Into the Knight

A staple in comic book storytelling is to stack the odds against the hero so that it seems impossible for him to come out victorious, only for him to do just that. Director Christopher Nolan was placed into a similar situation when tasked with trying to bring his Batman trilogy to a close. After the success of 2008's The Dark Knight, high expectations were set for the follow-up. When you add in tragic real-life events that create an ominous setting around the film, it seems nearly impossible for the film to be well received and yet like any good hero, he found a way to succeed.

The Dark Knight Rises begins eight years after the events of the previous film. In the wake of Harvey Dent's murder, the streets of Gotham have been cleaned up and Batman has vanished after taking the fall for Dent's death. With the Caped Crusader not needed, Bruce Wayne (Christian Bale) struggles to find meaning in his life and ends up being a Howard Hughes-esque recluse. Of course, this being Gotham, an evil presence is always lurking somewhere. Enter Bane (Tom Hardy), a man with a metal breathing mask who is hellbent on anarchy and destruction.

While Bane is a new character, we quickly learn that his origins, as well as his motives, are strongly connected to storyline elements established in the first film of this trilogy. Nolan and his brother, who co-wrote the script, do a great job of having characters and themes introduced in Batman Begins come full circle here. This is not to say that this film in any way feels like a retread of the earlier film.

In fact, Bane is not the only fresh face that is part of the crowded cast. Joseph Gordon Levitt plays John Blake, a young cop who becomes allies with Commissioner Gordon (the always terrific Gary Oldman). Though a new character to the Batman universe, he fits right in, thanks in part to a great performance by Gordon Levitt, and in some ways serves as the soul of the film.

One of the most heavily discussed additions to this film was the casting of Anne Hathaway as Catwoman. Fanboys were quick to complain about this decision, but they couldn't have been more wrong. She nails the character and brings an energy to the screen in each of her scenes. You would have thought that after being wrong about casting Heath Ledger as the Joker, people would learn to trust Nolan's judgment. Though I don't believe any plans are in place, I would have no problem if they wanted to spinoff her character into its own franchise.

Despite all of these characters, the film still centers around Batman, even if he doesn't necessarily have a tremendous amount of screen time. Nolan has always been equally interested in both Batman and Bruce Wayne and in this film, we see that before Batman can truly be back, Bruce Wayne has to come back as well. Those looking for endless scenes of Batman fighting bad guys may not appreciate what they get here, but in doling out those scenes sparingly, we get a much stronger payoff by the end. The last third of the movie is particularly strong. I wasn't exactly sure how things were going to play out, but I loved every minute of it. It's thrilling, exciting, moving, and altogether satisfying.

If there's a criticism to made against the film, I could argue that it's not as 'fun' of a movie, especially in comparison to The Dark Knight. That may not be a fair comparison though given the tonal differences between the two films' villains. Plus, Return of the Jedi offers a valid case as to why it isn't a good idea to close your trilogy on merriment. This is a film that's highly ambitious, especially in trying to tackle topical themes like greed, fear, leadership, civil discontent, and corruption. As much as I liked it, I feel that I and a lot of people will continue to appreciate it more on successive viewings.

Commissioner Gordon said that Batman was not the hero Gotham needed, but the hero they deserved. Fans of this franchise deserved a satisfying conclusion to this story. Thanks to Christopher Nolan and his extraordinary cast, they have gotten just that. Grade: A-