RBR: A Good Day to Die Hard

I don't write as many reviews for this blog that I do because it's a job or some responsibility, I enjoy it. It's enjoyable because I love movies. Even when a film is bad, there can usually be something enjoyable that can be derived from its awfulness. So when I say that watching the latest entry in the Die Hard was one of the most unpleasant experiences I had watching a film, you can know that it's not being said out of hyperbole. Frankly, this movie does not even feel as if belongs in the same universe as the previous John McClane films. This seems to be a failure at all levels of recognizing what made the franchise enjoyable in the first place. One such trademark was classic villains. Actors like Alan Rickman and Jeremy Irons brought energy to their characters and made for great foils against Bruce Willis. In this film, the story is so convoluted that it is unclear who exactly is the primary antagonist. It just seems that every character in this universe has some level of evil to them, leaving McClane no choice but to shoot at anything that moves. This, then weakens the McClane character. One of his best features is the way he disrupts the villain's master plan. Here, neither he nor the audience, have a clue or a care as to who should be stopped or why. The fact that the film is set in Russia (McClane is visiting to try to save his son, who is on trial for murder) also proves to be a mistake. It's one thing for McClane to be a one man wrecking crew in his own country for the sake of saving it. Doing such wreckless acts of violence elsewhere comes off as mean and irresponsible. I could also criticize the cartoonish level that the violence takes on in the film, remarking that no human being could live through half the things that McClane does, but that's actually been a part of the series since the start. What I can complain though is the fake nature in which these over-the-top scenes are filmed. With the earlier films, directors had to be creative to make you believe he could survive those stunts. But with the excess use of CGI in this film, the audience gets completely taken out of the moment because none of it looks real or believable. Overall, there is such a pure lack of fun in this film. Even McClane's signature line (which was thankfully back to its R-rated completeness) is done in a lazy, throwaway manner. This fifth entry would suggest that the franchise has been tapped out of its creativity and usefulness, but I certainly hope that they make another film just so that the character can go out on a better note than this. If this is the end, then it's going out on a sad day to die hard. Rating: **