RBR: Robot and Frank

This small independent dramedy is set in the not too distant future where robots have been designed with the capacity to serve humans as caretakers. Frank (played by Frank Langella) is given one of these robots after his son (James Marsden) grows concerned about Frank's decreasing mental health. Langella, playing the grumpy old man well, is initially resistant to the idea. However, when he learns that the robot enables him to return to his roots as a cat burglar, he warms to the mechanical man. Langella also develops a relationship with a local librarian, played by Susan Sarandon. The film is similar to another independent film that Sarandon was in last year, Jeff, Who Lives At Home. Both are pleasant films that delve into the family dynamic but never quite reach the emotional or narrative heft in order to make them truly great films. I thoroughly enjoyed myself as I watched Robot and Frank, but the whole film has such a light and airy feel to it, that I could never truly get invested in what was happening. I will commend the film for offering up a twist at the end that I did not see coming. Any time a film can surprise me, I am appreciative. This is a simple film that offers a unique story and solid acting, with maybe the exception of Liv Tyler who plays Frank's daughter. If you were to miss this film, it would not be any great loss. But if the premise intrigues you at all, you'll likely enjoy giving this a view. Rating: ****

RBR: Hugo

Throughout this most recent movie awards season, I struggled to muster up the same excitement I typically have during that time of the year. On paper, this year's crop of award winners just did not appeal to me in the same way that most years' critical darlings do. Hugo, directed by Martin Scorcese, is a perfect example of that. This is the story of an orphaned boy living in a Paris train station in 1930. Before his father passed away, Hugo had been working with him on rebuilding a automaton. Now alone, he's made it his quest to put it back together and unlock its secrets. Along the way he befriends a young girl (Chloe Grace Moritz) and a toy shop owner (Ben Kingsley), who may have some connections to the boy's project. Some of the mystery behind this robot had been spoiled for me, so I ended up not being as invested as I may have been in seeing Hugo get the answers. Without spoiling too much, there is a connection between this robot and early filmmaking. In one of the few really great sequences in the film, we see a montage of how early films were made. In this sequence, you really gain a sense of the creativity and inventiveness those men had to be able to put together their films. While many films today seemed to be made so effortlessly thanks to computers and visual effects, those men used their intuitiveness to convey what they wanted to on the screen. Scorcese remains one of the few guys who still can accomplish that and his direction here proves that. I just wish the story itself had been more engaging. As technically sound as this movie is, I just don't see many people falling in love with it in the same way they have done with other classic children/family films. Ultimately, this movie didn't do enough to make me love it, but it certainly reaffirmed why I love movies in general. Rating: *** 1/2

RBR: Real Steel

When there are actual movies being developed on board games like Battleship, you wonder why this film was not called by its inspiration - Rock'em Sock'em robots. In Real Steel, Hugh Jackman plays a washed up boxer who now spends his career fighting robots remotely. Early on in the film he learns he has a son who he must now watch after the boy's mother passes away. Soon the two bond over the constructing and training of a robot named Atom, who may or may not possess skills beyond most robots. If all of this sounds corny and familiar, you're right. The film liberally borrows plot devices and themes from films like Rocky, The Champ, Over the Top and, Transformers. It would be easy to criticize such lazy storytelling, but the problem is that the ideas they use are crowd-pleasers and they work here as well. You can't help but get invested in seeing them form a bond and watch the robot be victorious. And I will definitely give the film credit for visually making the robot fights look very impressive. The biggest drawback of the film is its runtime and usage of that time. There's no reason why this film should have been over two hours long. Subplots involving the boy teaching the robot to dance and a loan shark chasing after Jackman's character seem superfluous and could have easily been edited out of the film. In fact, the time spent on those scenes should have been used to more firmly establish the film's villain. Both the champion robot and its handlers are not developed enough to make us root that hard against them. The finish to the final battle in the film certainly leaves the door wide open for a sequel, so I hope when they make the next film, they correct some of these issues and perhaps delve into more of the science fiction aspects of the story that were only loosely covered in this first outing. This is no cinematic classic, but it uses a tried-and-true formula effectively to make it entertaining. The cast gives good performances (with the exception of the kid who's brash attitude can be grating at times) and the robot battles are a lot of fun. If the subject matter interests you at all, this is definitely worth a rental. Rating: *** 1/2

Woe, the humanity

Try as I might, I just can't help myself from seeing these Transformers movies, despite being less than enamored with the previous entries. Blame the heat wave this time as I was merely trying to find respite and decided going to the theater was the best way to cool off.

Yes, the robots in disguise are back for a third time in Transformers: Dark of the Moon - an admittedly better effort than the awful second film, but one still plagued with problems. The story this time around ties in the real life events surrounding the first moon landing. Apparently, a ship carrying important Transformers technology had crashed on the moon and was discovered by the first American astronauts when they travelled to the dark side of the moon - a fact that had been kept a secret until now. Both Autobots and Decepticons want the technology and naturally, that eventually leads to another big battle between the two groups.

Of course, such an epic battle wouldn't be complete until there's a way to shoehorn Sam Witwicky (Shia Lebeouf) right into the middle of the action. This character may be one of the lest likable characters in the history of film. Some of it has to do with Lebeouf's grating 'acting'. But a lot of the blame falls on director Michael Bay and the film's writers. It was one thing to craft him as a whiny, petulant teen in the first film but the character has supposedly graduated from an Ivy League college and experience two robot wars and yet still behaves the same way. Despite his educational background he can't find a job (I guess that's Bay's way of trying to make the film relevant of our time) and whines about not being included in our country's usage of the Autobots. Why didn't this guy just join the army if he wanted to fight alongside his robot friends all the time? Yet, despite all of his very apparent flaws, he still manages to get hot, supermodel girlfriends. This time it's newcomer Rosie Huntington-Whitley, who easily replaces Megan Fox in the role of vapid hottie with no discernible acting skills.

Lebeouf's Witwicky is far from the only problem with the film - frankly every single human character in the film is bothersome. At best, they are one-dimensional (What were actors like Ken Jeong, Andrew Daly, and even, John Malkovich doing in this film) and at worst, they mug for the camera and take up way too much screen time that should have been devoted to the real conflict between the Autobots and the Decepticons. There are large set pieces devoted to putting the human characters in peril and all I kept thinking was 'What are Optimus Prime, Megatron, and the rest of the key Transformers doing right now?' Had this been a film that had taken place on Cybertron, the Transformers' home planet and there were no human characters, this would have been infinitely a better film.

The scenes that do feature robot on robot carnage are admittedly very cool. Bay introduces some new ones that look great and do a lot of damage. He also eliminated any of the problematic one, like the racists twins or the one with 'robot balls'. I'm also glad I made the decision to see the film in 3D. It was clear that Michael Bay had the technology in mind when he created the film and the scenes that utilize the technology really pop off the screen. If more films could find a way to use 3D in this way, the technology wouldn't catch as much flack as it currently is.

I will give Michael Bay some credit in that he did seem to make a concentrated effort to fix some of the large issues that people had with the second film. The humor is kept to the minimum and isn't offensive this time. There also isn't as much exposition. They keep the storytelling fairly simple and just get straight to the action. I just wish they had allowed the action to be more centered around the robot. The one character that really gets short-changed here is Megatron, who not only loses screen time to the human characters, but also gets marginalized by his characters like Optimus Prime and newcomer, Sentinel Prime (voiced by Leonard Nimoy).

Those who are Transformers fans will likely have made peace already with Michael Bay's drawbacks as a director and will enjoy this improved effort. It's unlikely that those who have no care for this franchise will suddenly be lured in by this third film. I will say though that because the 3D is so well used here, that it is one of the few films that I would recommend seeing in the theater if you are going to see it. The characters will be one-dimensional no matter how you view it, so you might as well give your eyes a treat and let all the matter, debris and robot arms fly out at you to hopefully distract you from the poor acting that's on display. This is noisy entertainment, but sometimes it's fun to watch these robots hidden as cars pop out and start fighting one another. I just wish the humans weren't robots in disguise as well. Grade: C+