Saturday, August 24, 2013

RBR: Oz The Great and Powerful

I can't claim to be any huge devotee to The Wizard of Oz like others can. The Judy Garland original doesn't do a whole lot for me, but I can at least credit for creating movie magic. Through pure ingenuity and filmmaking, the audience feels as if they have been transported to a magical land just as much as Dorothy does. That ability is one of the reasons why it continues to find new fans constantly. I don't believe anyone will be looking as fondly to this prequel, which stars James Franco as the man who would become a wizard. We begin in Kansas where Franco plays Oscar, a Kansas magician who makes a living out of fooling people, especially women who take a shining to him. When one of his cons catching up with him, Oscar tries to flee in a hot air balloon, only to get caught up in a tornado that sends him to Oz. Though the screen pops with bright colors upon arriving in this magical land, everything feels as phony as Oscar's magic act. The computer graphics used to create Oz do it no justice, creating a distance from the audience. Instead of getting caught up in this world, you are preoccupied with watching Franco try to do a bunch of green screen acting. Some actors can pull it off, but Franco isn't one of them. Along the way, we get introduced to a number of character, both new and old, including three witches - Theodora (Mila Kunis) Elenora (Rachel Weisz) and Glinda (Michelle Williams) - one of whom becomes quite "wicked" before the movie concludes. None of these characters are particularly interesting. For most of the film, I just sat waiting just to see how they would connect this with the Garland film. The third act is decent as we see the wizard finally use his magic to its fullest capability. Somewhere buried in this movie is a decent origin story, but it is not expertly explored here. This had the potential to be a new classic but ends up being another soulless adventure that tries to get by on pure visual gimmickry. The curtain gets pulled back for audiences before they even have a chance to be amazed. Rating: ** 1/2

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