RBR: Side Effects

It feels like it's been forever since I actually saw this film, but I'm just now getting around to putting up my review. Let's see how well I can remember my thoughts on it. Rooney Mara stars as Emily, a young woman who is struggling after the recent release of her husband (Channing Tatum) who was doing prison time for insider trading. Emily begins seeing a therapist (Jude Law) who prescribes a new drug to help her deal with her issues. A side effect of the drug is that it causes her to sleepwalk. During one of her sleepwalking episodes she unknowingly stabs her husband with a knife, killing him. From there the film takes several twists and turns as it is unclear as to who truly is responsible for this death. Directed by Steven Soderbergh in what is apparently his last film, Side Effects begins very compelling. Soderbergh creates a great sense of mystery and suspense. The social commentary on the over-reliance on prescription medication also feels fresh and compelling. The film somewhat comes off the rails in the second half with a few too many twists that make it confusing as to some of the characters' motives for their actions and how they benefitted from them. By the film's end you're left unsure as to whether or not the right people got their comeuppance or not. Still, the film is mostly enjoyable thanks to Soderbergh style, which will be missed if he makes his retirement stick. Fans of thrillers would be well off if they made an effort to check this film out. It's an easy prescription for me to fill.

RBR: End of Watch

Films depicting the lives of cops in Southern California are nothing new and yet more continue to get made because they typically offer an effective mix of drama, action, suspense, and character study. This remains true in End of Watch, which follows two cops (played by Jake Gyllenhaal and Michael Pena) as they deal with guns, gangs, and drugs. One of the things that allows this film to rise above the familiarity of the genre is the performances of its two leads. Gyllenhaal and Pena not only bring an authenticity to their roles, but you also truly feel the bond that has been established between these two "brothers", which is how they refer to each other. We really see who these guys are both in and out of the uniform as he film also takes the time to develop characters for their respective mates (Anna Kendrick nicely plays Gyllenhaal's wife). One of the biggest issues of debate surrounding the film is the decision to present this story from a documentary/found footage perspective. On one hand, I feel that this has now become a tired narrative approach that we've seen too often recently. In the particular film, I'm torn on how its used. At times, this approach creates some interesting angles to depict the action, but in other instances I think it handicaps the film's ability to properly tell the story. Ultimately, I would not cite this a reason to skip the movie, but I would be very interested to see how much the film would change/improve if it had used a more traditional filmmaking style. Ultimately, the strong performances and compelling story win out here to make this a much better film than I had anticipated. If you had previously ignored it because of its generic title, familiar storyline, or shaky cam style, don't let that deter you from checking it out now on home video. This is solid cop thriller that will instantly suck you in to its story. Rating: ****