2014 Movie Preview: #1 - Interstellar

Release date: November 7

Plot summary: "Interstellar" chronicles the adventures of a group of explorers who make use of a newly discovered wormhole to surpass the limitations on human space travel and conquer the vast distances involved in an interstellar voyage.

My take: While a Nolan-clone like Transcendence is worthy of being on my list, only the real deal is deserving of the top spot. Having now ended his work on the Batman franchise, Nolan can return to some original ideas here. Of course, he's brought along some familiar faces for his cast including Anne Hathaway and Michael Caine, but he also has plenty of talent like Matthew McConaughey and Jessica Chastain who are new to the Nolan universe. We've still got a long time to go before this comes out, but I'm going to enjoy the anticipation for it each and every day.

2014 Movie Preview: #14 - Edge of Tomorrow

Release date: June 6

Plot summary: The epic action of "Edge of Tomorrow" unfolds in a near future in which an alien race has hit the Earth in an unrelenting assault, unbeatable by any military unit in the world. Lt. Col. Bill Cage (Cruise) is an officer who has never seen a day of combat when he is unceremoniously dropped into what amounts to a suicide mission. Killed within minutes, Cage now finds himself inexplicably thrown into a time loop—forcing him to live out the same brutal combat over and over, fighting and dying again…and again. But with each battle, Cage becomes able to engage the adversaries with increasing skill, alongside Special Forces warrior Rita Vrataski (Blunt). And, as Cage and Rita take the fight to the aliens, each repeated encounter gets them one step closer to defeating the enemy.

My take: The previews for this suggests there's a lot going on in this latest Tom Cruise film. There appears to be some kind of alien invasion that our planet is fighting by equipping our soldiers with over-sized robotic armor. But there's also the issue of Tom Cruise's character seemingly re-living the same day over and over again. It's a futuristic Groundhog Day. Why that is happening is just one of the questions I am curious to hear the answer to in this film. As an added bonus Emily Blunt co-stars and she's usually engaging in everything she's in.

Depp recesses of the mind

It shouldn't be newsworthy when Johnny Depp plays a normal human being that isn't caked in ghoulish makeup in a movie, but it is. Here is a teaser trailer for his newest movie, a sci-fi thriller called Transcendence that is being directed by Wally Pfister who is a first time director but long time cinematographer for Christopher Nolan.

Tomorrow never dies

Somehow I forgot to add this one in my posting bonanza last weekend. Here's the first trailer for Tom Cruise's new sci-fi thriller, Edge of Tomorrow, which is set to come out next summer.

RBR: Oblivion

If you look at the evolution of the public's perception of the space program, you see how those first few missions had audiences utterly captivating. We were seeing something we had never seen before and that we never thought we would ever see. Over time, those missions became so routine and familiar that we stopped caring. That is basically how I felt as I watched Oblivion, the recent sci-fi thriller starring Tom Cruise. Cruise plays Jack Harper, one of the few remaining people left on Earth after an attack left the planet inhabitable. He's tasked with fixing the drone machines that scour the planet to eliminate any remaining alien threats. Jack's memory of the attack and his life before it have been wiped clean, yet he keeps having flashes to what he believes is moments from his past life. Things get more complicated when a woman (Olga Kurylenko) he sees in those dreams crashes onto Earth. There's also a secret group of humans, led by Morgan Freeman (between this, Olympus Has Fallen, and Now You See Me, I'm beginning to see this guy in my sleep) who try to assist Jack in understanding the truth about what is going on. I won't give away any of the film's big twists here, but I would imagine that by the description I have already given you, you can draw comparisons to this movie and several other more famous sci-fi films. From a story perspective, this film offers you absolutely nothing new. The movie initially hooks you in because it has a tremendous look. Director Joseph Kosinski (TRON: Legacy) has a great knack at creating worlds that have an impressive visual aesthetic. It's fun watching Cruise fly around in unique looking spaceships across a barren Earth that still looks somewhat inviting even if no one can live on it. But once the thrill of the film's look is gone, you are left with an empty story that plods along to its inevitable conclusion. With a decent TV, Oblivion still has some value on home video for its visual effects, but if you're looking for a decent story, you're better off renting one of the dozen classic sci-fi films that tell these tropes much more effectively. Rating: ***

Class act

When Neill Blomkamp's directorial debut came out in 2009, it felt like a bit of fresh air within the sci-fi genre. Finally we had a movie that gave audiences something more than your normal creature feature. With his follow-up effort, Elysium, Blomkamp has once again attempted to blend a social class allegory with science fiction.

Elysium refers to a large space station that hovers over Earth and houses the wealthiest, most elite people while everyone else remains on Earth, which has turned into one big third world country. Elysium's inhabitants not only live a posh lifestyle, they have access to the most advanced technologies, including machines that can cure you of any disease you have. Making sure that those perks remain used by only the privileged is the head of Homeland Security, Secretary Rhodes (Jodie Foster). She stops at no cost to keep Elysium pure, even if it means shooting down ships filled with people trying to sneak into their paradise.

On Earth, things are particularly are particularly grim for Max (Matt Damon). Raised in an orphanage, Max grew up running afoul of the law several times while bouncing from one dead end job to the next. While working at a robotics factory, Max is involved in a machine malfunction that leads to him receiving a lethal dose of radiation. With only five days left to live, Max sets out on a mission to get to Elysium so that he can cure himself.

The set-up for the movie offers tremendous promise. It offers a tantalizing future that is rooted in current day issues of immigration and class warfare. Damon, as always, is terrific in this role as you can sense the weariness his character has for his lifestyle even before he's given a death sentence. The film also has a lot of fan establishing this futuristic Earth that is run by robotic cops and a few corporate leaders who only periodically stay on Earth to make sure their businesses are still functioning properly.

The back half of the film cannot quite live up to the promise established in the beginning unfortunately. Max's quest to make it to Elysium is filled primarily with a lot of noisy action. In order to get on a ship headed to Elysium, Max aligns himself with Julio, a well-connected criminal who wants Max to get him some important information that could take down Elysium and its people. To help him with this mission, Julio fits Max with a robotic exoskeleton that makes him look like a beta version of Robocop. Standing in Max's way is Secretary Rhodes' hired gun, Agent Kruger. Kruger is a rogue thug played by a nearly unrecognizable Sharlto Copley.

Kruger and Max go toe-to-toe on a couple of occasions as the movie progresses. I will admit that Blomkamp's filming of the scenes is impressive. He has a true visual flare for shooting action sequences that feel fresh and engaging. It's just a shame that the scene did nothing for me on an intellectual level. I kept wishing that those scenes would have been balanced out with more scenes of political discourse regarding Elysium's policies. With that said, a little of Foster's Secretary Rhodes goes a long way in this film. Foster is an Oscar winner and has delivered several great performances, but I have no clue what she was going for her as she takes on a baffling accent that is borderline laughable. Any potential for political intrigue is undercut by her performance.

At a time when so many films play it safe or give us the same old story, I respect Blomkamp for providing us with something that feels different. I just wish he would have had the guts to see it all the way through instead of relying on sheer action at the back end of the picture. While the movie may have some flaws, I'm certainly recommending it because I want to see films that takes risks like this get rewarded with viewers. Blomkamp may thumb his nose at the 1 percenters, but with Elysium, he is quickly proving that he belongs in an elite class of directors. Grade: B+

Privileged planet

Fans of the sci-fi film District 9 have been anxious to see what director Neill Blomkamp has in store for a follow up. Well wait no more as here's the first look at his new film, Elysium due out this August.

RBR: Total Recall

I only saw the 1990 version of Total Recall a few years ago and while I really liked the movie, I also recognized that it is one of the few good films that could actually benefit from a makeover. Though cutting edge at the time, the film's visual effects look particularly cheesy today and there are certainly better thespians out there than Ah-nuld. So when a remake was announced, I had great anticipation to see what they could do. Having now seen this latest adaptation of the Philip K. Dick short story, I couldn't be more disappointed. In essence, director Len Wiseman seems to have totally missed what made the original film so appealing when making this new film. Visually the film is most dark with the exception of an overabundance of lens flares that serve no purpose. Gone are several of the interesting characters, who are replaced here by either robots or wooden actors. The whole aspect of Mars has been eliminated so don't expect to see any aliens or mutants. And as for the mind-bending twists of the original, the ones that still remain in this remake don't offer anything new or thought-provoking. What we're left with is a lot of chase and fight scenes. There's nothing wrong with those, but they didn't need to drag the good name of Total Recall down in order to make them. Most of the performances from Colin Farrell, Kate Beckinsale, and Jessica Biel are totally forgettable. And I don't know what Bryan Cranston was thinking joining this film as Cohaagen. I see no redeemable qualities of this film so please just do yourself a favor and stick with the original. For those of us who have seen it, we can only hope a place like Recall exists in the future to help scrub our mind of this memory. Rating: * 1/2

Jack of all trades

Tom Cruise's next movie, Jack Reacher hasn't even hit theaters yet and we already have a trailer for another film featuring him playing a character named Jack. This one is a sci-fi film called Oblivion that is being directed by the guy that did TRON: Legacy. This looks to be pretty epic and will no doubt be on my 2013 movie preview list later this month.

Star gazing

Your first look at the new Star Trek sequel has finally arrived. It's not much, but still manages to get me hotly anticipating its arrival next summer. If this isn't enough to whet your appetite, you can see a 9 minute preview of the film in IMAX starting next week with The Hobbit

Beat the clock

The words 'time travel' can evoke a wide array of emotions in people. Some marvel at the thought of being able to into the past or future. Others who have seen movies depicting such science fiction know the narrative and linear headaches such an undertaking can produce.

In Looper, the latest film from director Rian Johnson (Brick, The Brothers Bloom), both the wonder and frustration associated with travelling through time are on full display. The plot is not the easiest to explain, but I'll give it my best shot. The film is set in the not so distant future where time travel hasn't been invented but eventually will. In the film's future where time travel does exist, murder is forbidden, so people are sent to the past to be 'eliminated'. They are killed by 'loopers', a hired group of individuals who are informed of where their time travelling target is set to arrive so that they can be immediately killed.

One of the interesting things about the film is that eventually all loopers will kill off their future self. The film centers around one of these loopers named Joe, played by Joseph Gordon-Levitt. Problems arise when he is unable to kill his future self, played by Bruce Willis (Gordon-Levitt went through extensive makeup in order to come off as a reasonably younger version of Willis). Willis' escape not only creates the possibility of timeline alteration, but puts Gordon-Levitt's life in danger as his mob boss (played fantastically in a small role by Jeff Daniels) wants him killed now as well.

At this point, the film appears to set itself up as an interesting chase picture. However, instead of going that conventional route, we learn that Willis has some big plans now that he is in the past that send the film in a whole new direction. Without going into too much detail on it, it creates a plot twist that I wasn't expecting and one that I'm not entirely sure I appreciate.

What I can divulge is that while on his quest to hunt down his future self, Gordon-Levitt comes across a young mother (played by Emily Blunt) living on a Kansas farm. Despite playing a role that you would not expect from her, Blunt delivers a captivating performance and proves to be a great addition to the film. But the role her and her son play in the story is one that I was at best, confused by, and at worst, greatly disturbed seeing unfold.

As the film shifts towards Willis' plan, the film also slows down considerably. This is a move that I don't have a problem with in theory. I can appreciate when a director wants to let their story breathe and allow for characters to develop. The problem with that shift in this film is that it leaves the viewer too much time to begin asking questions and poking holes in the time travel rules that were established in the faster-paced first half of the film.

I will credit Johnson, however, for imbuing the film with a unique visual style. Choosing a location like Kansas to set this film feels fresh and interesting. He also creatively weaves symobolism throughout the film that helps establish what he's trying to say with this admittedly difficult to follow story. I've seen each of Johnson's films so far and while each of them have their flaws, it's clear that he has some distinct talents that separate him from most other directors.

Looper was one of my most anticipated films this year, so I may be judging it harder than it deserves. There's plenty to like about this film and I applaud those involved for trying to create something new and engaging. Ultimately, though I can't help but feel let down by its unexpected narrative shift and unresolved subplots. I may find though that my criticisms may soften if I watch the film again. While time travel doesn't exist for us yet, thanks to the beauty of home video we have the ability to go into the past and watch films like these over and over again in hopes of discovering something new each time. Grade: B+

Back from the Fringe of extinction

Fringe fans can breathe a huge sigh of relief today as the show has been picked up for a fifth and final season. This means that the show will continue on and also be allowed to get a proper sendoff. For more on the renewal, here's the story from EW.com.

Fringe lives!

Fox has renewed the fan favorite for a fifth and final season.

As we’ve been predicting for a few weeks, Fox has ordered 13 concluding episodes of Fringe despite the show’s ratings being super modest on Friday nights. Though producers were optimistic about a pickup, they reportedly shot two endings of the upcoming fourth season finale just in case a deal didn’t come through.

Fringe averaged a mere 4 million viewers and a 1.6 rating in the adult demo, including DVR. Compare that to a first-year show that Fox cancelled — Terra Nova — which averaged 10.1 million viewers and a 3.6 adult demo rating. Likewise another Fox first-year series, Alcatraz, which like Fringe is also produced by J.J. Abrams, performed better than the Friday night show, yet is considered unlikely to receive a second year.

The key was studio Warner Bros. offering a good deal to Fox on the remaining episodes, while Terra Nova was a very costly special-effects-stuffed project. It just goes to show that renewals and cancellations are all about the numbers … but not necessarily all about the number of people who watch the show.

Want some quotes? We got quotes:

“Fringe is a remarkably creative series that has set the bar as one of television’s most imaginative dramas,” said Fox entertainment president Kevin Reilly. “Bringing it back for a final 13 allows us to provide the climactic conclusion that its passionate and loyal fans deserve. The amazing work the producers, writers and the incredibly talented cast and crew have delivered the last four seasons has literally been out of this world. Although the end is bittersweet, it’s going to be a very exciting final chapter.”

“We are thrilled and beyond grateful that Fox – and our fans – have made the impossible possible: Fringe will continue into a fifth season that will allow the series to conclude in a wild and thrilling way,” said co-creator and executive producer J.J. Abrams. “All of us at Bad Robot are forever indebted to our viewers and the amazingly supportive Fox network for allowing the adventures of Fringe Division to not only continue, but to resolve in a way that perfectly fits the show.”

“This pickup means the world (both of them) to us, because we love sharing these stories with our enthusiastic fans,” added Fringe showrunners and executive producers Jeff Pinkner and J.H. Wyman. “On behalf of the cast and crew, we applaud our fans and Fox for allowing us to imagine the impossibilities together for so long. Season Five is going to be a conclusive thrill ride for all of us.”

Thrown for a Looper

This made my most anticipated films of 2012 list and now here's our first chance to get a good look at what we can expect in this twisty, time-travelling sci-fi film. Check out the trailer for Looper starring Joseph Gordon Levitt and Bruce Willis.

Total remake

Here's the first trailer for Total Recall, a remake of the 1990 Arnold Schwarzenegger sci-fi action film.

RBR: In Time

In Time creates a very unique futuristic environment. In an undeterminate point in the future, the phrase 'time is money' becomes literal. When someone is born, they stop aging when they turn 25. The catch, however, is that you only have one year left to live unless you gain earn more time. Even though minutes have become the currency, class warfare still exists and perhaps is even worse than what we face today. Justin Timberlake, who plays Will Salas, becomes a central figure in the battle of haves and have nots when he is given a 100 years of time from someone who has decided who doesn't want to live anymore. Upon entering into the wealthy part of town, he meets Phillippe Weis, one of the richest men in the world and finds himself at odds with him after pairing up with Weis' rebellious daughter (played by Amanda Seyfried). As much as I liked the film's concept, I found myself constantly asking questions about the rules associated with such a society instead of focusing on the story. Unfortunately, the film opts to hammer home the class warfare metaphor instead of truly exploring this unique world its created. As for Timberlake, he may have a decent acting career, but his effort here suggest he still has a way to go before he can be taken seriously as a dramatic actor. I had high hopes for this film, but it fails to really work for any possible audience. Sci-fi fans will be disappointed that the film doesn't explore its premise enough, yet the film is a bit too complicated for it to be appeciated by a wider audience. There's no need to waste your time or money on this one. Rating: ** 1/2

2012 Movie Preview (#12 - 7)

12. The Dictator (May 11th)

Plot: The film tells the heroic story of a dictator who risked his life to ensure that democracy would never come to the country he so lovingly oppressed. It is inspired by the best selling novel "Zabibah and The King" by Saddam Hussein.

Personal opinion: So which Sasha Baron Cohen will we get here? The one who became a cultural phenomenom with Borat or the one who turned off audiences by crossing the line from funny to offensive with Bruno? Based on the trailer I posted here recently, it seems like his latest film has a mixture of both in it. However, the final scene involving him running in a race had me in stiches and gave me the confidence that this one can be a real winner.


11. The Bourne Legacy (August 3rd)

Plot: The Universal release has taken the title from the Eric Van Lustbader book based on the series created by Robert Ludlum, but they will not be using the story. "This is not a reboot or a recast or a prequel. No one's replacing Matt Damon. There will be a whole new hero, a whole new chapter...this is a stand-alone project," said Gilroy. "The easiest way to think of it is an expansion or a reveal," Gilroy added. "Jason Bourne will not be in this film, but he's very much alive. What happened in the first three films is the trigger for what happens. I'm building a legend and an environment and a wider conspiracy... the world we're making enhances and advances and invites Jason Bourne's return [down the road]."

Personal opinion: The Bourne franchise has been one of my favorite of the past ten years, so I'm somewhat conflicted over this latest entry. It's a shame they felt like they needed to continue it despite neither Matt Damon nor director Paul Greengrass returning for this one. Their absence will no doubt be huge. Having said that, there are several of the supporting actors who are returning to help maintain continuity. As for the replacements, Jeremy Renner is quickly establishing himself as a mainstream action star and Tony Gilroy, who will direct this one, was a writer on the previous Bourne films and has also directed Michael Clayton proving that he has the directing chops and familiarity with the material needed to fill Greengrass' shoes. This will be no easy feat, but if they can pull it off, it'll be one of the most pleasant surprises of 2012.


10. This is Forty (Decemeber 21st)

Plot: The film will feature an original story with characters created by Rudd and Mann in "Knocked Up."

Personal opinion: Here's another possible case of redemption. After disappointing virtually everybody with the unfunny Funny People, Judd Apatow is finally getting back behind the camera with this sequel/spin-off of Knocked Up focusing specifically on Paul Rudd and Leslie Mann's married couple. Apatow struck gold when exploring the life of a 40-year old before, so I look forward to seeing what he can come up with this time. Hopefully by returning to some familiar territory with some friendly faces he'll get the comedic juices flowing again.


9. Django Unchained (December 25th)

Plot: In Quentin Tarantino's new spaghetti Western, the title character Django is a freed slave, who under the tutelage of a German bounty hunter (Christoph Waltz) becomes a badass bounty hunter himself. After assisting Waltz on taking down some bad guys for profit, he is in turn assisted by Waltz in tracking down his slave wife and liberating her from an evil plantation owner. The film deals with racism, while it's 100 percent pure popcorn and revenge flick, it takes on the evil slave owning south.

Personal opinion: I'll admit I took awhile to get on the Quentin Tarantino bandwagon. However, after seeing Inglorious Basterds I became a convert. By the looks of the cast he's rounded up for this film, it seems many other people are believers as well. You have guys like Leonardo Dicaprio and Jaime Foxx working on this film along with Tarantino alums like Samuel L. Jackson and Christophe Waltz. With Basterds Tarantino conquered the war film, so now I'm really curious to see what he has up his sleeve for the spaghetti western genre. This could be another major player come awards season.


8. American Reunion (April 6th)

Plot:In the comedy "American Reunion," all the "American Pie" characters we met a little more than a decade ago are returning to East Great Falls for their high-school reunion. In one long-overdue weekend, they will discover what has changed, who hasn't and that time and distance can't break the bonds of friendship.

Personal opinion: So may look at this and feel that this franchise has worn out its welcome, especially with the addition of those pitiful direct-to-DVD, quasi-sequels, but I've always had an affinity for these films. I guess because the characters' timeline closely mirrors my own I see these films as a time capsule of my own experiences. The fact that they were able to get everyone from the original cast back for this one is exciting and the trailer released earlier this year has me believing that this slice of pie has not become completely stale yet.


7. Looper (September 28th)

Plot: Joseph Gordon-Levitt plays a contract killer who works for the mob of the future, and who kills victims that are then sent back in time 30 years so there's no trace of the crime, but one day, he recognizes one of his targets (Bruce Willis) as a future version of himself.

Personal opinion: I always appreciate when a sci-fi film can develop an idea that's unique and creative and on paper this one sounds like it will fit the bill. This one is being directed Rian Johnson, who impressed a lot of people with his first two films, Brick and The Brothers Bloom. I like both Gordon-Levitt and Willis, so it should be fun to see them share the screen in this one. The only concern I have is the release date. There have often been a lot of promising sci-fi films released in the fall that have turned out to be duds. Based on some early buzz I've heard about this one though, it sounds like it should be able to avoid that problem.