If you're having a sense of comic book fatigure, you're not alone. This summer has been filled with superheroes debuting on the big screen, eager to tell the origin of their story. The latest of which is Captain America: The First Avenger. Set during World War II, we see how Steve Rogers from a scrawny nothing into the red, white, and blue hero we know today. The story of this transformation though is one that doesn't quite have the same dramatic heft to it as some of his fellow Avenger heroes.
Early on, we learn that Rogers (plays by Chris Evans) is eager to fight in the war but is deemed on multiple occasions to be physically unfit for battle. Enter Dr. Abraham Erskine, played by the wonderful Stanley Tucci, who recruits him to be the first guinea pig for a serum aimed to create super soldiers. He, along with Howard Stark (the father of Tony Stark aka Iron Man) are successful at turning Steve into the chiseled specimen they wanted. However, the key to why Steve was chosen in the first place is not for the dramatic visual transformation, but that he had the integrity that would be prevent him from abusing his newly acquire physical attributes.
This moral code which is established in the first half of the movie gets somewhat abandoned in the second half of the film when the focus turns, like it does in each of these movies, towards the showdown against the big villain. In this case, that's Red Skull, (Hugo Weaving), a Nazi soldier, who after obtaining a mystical, powerful cube, aims to establish world domination for himself. What he plans to do if he succeeds is never really established, though. Red Skull is a visually impressive character, but not as menacing of a villain as I would have liked. He just comes off as more crazy than evil.
The film boasts an impressive cast, although not all of the actors give equal performances. Tommy Lee Jones, playing a crusty colonel, is reliable as always to throw in one-liners and look tough. I also liked Toby Jones, who played Red Skull's right-hand man, Dr. Zola. On the other hand, Hayley Atwell, who plays Peggy Carter, a potential love interest for Cap, is nice to look at but has a dull as dishwater personality and fails to create any sort of chemisty in her performance. Likewise, the actor who plays Cap's best friend, 'Bucky' Barnes doesn't do much to establish that relationship, despite the significance it supposedly has in the story.
All of the key players needed for one of these origin stories are here but that merely makes the film competent, not fresh. For every archetype that should be included in a comic book movie, there has been a film that has come out before Captain America and offered the same thing in a more interesting manner. You feel like you're watching the film out of duty rather than enjoyment. The payoff doesn't come until we get Cap together with the rest of the Avengers team, which won't happen until next year.
It's hard to say whether or not the character would have been appreciated and understood in the Avengers movie had this film not first come out. That judgment won't be made until then, but for now, it seems like this movie did not have to be made. About the only interesting story element that felt novel here is the idea of our country using the newly created Captain America more as a propaganda tool rather than a fighting soldier. That could have provided some interesting commentary, but of course you can make social commentary in 3D, so that aspect gets abandoned in favor of scenes involving fights on trains and tanks getting blown up.
There's nothing to actively hate about this film, but it's timing is poor. In a summer filled with comic book movies, this one failed to find a way to stand out from the pack. Instead of feeling like there was an appreciation for this character and a desire to tell his story, the movie evokes a sense that this was merely a cog in the machine necessary to make the eventual Avengers movie possible. That sort of corporate greed is disheartening, but it's also what all of the captains of America today seem to represent. Grade: B-
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