to the left: The Arrested Development reunion took another step toward reality on Tuesday when creator Mitch Hurwitz and several members of the cast appeared onstage together at a Netflix-sponsored event in Las Vegas (video now available here). Speaking on the floor of the National Association of Broadcasters convention, Netflix chief Ted Sarandos confirmed that all ten episodes of Arrested's long-awaited fourth season will premiere together on a single day sometime next year. Hurwitz also confirmed that production is set to begin this summer, but he also dropped a new nugget of information about what form the Arrested revival will take.

Originally, Hurwitz's plan had been to make the revival like an anthology, with each episode telling a somewhat self-contained story about a specific character. "That is now kind of evolving into becoming more like the old show again," Hurwitz told a packed house of conventioneers, who politely applauded the introduction of other Netflix offerings (such as David Fincher and Kevin Spacey's House of Cards), but exploded at the mention of Arrested and the arrival of cast members Will Arnett, David Cross, Alia Shawkat, Jeffrey Tambor, and Jessica Walter. The reason for the change: Hurwitz sees a chance to tweak the show's format to take advantage of the fact that the full ten-episode season will debut at once, rather than over two-and-a-half months. "There's something exciting about trying to break the form again," he said.

While Hurwitz didn't elaborate on just how he'll do this, he indicated it might be related to the way the writers deliver red herrings and other surprises to viewers (think back to season one, when Jason Bateman's girlfriend turned out to not be blind). "There's going to be some mystery sprinkled throughout this [but] instead of watching one a week and try to get ahead of it, the hope is [fans] will watch them all together and then go back and look for clues and connections," Hurwitz explained. "We'd also like to use the technology to provide additional material, where you might be able to access another part of the story." As for the fact that any big end-of-season twists will likely be floating around the interwebs within a few hours of the show's Netflix debut, Hurwitz doesn't seem too concerned, noting that movies (such as The Cabin in the Woods) have successfully battled a similar situation. Plus, he said, "It's comedy. The twists really aren't as important as the characters."

Hurwitz and the cast made no mention onstage of the rumored Arrested Development movie that's been expected to follow the TV revival. He did, however, say he'd very much be open to a season five or six on Netflix. "We would love this to be the first first of many visits," Hurwitz said. He also confirmed that Showtime, currently run by former Arrested exec producer David Nevins, had been in serious talks to acquire the show, but that ultimately Netflix offered a more interesting business model, as well as a base of already-loyal Arrested viewers. "The show's audience has grown over the last six years because of [viewers streaming it]," Hurwitz said. "It's been like putting jokes in a bottle and then having them come back years later to say, 'Ha ha.'"

A few other random notes from Tuesday's Netflix and Arrested session:

• Bob Loblaw will return. "We will bring him back," Hurwitz told Vulture when we asked a question from the studio audience. (Per Netflix's insistence, Hurwitz wasn't doing one-on-one chats). "It's kind of a one-joke thing. But if you guys don't mind bringing it back, we'll give it to you." (For the record, the audience reacted with strong applause to the idea of a Loblaw appearance in season four).

• Hurwitz mildly embarrassed Shawkat by reminding her that Cera was her first-ever kiss. "I've kissed a lot of people since then," Shawkat jokingly shot back.