Can you beliebe it?

Leave it to Zach Galifianakis to put that punk Justin Bieber in his place and right to his face new less. Check out the unforgettable new episode of Between Two Ferns down below.

Tribe Watch '13 (Week 25)

Record: 86 - 70

Standing: 2nd in AL Central; current holder of the 2nd Wild Card spot

One week to go. Just six more games. If we can hang on, we will be in the playoffs. We earned this spot after a relatively successful week. While the Tribe only managed to win one against Kansas City, that win was enough to still keep some distance between us and them. Then we did what we needed to do and that was sweep all four games against the American League's worst team, the Houston Astros. That was amazingly our 6th 4-game sweep of the season - a feat that has not been accomplished by any team since 1961. While some of those games were not our finest effort, we managed to get the W nonetheless and that's all that matters. As things stand right now, we hold a 1 game lead over the Texas Rangers for that final wild card spot, while Tampa Bay is one game better than us for the other Wild Card slot. With things that close, we can ill afford any slip ups this week. After having a day off on Monday, the Indians will have to kick it back into high gear with their final series at home, a 2-game set against the Chicago White Sox. We will then finish up on the road as we head to Minnesota for the final four games of the season. Neither team is very good, so let's hope we continue doing what we need to do and that is win these games. It is hard to believe that by this time next week we could be talking playoffs. It doesn't get any more exciting that this, so let's cheer this team into the homestretch. Go Tribe!

Number cruncher

Today marked the season premiere for the The Price is Right's 42nd year on TV. To mark the big day, the show debuted its newest pricing game called Do the Math. Check out its first playing right here:

New Fall TV review: Sleepy Hollow

I did not get a chance to post my review for this one last week after its premiere, but now that I have had a chance to watch the second episode, I feel I can better articulate my thoughts. This is a high concept new drama on FOX that deals with characters from the Washington Irving story being brought into modern day. After decapitating the brute that would become the Headless Horseman, Ichabod Crane suddenly emerges from a cave in 2013 believing he is still in the era of the Revolutionary War. His arrival coincides with a string of murders by someone who seems to have no head. Crane teams up with a local police woman in order to figure out what is going on. The premise offers some intrigue and the pilot does a good job of establishing story elements that will enable the show to work as a continuing series. However as the show settled in for episode 2, it became apparent that this show will fall into a lot of the same traps that so many other shows suffer from. The second episode became a "freak of the week" episode where Crane and the police woman have to hunt down a witch that has been brought back to life while getting a few more clues regarding the overarching mythology of the show. A show like Fringe started out in a similarly, but found a way to rise above the procedural setup to deliver a more richer story with characters that we cared about. I do not see Sleepy Hollow having the same success. The relationship between Crane and the officer have not done much for me and they have not done a suitable job of establishing any other interesting supporting characters. Even if the show's mythology remains well written, I just don't know how invested I am in hearing why the four horseman of the apocalypse have suddenly chosen now to wreck havoc on society. Given that my TV time is not infinite, I can't see myself staying involved in this ghost story. Verdict: Worth watching for a few episodes, but ultimately removed from the DVR lineup

Who wants to be a millionaire?

Director Alexander Payne's last couple movies (The Descendents, Sideways) have been good but simply have not captured my attention the way Election did. His newest film, Nebraska is not only a return to the Midwest but seemingly a return to the level of filmmaking and storytelling that made me a fan of his in the first place. Check out the trailer for yourself below.

New Fall TV review: Brooklyn Nine Nine

As we begin the fall TV season, I'll do my best to review some of the new shows that are debuting in hopes of letting you know whether or not they will be worth your time. First up is a new sitcom on FOX set in the world of a Brooklyn police department. SNL vet Andy Samberg stars as the hotshot detective who loves his job and he's good at it. In fact his sergeant (played by the great Terry Crews) states that the only case he hasn't been able to solve is how to grow up. This rubs his new captain (played by Andre Braugher) the wrong way. Braugher has fun playing the serious boss while also having some fun with the same type of role he's played on police dramas. The show also has a good set of supporting actors including Joe Lo Truglio who knows a thing or two about cop comedies after his stint on Reno: 911. The true find, however, is Chelsea Peretti, whose sarcastic take on her job and her co-workers had me heartily laughing every time she was on screen. Developed by Michael Schur, who also created Parks and Recreation, this show managed to deliver a lot of laughs, which is not always easy in pilot episodes that are so dependent on introductions and exposition. Playing crimes for laughs can also be difficult, but if they continue to be dealing with crimes like the theft of a $6000 ham as they did in the pilot, this show has a definite chance of being very successful. It may only be one episode, but this show already has me arrested. Verdict:Given a season pass on the DVR

Reinforcement troupe

There have been a lot of news coming from 30 Rockafeller these days. Below are links to a couple of stories about what we can expect to see on Saturday Night Live this season. Both stories come from EW.com.

'Saturday Night Live' officially adds six new cast members: Meet them here (Fun fact: One of my best friends is named Kyle Mooney, but sadly it's not the same one who has been added to the cast)

'SNL': Seth Meyers' new 'Weekend Update' co-anchor is ... (I really like Cecily Strong and she may do fine in this role, but I personally think that new hire Beck Bennett (aka the AT&T It's Not Complicated guy) would be a perfect replacement for Seth Meyers).

Time to ketchup on some TV

From Variety:

Popular movie review website Rotten Tomatoes will now also start tracking television shows.

On Tuesday, the site will launch a separate “TV Zone” that includes a Tomatometer based on reviews of a TV show’s seasons, not individual episodes.

Reviews will cover all the new fall scripted series, as well as shows that have aired on primetime over the last four years that received coverage by critics from major media outlets Rotten Tomatoes follows. It will not track reality shows.

For the older shows like “Breaking Bad” and “Mad Men,” “we will go back to the beginning,” and include reviews of their earlier seasons, Matt Atchity, editor-in-chief of Rotten Tomatoes, told Variety.

Like with movies, the TV Tomatometer will represent good reviews as “Fresh” with a red tomato, while bad reviews will be designated “Rotten” with a splattered green tomato. Series must receive at least 60% positive ratings to be considered “Fresh.”

“We’re aggregating the reviews the same way we’ve always been,” Atchity said.

The ratings could prove a boost for series as they look to gain viewers across digital platforms — especially through past seasons, the way audiences watching past seasons on Netflix have helped increase ratings for series like “Breaking Bad.”

But Rotten Tomatoes will also have to keep a closer eye on the way TV seasons play out.

A show that started with positive reviews may hit a creative bump and lose audiences, for example, requiring a rating to change over time. Most TV ratings will be based on the first reviews for a series’ season, usually based on the first several episodes. Additional reviews often come out as a season progresses and Rotten Tomatoes will continue to monitor those recaps.

“If reviews go extremely negative then we may change it as the season goes on,” Atchity said. Rotten Tomatoes cited NBC’s “Smash” as an example of that. “People liked it in the beginning then critics seemed to turn on it,” Atchity noted.

“For movie reviews, we don’t often change them as much,” Atchity said. “But we want to accurately reflect what critics have said.”

The TV offering is the first major expansion beyond Rotten Tomatoes’ core movie reviews since the site was launched in 1998.

Timing of the launch, of course, comes as networks ready to launch the seasons of their new and returning fall shows within the coming days and weeks.

Rotten Tomatoes has long wanted to expand into TV, and has spent the past year aggregating TV reviews.

“We thought it was a good time to get into TV because we’re in the golden age of television right now,” Atchity said. “Creatively, television is where it’s at right now.”

But Rotten Tomatoes’ team had to wait until owner Flixster and parent Warner Bros., which bought the sites in 2011, could free up more resources for the TV service. Until now, WB and Flixster have focused on supporting UltraViolet.

“We really wanted to get in on that conversation and give our users who already are looking at movies a good place to discuss and ingest TV,” Atchity said. “It’s been something we’ve been thinking about for awhile. It’s always a battle to get development resources and make new things happen.”

Rotten Tomatoes would eventually like to see its TV meter also become as ubiquitous as its film ratings have become, showing up on Netflix, Hulu, Comcast, Dish and iTunes.

It also intends to monetize its TV review database and provide links to ways to purchase the shows on disc or digital formats.

It’s already getting the networks’ support, with ABC’s “Marvel’s Agents of S.H.I.E.L.D.” sponsoring the launch of Rotten Tomatoes’ new TV Tomatometer.

Tribe Watch '13 (Week 24)

Record: 81 - 68

Standing: 2nd in AL Central (5 games behind Detroit; 0.5 games out of the Wild Card)

Now things start to get real interesting. Believe or not, the Indians are in a very good position right now to make the postseason. It hasn't always looked that way, but the cards are aligned right now for them to continue playing baseball in October. Part of the reason is because of what we have been doing. While we only managed to win one out of the three against Kansas City, we swept the four game series against the Chicago White Sox and had our offense come to life in the process. The other reason why we are in a good position is because the teams ahead of us, namely the Texas Rangers and the Tampa Bay Rays have been really struggling as of late. Those teams, as well as the other teams in the playoff hunt (the Orioles, Yankees, and Royals) will be dealing with much more difficult schedules in the final two weeks of the season. As long as the Indians win the games that they should win, we could be heading to the postseason. Our final true test begins tonight when we start a three game series in Kansas City against the Royals. While we are 3 games ahead of them, we can ill afford to get swept by them and put them right back into this. If we manage to at least take two of three, then we can help ensure that they are taken out of consideration. After the Royals we come home for our final homestand of the regular series and begin a four game set against the Houston Astros. Even though Houston has the worst record in the American League, they are not just going to lie down and let us win, so we will need to keep our edge and make sure we don't falter against weaker competition. While nothing will get settled this week, it is exciting to think about the fact that we could be in possession of one of the wild card spots by the end of next week. Given that this team is right in the thick of the playoff hunt, I hope the city of Cleveland finally comes out and begins to support this team to show them we appreciate their effort. It's a real exciting time to be an Indians fan and I'm going to love every moment of it. Go Tribe!

RBR: G.I. Joe: Retaliation

When people criticize Hollywood for being out of ideas, one of the first pieces of evidence that gets cited is the abundance of television shows that get turned into feature films when they have no business being on the silver screen. The GI Joe franchise, however, seems like it would translate well to the big screen. You have a colorful cast of characters and a relatable story of good and evil. Given the source material that they have to work with, it is baffling how much Hollywood has mismanaged this franchise and turned in now two disappointing entries. What has been apparent in both 2009's Rise of Cobra and the recent sequel Relatiation is the corporate fingerprints that have put a stranglehold on the direction of these films. Things like putting it in 3D and adding The Rock and Bruce Willis to the cast offer nothing to the actual storytelling and are included merely because some studio executives has the misguided belief that this is what audiences want. In the cartoon, all of the Joes had distinct names and corresponding attributes that made them unique. In this latest film, the only way a character stands out is because of who is playing him. Why is Dwayne Johnson called Roadblock? Beats me. They might as well have just called him The Rock because that's what everyone is thinking while seeing him on the screen. The villians are not much better in terms of being distinct. The handling of Cobra Commander is slightly better here than in the first film, but he has to share time on the screen with several other villains so we can never really appreciate any of them. That brings up another issue with the film in that there is too much going on, yet none of it feels like it matters. Half of the film is spent on the rivalry between Snake Eyes and Storm Shadow and too often I had no idea why I should care or what it had to do with the other plot involving an ambush on the Joes. I will give credit where it is due and say that there are some impressive action scenes sprinkled throughout the film. The ninja fight that takes place on the side of a mountain in particular is very well done. But again, none of it feels like it matters. Never before have I seen an entire major city get destroyed in a film and have it feel as insignificant as it does here. Until this franchise can show a little bit more coherence in its storytelling, I'm going AWOL. Rating: ** 1/2

Tribe Watch '13 (Week 23)

Record: 76 - 66

Standing: Second in AL Central (5.5 games behind Detroit; 2 games out of Wild Card)

Because of the holiday weekend, I never did a Tribe Watch post last week. However, given the way the Indians had played against Atlanta and Detroit, I really wasn't in the mood to talk about baseball. This week definitely saw some improvement. We managed to take two out of three against Baltimore (of course, the only game we lost was the one I attended) and the New York Mets. Taking two out of three against Baltimore was important because we are battling with them for that second Wild Card spot. I really would have liked to sweep the Mets, but could not managed to get a victory today. While it is just one loss, it was a particularly frustrating one because it featured three themes that when present usually equal to a Tribe loss. #1, when Yan Gomes and Ryan Raburn are not in the lineup, our offense is non-existent. #2, if we have men on base in a clutch situation, it always seems as if Asdrubal Cabrera is up to bat and he will inevitably not come through in the clutch. #3, Chris Perez will give up runs when he is in a non-save situation. Hopefully Terry Francona is picking up on these themes as well and will do something to rectify them as we head into the home stretch. Every game now becomes really important if we want to make the postseason. Our schedule is weak which means we can win a lot of these games. However, there are still a lot of teams capable of making the playoffs so we have to be careful not to lose ground to any of them. That push to the postseason continues this week with a three game series at home with the Kansas City Royals and then onto Chicago this week for a 3 game set with the White Sox. Kansas City won't go away, so beating them will be important to quash their hopes of making the playoffs. The White Sox are horrible and its essential that we sweep them, even if it is in Chicago. It's fun to be able to still be talking Indians baseball in September and have it mean sometime. It can also be nerve racking, but that's part of the fun. Let's root this team on to victory (especially since the Browns seem like they will be awful once again this year). Go Tribe!

RBR: Oblivion

If you look at the evolution of the public's perception of the space program, you see how those first few missions had audiences utterly captivating. We were seeing something we had never seen before and that we never thought we would ever see. Over time, those missions became so routine and familiar that we stopped caring. That is basically how I felt as I watched Oblivion, the recent sci-fi thriller starring Tom Cruise. Cruise plays Jack Harper, one of the few remaining people left on Earth after an attack left the planet inhabitable. He's tasked with fixing the drone machines that scour the planet to eliminate any remaining alien threats. Jack's memory of the attack and his life before it have been wiped clean, yet he keeps having flashes to what he believes is moments from his past life. Things get more complicated when a woman (Olga Kurylenko) he sees in those dreams crashes onto Earth. There's also a secret group of humans, led by Morgan Freeman (between this, Olympus Has Fallen, and Now You See Me, I'm beginning to see this guy in my sleep) who try to assist Jack in understanding the truth about what is going on. I won't give away any of the film's big twists here, but I would imagine that by the description I have already given you, you can draw comparisons to this movie and several other more famous sci-fi films. From a story perspective, this film offers you absolutely nothing new. The movie initially hooks you in because it has a tremendous look. Director Joseph Kosinski (TRON: Legacy) has a great knack at creating worlds that have an impressive visual aesthetic. It's fun watching Cruise fly around in unique looking spaceships across a barren Earth that still looks somewhat inviting even if no one can live on it. But once the thrill of the film's look is gone, you are left with an empty story that plods along to its inevitable conclusion. With a decent TV, Oblivion still has some value on home video for its visual effects, but if you're looking for a decent story, you're better off renting one of the dozen classic sci-fi films that tell these tropes much more effectively. Rating: ***

Runner up

Before Ben Affleck becomes billionaire Bruce Wayne, he gets to be a high roller who sucks Justin Timberlake into his world of gambling in the new movie Runner Runner. Here's a look at the film's latest trailer.

RBR: Now You See Me

Portraying magic in the movies can be just as difficult as performing a trick in real life. Both require a lot of misdirection before a final reveal that needs to payoff. In Now You See Me, the crime thriller that came out last May, a group of magicians and illusionists band together to perform tricks that seemingly involve robbing banks. The group, known as the Four Horsemen, consists of Jesse Eisenberg, Woody Harrelson, Isla Fisher, and Dave Franco. After committing their first trick/robbery, they are put under investigation by a cop played by Mark Ruffalo and an Interpol agent played by Melanie Laurent. Also involved is Michael Caine who is producing the Four Horsemen's act and Morgan Freeman as a magician who has built a career out of revealing magicians' secrets to the public. As you can see, there are a lot of moving parts at play here. This enables there to never be a dull moment in the film, but is also prevents us from really getting to know any of the characters all that well. The most development comes from the budding romance between Ruffalo and Laurent, but I found that to be the weakest part of the film. Meanwhile, director Louis Leterrier throws a lot of tricks at you, both of the magical and visual kind, that are meant to, and mostly succeed, at enthralling you. This is a movie that begs you to "look closer" in order to try and figure out. While it does a good job of keeping you guessing, I am not sold that the final reveal works. Yet I found it to be a twist that encourages me to watch the film again rather than get annoyed or disgusted. If you let yourself get sucked in to the magic, you will likely find yourself fully entertained. But if you're the type of person who wants to take the magic out of everything, the film gives you plenty of ammunition to hate it. Personally, I was entertained and would gladly be interested in seeing more adventures from The Four Horsemen in the future. Rating: ****

Space case

In space, no one can hear me scream how excited I am for Gravity, the new thriller starring George Clooney and Sandra Bullock set to open Oct. 4. Here's the new trailer to get you even more enticed.