The Spectacular Legacy of the AWA: An interesting look into one of the longest running territorial wrestling organizations. I thought the documentary was fairly even handed showcasing the AWA's strengths and failures. My biggest complaint about this was that it was really more a documentary about Verne Gagne than the AWA as an organization. I would have liked to know more about the AWA's main stars and the key feuds that made the organization as popular as it was. Still, if you really don't know anything about the AWA, this is worth a look. Rating: ****
The Life and Times of Mr. Perfect: Mr. Perfect aka Curt Hennig was one of my favorite wrestlers, so I really enjoyed this look at his career. This is a pretty straight-forward and honest depiction of Hennig's life. There's no burial of him like the Warrior received, nor is there over-exagerrations of his greatness like on the Hogan doc. It really is remarkable how short of a career he had, particularly in the WWE. Yet the fact that he made such an impact during that time shows why he was so great, yet sadly also makes us wonder what could have been. I often compare him to Phil Hartman; both were amazing at what they did, but also taken from us way too soon. This is a must see for everyone, not just fans of Mr. Perfect. Rating: *****
The Rise and Fall of WCW: This is the new set that was just released and what prompted me to watch all of these wrestling documentaries right now. Sadly, this is the worst of the bunch. The story of WCW's history is worth telling, but this show seemed like nothing more than a cash grab. A lot of the stuff on here felt like it was cobbled together from previous WWE released documentaries (in fact all of Bischoff's comments come from the Monday Night Wars DVD). If you aren't that familar with WCW or you don't watch a lot of other wrestling documentaries, than this is probably worth a look. For diehard fans, this is a definite disappointment. Rating: ***
Saturday, August 29, 2009
Stare gazing
I talked about The Men Who Stare at Goats recently in my fall preview and we now have our first look at the film. I continue to be intriqued by this oddball film and cannot wait to see it when it comes out.
Thursday, August 27, 2009
Who's ready for samoa Survivor?
We're about three weeks away from the new season of Survivor: Samoa to begin, which means it's time to unveil the new set of castaways.
Here's the quick and dirty info on all 20 contestants:
DAVID BALL, 38, an LA fitness instructor
BETSY BOLAN, 48, a Campton, N.H., police officer
MIKE BORASSI, 62, a Marina del Rey, Calif., private chef
BEN BROWNING, 28, an LA mixologist
MARISA CALIHAN, 26, a Cincinnati student
ERIK CARDONA, 28, an Ontario, Calif., bartender
BRETT CLOUSER, 23, an LA T-shirt designer
JOHN FINCHER, 25, an LA rocket scientist
YASMIN GILES, 33, an LA hairstylist
RUSSELL HANTZ, 36, a Dayton, Texas, oil company owner
ELIZABETH KIM, 33, a New York City urban planner
LAURA MORETT, 39, a Salem, Oregon, office manager
MONICA PADILLA , 25, a San Diego law student
JAISON ROBINSON, 28, a Chicago law student
KELLY SHARBAUGH, 25, an LA hairstylist
RUSSELL SWAN, 42, a Glenside, Pa., attorney
ASHLEY TRAINER, 22, a Maple Grove, Minn., spa sales rep
MICK TRIMMING, 33, an LA doctor
SHANNON WATERS, 45, a Renton, Wash., sales rep
NATALIE WHITE, 26, a Van Buren, Ark., pharmaceutical sales rep
It seems like a surprisingly older cast, so we'll see how that plays out. For more info on the 20 players, go here.
In the meantime, you can check out this commercial that just started running, previewing the upcoming season:
Here's the quick and dirty info on all 20 contestants:
DAVID BALL, 38, an LA fitness instructor
BETSY BOLAN, 48, a Campton, N.H., police officer
MIKE BORASSI, 62, a Marina del Rey, Calif., private chef
BEN BROWNING, 28, an LA mixologist
MARISA CALIHAN, 26, a Cincinnati student
ERIK CARDONA, 28, an Ontario, Calif., bartender
BRETT CLOUSER, 23, an LA T-shirt designer
JOHN FINCHER, 25, an LA rocket scientist
YASMIN GILES, 33, an LA hairstylist
RUSSELL HANTZ, 36, a Dayton, Texas, oil company owner
ELIZABETH KIM, 33, a New York City urban planner
LAURA MORETT, 39, a Salem, Oregon, office manager
MONICA PADILLA , 25, a San Diego law student
JAISON ROBINSON, 28, a Chicago law student
KELLY SHARBAUGH, 25, an LA hairstylist
RUSSELL SWAN, 42, a Glenside, Pa., attorney
ASHLEY TRAINER, 22, a Maple Grove, Minn., spa sales rep
MICK TRIMMING, 33, an LA doctor
SHANNON WATERS, 45, a Renton, Wash., sales rep
NATALIE WHITE, 26, a Van Buren, Ark., pharmaceutical sales rep
It seems like a surprisingly older cast, so we'll see how that plays out. For more info on the 20 players, go here.
In the meantime, you can check out this commercial that just started running, previewing the upcoming season:
NMR: I feel like I'm taking crazy pills
Primal Fear: If not for the performance of Edward Norton, this would be a complete waste of time. In his first major film role, he immediately shows us why he's a talented actor playing the young man accused of killing a bishop in Chicago. The rest of the film, despite a decent cast, is mired in legal cliches that we've seen before, and done better, on most legal shows on TV. If you're a Norton fan, definitely give this a look. Rating: ***
Misery: While this also features an outstanding performance, the movie as a whole is much better than Primal Fear. It's a simple concept that is played effectively, thanks in large part to Kathy Bates' portrayal of Annie Wilkes. That 'hobbling' scene is one of the most gruesome things I've ever seen on film. I'd like to also praise Richard Farnsworth, who brings an added level of energy to the film as the small town sheriff. This is a great movie if you're looking for some thrills and scares without a lot of gore. Rating: ****
Falling Down: I really don't know what to make of this movie. I had a hard time figuring out how we were supposed to react to Michael Douglas' D-FENS, a guy who's out for vengeance against all of society's misdeeds. I think most can relate to some of the things that annoy him in the film, but he himself isn't a very likeable character. The film seems pretty exploitative until the very end when there's a really good scene between Douglas and Robert Duvall, playing a cop on his last day on the job. As good as it is, it's not enough to salvage the film. Rating: **
Misery: While this also features an outstanding performance, the movie as a whole is much better than Primal Fear. It's a simple concept that is played effectively, thanks in large part to Kathy Bates' portrayal of Annie Wilkes. That 'hobbling' scene is one of the most gruesome things I've ever seen on film. I'd like to also praise Richard Farnsworth, who brings an added level of energy to the film as the small town sheriff. This is a great movie if you're looking for some thrills and scares without a lot of gore. Rating: ****
Falling Down: I really don't know what to make of this movie. I had a hard time figuring out how we were supposed to react to Michael Douglas' D-FENS, a guy who's out for vengeance against all of society's misdeeds. I think most can relate to some of the things that annoy him in the film, but he himself isn't a very likeable character. The film seems pretty exploitative until the very end when there's a really good scene between Douglas and Robert Duvall, playing a cop on his last day on the job. As good as it is, it's not enough to salvage the film. Rating: **
Monday, August 24, 2009
New Nolan
Here's a teaser trailer for Christopher Nolan's (The Dark Knight) new film, Inception, starring Leonardo DiCaprio. With the way they keep pushing back Shutter Island, who knows, this may be the next DiCaprio film we actually see in theaters.
Friday, August 21, 2009
Fall Movie Preview (3-1)
You'll notice that there was no #4 movie previewed. That's because that slot was being reserved for Shutter Island, the new Scorcese/DiCaprio film that I had mentioned in my Top 30 of '09 list earlier this year. Well wouldn't you know it, news comes today that they are pushing the film back to February. WTF! Fall is usually slim pickings when it comes to movies and one of the few that I was really looking forward to has now been shoved to the film wasteland known as February. Well with it out of the way, it just puts all the more pressure on these last three films to be even better.
3. Extract (September 4)
Plot: In "Extract," writer/director Mike Judge ("Beavis and Butt-Head," "King of the Hill") returns to the fertile territory of the American workplace, rotating his perspective away from the white collar cubicle warriors of "Office Space" and towards a blue collar boss – a small business owner – who employs an odd cast of losers, loners and misfits in his flavor extract factory.
Quick thoughts: This one really snuck up on me. I had never really been a fan of Mike Judge's work. However, this summer I found myself really appreciating King of the Hill reruns. Then I saw the trailer for this and found myself laughing quite a bit. It's got a real great cast and centering the film within the workplace should be perfect for Judge. Let's hope this delivers as well as I think it will.
2. Sherlock Holmes (December 25)
Plot: In a dynamic new portrayal of Arthur Conan Doyle's most famous characters, "Sherlock Holmes" sends Holmes and his stalwart partner Watson on their latest challenge. Revealing fighting skills as lethal as his legendary intellect, Holmes will battle as never before to bring down a new nemesis and unravel a deadly plot that could destroy the country.
Quick thoughts: Robert Downey Jr.'s hot streak looks to continue here. The trailer for this makes it seem like there will be plenty of action to help with the mass appeal, but with it being a Sherlock movie, you know it should also be rooted in a good mystery, which I always appreciate it. It's a shame we have to wait so long still to see this, but I believe it will be worth the wait.
1. The Informant! (September 18)
Plot: Based on the book by Kurt Eichenwald. What was Mark Whitacre thinking? A rising star at agri-industry giant Archer Daniels Midland (ADM), Whitacre suddenly turns whistleblower. Even as he exposes his company's multi-national price-fixing conspiracy to the FBI, Whitacre envisions himself being hailed as a hero of the common man and handed a promotion. But before all that can happen, the FBI needs evidence, so Whitacre eagerly agrees to wear a wire and carry a hidden tape recorder in his briefcase, imagining himself as a kind of de facto secret agent. Unfortunately for the FBI, their lead witness hasn't been quite so forthcoming about helping himself to the corporate coffers. Whitacre's ever-changing account frustrates the agents and threatens the case against ADM as it becomes almost impossible to decipher what is real and what is the product of Whitacre's rambling imagination. Based on the true story of the highest-ranking corporate whistleblower in U.S. history.
Quick thoughts: I'm sure you're all tired of me talking about this movie, but I cannot wait for it. This just seems really quirky and interesting and right up my alley. Matt Damon has really turned into a great actor and I think this is the film that brings Steven Soderbergh back into favor with people after doing several small films that no one cared about. Seeing the trailer for the first time last month cinched it for me. I'll definitely be seeing this one and I hope all of you do as well.
3. Extract (September 4)
Plot: In "Extract," writer/director Mike Judge ("Beavis and Butt-Head," "King of the Hill") returns to the fertile territory of the American workplace, rotating his perspective away from the white collar cubicle warriors of "Office Space" and towards a blue collar boss – a small business owner – who employs an odd cast of losers, loners and misfits in his flavor extract factory.
Quick thoughts: This one really snuck up on me. I had never really been a fan of Mike Judge's work. However, this summer I found myself really appreciating King of the Hill reruns. Then I saw the trailer for this and found myself laughing quite a bit. It's got a real great cast and centering the film within the workplace should be perfect for Judge. Let's hope this delivers as well as I think it will.
2. Sherlock Holmes (December 25)
Plot: In a dynamic new portrayal of Arthur Conan Doyle's most famous characters, "Sherlock Holmes" sends Holmes and his stalwart partner Watson on their latest challenge. Revealing fighting skills as lethal as his legendary intellect, Holmes will battle as never before to bring down a new nemesis and unravel a deadly plot that could destroy the country.
Quick thoughts: Robert Downey Jr.'s hot streak looks to continue here. The trailer for this makes it seem like there will be plenty of action to help with the mass appeal, but with it being a Sherlock movie, you know it should also be rooted in a good mystery, which I always appreciate it. It's a shame we have to wait so long still to see this, but I believe it will be worth the wait.
1. The Informant! (September 18)
Plot: Based on the book by Kurt Eichenwald. What was Mark Whitacre thinking? A rising star at agri-industry giant Archer Daniels Midland (ADM), Whitacre suddenly turns whistleblower. Even as he exposes his company's multi-national price-fixing conspiracy to the FBI, Whitacre envisions himself being hailed as a hero of the common man and handed a promotion. But before all that can happen, the FBI needs evidence, so Whitacre eagerly agrees to wear a wire and carry a hidden tape recorder in his briefcase, imagining himself as a kind of de facto secret agent. Unfortunately for the FBI, their lead witness hasn't been quite so forthcoming about helping himself to the corporate coffers. Whitacre's ever-changing account frustrates the agents and threatens the case against ADM as it becomes almost impossible to decipher what is real and what is the product of Whitacre's rambling imagination. Based on the true story of the highest-ranking corporate whistleblower in U.S. history.
Quick thoughts: I'm sure you're all tired of me talking about this movie, but I cannot wait for it. This just seems really quirky and interesting and right up my alley. Matt Damon has really turned into a great actor and I think this is the film that brings Steven Soderbergh back into favor with people after doing several small films that no one cared about. Seeing the trailer for the first time last month cinched it for me. I'll definitely be seeing this one and I hope all of you do as well.
Mascot love
From the recent big track and field event...
And a video from earlier this year of the Milwaukee Bucks' mascot
And a video from earlier this year of the Milwaukee Bucks' mascot
Thursday, August 20, 2009
Fall Movie Preview (8-5)
8. 2012 (November 13)
Plot: Never before has a date in history been so significant to so many cultures, so many religions, scientists, and governments. 2012 is an epic adventure about a global cataclysm that brings an end to the world and tells of the heroic struggle of the survivors.
Quick thoughts: Based on the trailer, there doesn't seem to be anything here that we haven't already seen before from Roland Emmerich (The Day After Tomorrow). However, if at the time there aren't any other viable options out there, this seems like the perfect type of movie to simply shut off your brains and just watch everything get turned into rubble.
7. Capitalism: A Love Story (September 23)
Plot: Capitalism: A Love Story will explore the root causes of the global economic meltdown and take a comical look at the corporate and political shenanigans that culminated in what Moore has described as "the biggest robbery in the history of this country" – the massive transfer of U.S. taxpayer money to private financial institutions. On this, the 20-year anniversary of his masterpiece Roger & Me, Moore returns to the issue that began his career: the disastrous impact that corporate dominance and out-of-control profit motives have on the lives of Americans and citizens of the world. But this time the culprit is much bigger than General Motors, and the crime scene far wider than Flint, Michigan.
Quick thoughts: Yes, we may not always agree with his politics, but there's no denying that he knows how to make engaging films. Given the relevancy of this topic, I think a lot of people are going to be interested in seeing it. Also economics seem to be Moore's bread and butter, so I'll be very curious to see what he has to say this time around.
6. The Road (October 16)
Plot: Academy Award nominee Viggo Mortensen, Academy Award winners Robert Duvall and Charlize Theron, Guy Pearce and 12-year-old Kodi Smit McPhee star in the big-screen adaptation of Cormac McCarthy's best-selling, Pulitzer Prize-winning novel, The Road – the story of a man (Mortensen) and his young son (Smit-McPhee) traveling through a desperate, post-apocalyptic world.
Quick thoughts: This one has a great cast and great source material that seem to make it likely to be prominent during awards season. However, this was supposed to come out last year and postponements are usually never a good sign in terms of quality. For now, I'm going to remain hopeful, but if it doesn't I can say I told you so.
5. The Box (November 6)
Plot: What if someone gave you a box containing a button that, if pushed, would bring you a million dollars...but simultaneously take the life of someone you don't know? Would you do it? And what would be the consequences? The year is 1976. Norma Lewis is a teacher at a private high school and her husband, Arthur, is an engineer working at NASA. They are, by all accounts, an average couple living a normal life in the suburbs with their young son...until a mysterious man with a horribly disfigured face appears on their doorstep and presents Norma with a life-altering proposition: the box. With only 24 hours to make their choice, Norma and Arthur face an impossible moral dilemma. What they don't realize is that no matter what they decide, terrifying consequences will have already been set in motion. They soon discover that the ramifications of this decision are beyond their control and extend far beyond their own fortune and fate.
Quick thoughts: Man, I really hope that this one turns out to be good. I'm fascinated by the plot and the trailer made me all the more interested. However, I've been burned before and this is just the type of movie that could easily turn out to be well-intentioned garbage. The fact that they've scheduled it for November instead of Sept. or Oct. makes me think the studio has high hopes for it as well.
Plot: Never before has a date in history been so significant to so many cultures, so many religions, scientists, and governments. 2012 is an epic adventure about a global cataclysm that brings an end to the world and tells of the heroic struggle of the survivors.
Quick thoughts: Based on the trailer, there doesn't seem to be anything here that we haven't already seen before from Roland Emmerich (The Day After Tomorrow). However, if at the time there aren't any other viable options out there, this seems like the perfect type of movie to simply shut off your brains and just watch everything get turned into rubble.
7. Capitalism: A Love Story (September 23)
Plot: Capitalism: A Love Story will explore the root causes of the global economic meltdown and take a comical look at the corporate and political shenanigans that culminated in what Moore has described as "the biggest robbery in the history of this country" – the massive transfer of U.S. taxpayer money to private financial institutions. On this, the 20-year anniversary of his masterpiece Roger & Me, Moore returns to the issue that began his career: the disastrous impact that corporate dominance and out-of-control profit motives have on the lives of Americans and citizens of the world. But this time the culprit is much bigger than General Motors, and the crime scene far wider than Flint, Michigan.
Quick thoughts: Yes, we may not always agree with his politics, but there's no denying that he knows how to make engaging films. Given the relevancy of this topic, I think a lot of people are going to be interested in seeing it. Also economics seem to be Moore's bread and butter, so I'll be very curious to see what he has to say this time around.
6. The Road (October 16)
Plot: Academy Award nominee Viggo Mortensen, Academy Award winners Robert Duvall and Charlize Theron, Guy Pearce and 12-year-old Kodi Smit McPhee star in the big-screen adaptation of Cormac McCarthy's best-selling, Pulitzer Prize-winning novel, The Road – the story of a man (Mortensen) and his young son (Smit-McPhee) traveling through a desperate, post-apocalyptic world.
Quick thoughts: This one has a great cast and great source material that seem to make it likely to be prominent during awards season. However, this was supposed to come out last year and postponements are usually never a good sign in terms of quality. For now, I'm going to remain hopeful, but if it doesn't I can say I told you so.
5. The Box (November 6)
Plot: What if someone gave you a box containing a button that, if pushed, would bring you a million dollars...but simultaneously take the life of someone you don't know? Would you do it? And what would be the consequences? The year is 1976. Norma Lewis is a teacher at a private high school and her husband, Arthur, is an engineer working at NASA. They are, by all accounts, an average couple living a normal life in the suburbs with their young son...until a mysterious man with a horribly disfigured face appears on their doorstep and presents Norma with a life-altering proposition: the box. With only 24 hours to make their choice, Norma and Arthur face an impossible moral dilemma. What they don't realize is that no matter what they decide, terrifying consequences will have already been set in motion. They soon discover that the ramifications of this decision are beyond their control and extend far beyond their own fortune and fate.
Quick thoughts: Man, I really hope that this one turns out to be good. I'm fascinated by the plot and the trailer made me all the more interested. However, I've been burned before and this is just the type of movie that could easily turn out to be well-intentioned garbage. The fact that they've scheduled it for November instead of Sept. or Oct. makes me think the studio has high hopes for it as well.
NMR: Off the Depp end
After watching Johnny Depp in Public Enemies, I decided to catch a couple of his older films that I had never seen before.
Donnie Brasco: This felt like one of the most authentic mobster movies I have ever seen. You have great performances from both Depp and Al Pacino, although that's not that surprising. About the only flaw is that the film loses a bit of drama near the end given that you know the fate of Depp's character already given that the person his character is based on is still alive. However, that shouldn't really detract you from seeing this well made film if you haven't done so already. Rating: ****
From Hell: I don't know if I was just in the wrong mood when I saw this or what, but I did not care for it at all. Even though I find the Jack the Ripper case interesting, I did not buy anything about this story. While the person the film claims is the killer is complete fiction, I knew right away who it was going to be. I found the film to be filled with cliches. You also have a (typical) lousy performance from Heather Graham. As for Depp, while a fine performance, it's definitely not one of his better ones. Rating: **
Donnie Brasco: This felt like one of the most authentic mobster movies I have ever seen. You have great performances from both Depp and Al Pacino, although that's not that surprising. About the only flaw is that the film loses a bit of drama near the end given that you know the fate of Depp's character already given that the person his character is based on is still alive. However, that shouldn't really detract you from seeing this well made film if you haven't done so already. Rating: ****
From Hell: I don't know if I was just in the wrong mood when I saw this or what, but I did not care for it at all. Even though I find the Jack the Ripper case interesting, I did not buy anything about this story. While the person the film claims is the killer is complete fiction, I knew right away who it was going to be. I found the film to be filled with cliches. You also have a (typical) lousy performance from Heather Graham. As for Depp, while a fine performance, it's definitely not one of his better ones. Rating: **
Wednesday, August 19, 2009
Fall Movie Preview (12-9)
12. The Men Who Stare At Goats (November 6)
Plot: Based on true events described in Jon Ronson's 2004 book of the same title, The Men Who Stare at Goats involves a down-on-his-luck reporter (McGregor) who gets more than he bargains for when he meets a special forces agent (Clooney) who reveals the existence of a secret, psychic military unit whose goal is to use paranormal powers to end war as we know it.
Quick thoughts: The plot for this movie sounds so bizarre, I can't help but be intriqued by it. Throw in the fact that the movie has a very strong cast with George Clooney, Ewan McGregor, Jeff Bridges and Kevin Spacey and now I'm really interested. I have yet to see any footage from this, so I could be way off and this will be terrible. I will give the film credit for this, though, their title certainly isn't misleading as seen by the one promotional photo released for this film:
11. Whip It (October 9)
Plot: Whip It, the directorial debut of Drew Barrymore, stars Ellen Page (Juno) as Bliss, a rebellious Texas teen who throws in her small town beauty pageant crown for the rowdy world of roller derby. Marcia Gay Harden (Mystic River, Pollock) plays Bliss' disapproving mother, while Kristen Wiig (Saturday Night Live) and Juliette Lewis (Old School) play roller-derby stars. Also starring Eve, Jimmy Fallon, and Daniel Stern.
Quick thoughts: I saw the trailer and the movie looks like it could be a lot of fun. It would be tough not to be given the funny people involved in the film. I am concerned that the film may not look as good as it could be given the inexperience of Barrymore behind the camera. This has a chance of being real good as long as they don't go overboard with the female empowerment message.
10. Toy Story/Toy Story 2 in 3-D (October 2)
Plot: Do I really need to tell you what these movies are about?
Quick thoughts: Well there's certainly no mystery about the quality of these movies. I don't necessarily see the added appeal of 3-D, but if you do like it, then how can you pass up the chance to see these modern classics visually updated? If nothing else, you're likely to get the first full trailer for Toy Story 3 when you watch them.
9. Couples Retreat (October 9)
Plot: Vince Vaughn, Jason Bateman, Jon Favreau, Malin Akerman, Kristin Davis, Kristen Bell and Faizon Love star in Universal Pictures' upcoming comedy Couples Retreat. Based on an original idea of Vaughn's, the comedy follows four Midwestern couples who embark on a journey to a tropical island resort. While one of the couples is there to work on their marriage, the other three set out to jet ski, spa and enjoy some fun in the sun. They soon discover that participation in the resort’s couples therapy is not optional. Suddenly, their group-rate vacation comes at a price. What follows is a hilarious look at real world problems faced by all couples. The film also stars Kali Hawk and Jean Reno.
Quick thoughts: As you may have seen in my comments when I posted the trailer for this film, I really don't know what to make of this. The cast and premise seem strong yet there was very little that I laughed at in the trailer. I'm hoping it's a case of them saving the good stuff for the actual film because I would find it hard to believe that with that much talent this film won't be funny.
Plot: Based on true events described in Jon Ronson's 2004 book of the same title, The Men Who Stare at Goats involves a down-on-his-luck reporter (McGregor) who gets more than he bargains for when he meets a special forces agent (Clooney) who reveals the existence of a secret, psychic military unit whose goal is to use paranormal powers to end war as we know it.
Quick thoughts: The plot for this movie sounds so bizarre, I can't help but be intriqued by it. Throw in the fact that the movie has a very strong cast with George Clooney, Ewan McGregor, Jeff Bridges and Kevin Spacey and now I'm really interested. I have yet to see any footage from this, so I could be way off and this will be terrible. I will give the film credit for this, though, their title certainly isn't misleading as seen by the one promotional photo released for this film:
11. Whip It (October 9)
Plot: Whip It, the directorial debut of Drew Barrymore, stars Ellen Page (Juno) as Bliss, a rebellious Texas teen who throws in her small town beauty pageant crown for the rowdy world of roller derby. Marcia Gay Harden (Mystic River, Pollock) plays Bliss' disapproving mother, while Kristen Wiig (Saturday Night Live) and Juliette Lewis (Old School) play roller-derby stars. Also starring Eve, Jimmy Fallon, and Daniel Stern.
Quick thoughts: I saw the trailer and the movie looks like it could be a lot of fun. It would be tough not to be given the funny people involved in the film. I am concerned that the film may not look as good as it could be given the inexperience of Barrymore behind the camera. This has a chance of being real good as long as they don't go overboard with the female empowerment message.
10. Toy Story/Toy Story 2 in 3-D (October 2)
Plot: Do I really need to tell you what these movies are about?
Quick thoughts: Well there's certainly no mystery about the quality of these movies. I don't necessarily see the added appeal of 3-D, but if you do like it, then how can you pass up the chance to see these modern classics visually updated? If nothing else, you're likely to get the first full trailer for Toy Story 3 when you watch them.
9. Couples Retreat (October 9)
Plot: Vince Vaughn, Jason Bateman, Jon Favreau, Malin Akerman, Kristin Davis, Kristen Bell and Faizon Love star in Universal Pictures' upcoming comedy Couples Retreat. Based on an original idea of Vaughn's, the comedy follows four Midwestern couples who embark on a journey to a tropical island resort. While one of the couples is there to work on their marriage, the other three set out to jet ski, spa and enjoy some fun in the sun. They soon discover that participation in the resort’s couples therapy is not optional. Suddenly, their group-rate vacation comes at a price. What follows is a hilarious look at real world problems faced by all couples. The film also stars Kali Hawk and Jean Reno.
Quick thoughts: As you may have seen in my comments when I posted the trailer for this film, I really don't know what to make of this. The cast and premise seem strong yet there was very little that I laughed at in the trailer. I'm hoping it's a case of them saving the good stuff for the actual film because I would find it hard to believe that with that much talent this film won't be funny.
Will Heroes truly gain 'Redemption'?
I know many of you have soured on Heroes over the past couple of seasons, but I still hold out hope that they can get out of their creative tailspin. For those of you that are like me and still have an interest in the show, I've posted below a promo video for the upcoming season entitled 'Redemption'. Watching the video, it once again seems like they have a strong foundational storyline to work with. The big question, however, is whether or not they can remain focused and tell the story properly. We'll find out the answer to that on Sept. 21st when the show returns.
BTW, I've added all of the return dates for your (i.e. my) favorite shows this fall. Scroll down for the information and plan your calendars and DVRs accordingly.
BTW, I've added all of the return dates for your (i.e. my) favorite shows this fall. Scroll down for the information and plan your calendars and DVRs accordingly.
Tuesday, August 18, 2009
Fall movie preview (16-13)
16. Whiteout (September 11)
Plot: Based on the graphic novel by Greg Rucka and Steve Lieber, published by Oni Press. Carrie Stetko, the lone U.S. Marshal assigned to Antarctica, is investigating the continent's first murder, which draws her into a shocking mystery. Now, with only three days until winter, Carrie must solve the crime before Antarctica is plunged into darkness and she is stranded with the killer.
Quick thoughts: This may very well end up being more cheesy than clever. However, since I don't go for most of the lame horror flicks (I'm looking at you Saw franchise), this may fit the bill of providing some decent scares as we near Halloween.
15. The Invention of Lying (September 25)
Plot: From Ricky Gervais, star of the original BBC series The Office and HBO's Extras, comes the new romantic comedy The Invention of Lying, which takes place in an alternate reality where lying--even the concept of a lie--does not exist. Everyone--from politicians to advertisers to the man and woman on the street--speaks the truth and nothing but the truth with no thought of the consequences. But when a down-on-his-luck loser named Mark suddenly develops the ability to lie, he finds that dishonesty has its rewards. In a world where every word is assumed to be the absolute truth, Mark easily lies his way to fame and fortune. But lies have a way of spreading, and Mark begins to realize that things are getting a little out of control when some of his tallest tales are being taken as, well, gospel. With the entire world now hanging on his every word, there is only one thing Mark has not been able to lie his way into: the heart of the woman he loves.
Quick thoughts: I wasn't completely sold on Gervais' last U.S. film, Ghost Town, but there's no denying that he can be extremely funny if you enjoy his style of comedy. The plot for this film seems original and more suited to his strengths. I doubt it'll be a huge hit, but consider me mildly intriqued.
14. Surrogates (September 25)
Plot: FBI agents (Bruce Willis and Radha Mitchell) investigate the mysterious murder of a college student linked to the man who helped create a high-tech surrogate phenomenon that allows people to purchase unflawed robotic versions of themselves—fit, good looking remotely controlled machines that ultimately assume their life roles—enabling people to experience life vicariously from the comfort and safety of their own homes. The murder spawns a quest for answers: in a world of masks, who's real and who can you trust?
Quick thoughts: Reading the plot, it seems like there are a lot of elements borrowed from other recent sci-fi films. Here's hoping this is a case of them taking the best parts and making a good film as opposed to rehashing concepts we've too many times already. Bruce Willis is usually solid, so his presence helps. And if nothing else, I'm sure I'll get a few laughs based on the various wigs I saw him wearing in this film from the trailer.
13. Cloudy With a Chance of Meatballs (September 18)
Plot: Inspired by the beloved children's book, the film focuses on a town where food falls from the sky like rain. Bill Hader, star of Saturday Night Live, will voice Flint Lockwood, a young inventor who dreams of creating something that will improve everyone's life. Anna Faris, star of the comedy hit The House Bunny, takes on the role of Sam Sparks, a weathergirl covering the phenomenon who hides her intelligence behind a perky exterior. James Caan plays Tim Lockwood, Flint's technophobic father. Andy Samberg plays Brent, the town bully who has plagued Flint since childhood. Bruce Campbell plays Mayor Shelbourne, who figures out that Flint's invention can put the town, and more importantly himself, on the map and Mr. T plays the by-the-rules town cop Earl Devereaux.
Quick thoughts: Out of all the computer animated films coming out this season (and believe me there are plenty), this one appealed to me the most. I never read the children's book that this is based on, but it sounds like a fun, crazy story. I also like the voice cast they assembled here. It seems like they chose people with good animation voices as opposed to just casting big name stars to draw crowds in. I'm unlikely to see an animated film in theaters, but if I do, it'll be this one.
Plot: Based on the graphic novel by Greg Rucka and Steve Lieber, published by Oni Press. Carrie Stetko, the lone U.S. Marshal assigned to Antarctica, is investigating the continent's first murder, which draws her into a shocking mystery. Now, with only three days until winter, Carrie must solve the crime before Antarctica is plunged into darkness and she is stranded with the killer.
Quick thoughts: This may very well end up being more cheesy than clever. However, since I don't go for most of the lame horror flicks (I'm looking at you Saw franchise), this may fit the bill of providing some decent scares as we near Halloween.
15. The Invention of Lying (September 25)
Plot: From Ricky Gervais, star of the original BBC series The Office and HBO's Extras, comes the new romantic comedy The Invention of Lying, which takes place in an alternate reality where lying--even the concept of a lie--does not exist. Everyone--from politicians to advertisers to the man and woman on the street--speaks the truth and nothing but the truth with no thought of the consequences. But when a down-on-his-luck loser named Mark suddenly develops the ability to lie, he finds that dishonesty has its rewards. In a world where every word is assumed to be the absolute truth, Mark easily lies his way to fame and fortune. But lies have a way of spreading, and Mark begins to realize that things are getting a little out of control when some of his tallest tales are being taken as, well, gospel. With the entire world now hanging on his every word, there is only one thing Mark has not been able to lie his way into: the heart of the woman he loves.
Quick thoughts: I wasn't completely sold on Gervais' last U.S. film, Ghost Town, but there's no denying that he can be extremely funny if you enjoy his style of comedy. The plot for this film seems original and more suited to his strengths. I doubt it'll be a huge hit, but consider me mildly intriqued.
14. Surrogates (September 25)
Plot: FBI agents (Bruce Willis and Radha Mitchell) investigate the mysterious murder of a college student linked to the man who helped create a high-tech surrogate phenomenon that allows people to purchase unflawed robotic versions of themselves—fit, good looking remotely controlled machines that ultimately assume their life roles—enabling people to experience life vicariously from the comfort and safety of their own homes. The murder spawns a quest for answers: in a world of masks, who's real and who can you trust?
Quick thoughts: Reading the plot, it seems like there are a lot of elements borrowed from other recent sci-fi films. Here's hoping this is a case of them taking the best parts and making a good film as opposed to rehashing concepts we've too many times already. Bruce Willis is usually solid, so his presence helps. And if nothing else, I'm sure I'll get a few laughs based on the various wigs I saw him wearing in this film from the trailer.
13. Cloudy With a Chance of Meatballs (September 18)
Plot: Inspired by the beloved children's book, the film focuses on a town where food falls from the sky like rain. Bill Hader, star of Saturday Night Live, will voice Flint Lockwood, a young inventor who dreams of creating something that will improve everyone's life. Anna Faris, star of the comedy hit The House Bunny, takes on the role of Sam Sparks, a weathergirl covering the phenomenon who hides her intelligence behind a perky exterior. James Caan plays Tim Lockwood, Flint's technophobic father. Andy Samberg plays Brent, the town bully who has plagued Flint since childhood. Bruce Campbell plays Mayor Shelbourne, who figures out that Flint's invention can put the town, and more importantly himself, on the map and Mr. T plays the by-the-rules town cop Earl Devereaux.
Quick thoughts: Out of all the computer animated films coming out this season (and believe me there are plenty), this one appealed to me the most. I never read the children's book that this is based on, but it sounds like a fun, crazy story. I also like the voice cast they assembled here. It seems like they chose people with good animation voices as opposed to just casting big name stars to draw crowds in. I'm unlikely to see an animated film in theaters, but if I do, it'll be this one.
Warning...rant
So I went to Best Buy today to pick up the 12th season of the Simpsons on DVD, which just came out today. As is per usual with the most recent sets, there are two types of packaging for the sets. One is the normal box and the other is the box plus a plastic mask of whichever character is featured on this box art (this time Comic Book Guy). Well I have no use for some plastic mask, so I just got the regular box. I take it up to the counter and they charge me full price instead of the sale price listed in their ad. I question the clerk about this and after a lot of dumb looks and discussions with co-workers, they bring up a copy with the mask on and that one rings up for the sale price. After I pay, I ask if she'll just give me the regular box instead and she says that I have to take the one they scanned. I tell her that I'm just going to throw the plastic mask away, but that doesn't change her mind.
So long story short, both FOX and Best Buy should be chastized for their lack of eco-awareness. FOX shouldn't even be wasting the plastic in the first place by making those pointless masks (especially since the container that holds the DVDs is cheap and poorly designed). As for Best Buy, all they're doing is encouraging the wastefulness of the plastic since I can't see who in their right mind would have a need for the mask. I'm not a big "green" person, but this just seems stupid on their end of things. All it would take is some common sense and a few simple changes to curb this problem and stop this pointless use of plastic. /End rant
So long story short, both FOX and Best Buy should be chastized for their lack of eco-awareness. FOX shouldn't even be wasting the plastic in the first place by making those pointless masks (especially since the container that holds the DVDs is cheap and poorly designed). As for Best Buy, all they're doing is encouraging the wastefulness of the plastic since I can't see who in their right mind would have a need for the mask. I'm not a big "green" person, but this just seems stupid on their end of things. All it would take is some common sense and a few simple changes to curb this problem and stop this pointless use of plastic. /End rant
Monday, August 17, 2009
Fall Movie Preview (20-17)
20. Avatar (Dec. 18)
Plot: Avatar is the story of an ex-Marine who finds himself thrust into hostilities on an alien planet filled with exotic life forms. As an Avatar, a human mind in an alien body, he finds himself torn between two worlds, in a desperate fight for his own survival and that of the indigenous people. More than ten years in the making, Avatar marks Cameron's return to feature directing since helming 1997's Titanic, the highest grossing film of all time and winner of eleven Oscars® including Best Picture. WETA Digital, renowned for its work in The Lord of the Rings Trilogy and King Kong, will incorporate new intuitive CGI technologies to transform the environments and characters into photorealistic 3D imagery that will transport the audience into the alien world rich with imaginative vistas, creatures and characters.
Quick thoughts: This movie managed to get on my top 30 of '09, but frankly I'm actually losing interest in this movie instead of gaining as the months go on. The sci-fi genre is not a favorite of mine, nor do I really care about the whole 3D craze. Really the main selling point here is James Cameron's return to filmmaking. I'm sure this will be a bigger deal for others than it is for me.
19. Invictus (December 11)
Plot: The film tells the inspiring true story of how Nelson Mandela joined forces with the captain of South Africa's rugby team to help unite their country. Newly elected President Mandela knows his nation remains racially and economically divided in the wake of apartheid. Believing he can bring his people together through the universal language of sport, Mandela rallies South Africa's underdog rugby team as they make an unlikely run to the 1995 World Cup Championship match.
Quick thoughts: Similar to Avatar, this has a lot of pedigree but not exactly a story I'm all that interested in. However, given that it stars Morgan Freeman as Mandela and has Matt Damon co-starring, that just might be enough quality acting to lure me in. With Clint Eastwood directing this, look for Invictus to be big come awards season.
18. Up in the Air (December TBA)
Plot: From Jason Reitman, the Oscar® nominated director of Juno, comes a comedy called Up in the Air starring Oscar® winner George Clooney as Ryan Bingham, a corporate hatchet man who loves his life on the road but is forced to fight for his job when his company downsizes its travel budget. He is required to spend more time at home just as he is on the cusp of a goal he's worked toward for years: reaching five million frequent flyer miles and just after he's met the frequent-traveler woman of his dreams.
Quick thoughts: This seems like a unique and different concept and Jason Reitman has certainly established a lot of goodwill with Juno and Thank You For Smoking. However, I'm hesitant to put this one any higher up on the list until I see an actual trailer for the movie.
17. Disney's A Christmas Carol (November 6)
Plot: Disney's A Christmas Carol, a multi-sensory thrill ride re-envisioned by Academy Award®-winning filmmaker Robert Zemeckis, captures the fantastical essence of the classic Dickens tale in a groundbreaking 3-D motion picture event. Ebenezer Scrooge (Jim Carrey) begins the Christmas holiday with his usual miserly contempt, barking at his faithful clerk (Gary Oldman) and his cheery nephew (Colin Firth). But when the ghosts of Christmas Past, Present and Yet to Come take him on an eye-opening journey revealing truths Old Scrooge is reluctant to face, he must open his heart to undo years of ill will before it's too late.
Quick thoughts: If you haven't seen the trailer yet, this has a similar look to The Polar Express, which may or may not be a selling point for people. Let's face it, there's nothing new about the story, so the hope is that the new visual presentation combined with Jim Carrey's multi-voiced performance will make this something worth seeing during the holiday season.
Plot: Avatar is the story of an ex-Marine who finds himself thrust into hostilities on an alien planet filled with exotic life forms. As an Avatar, a human mind in an alien body, he finds himself torn between two worlds, in a desperate fight for his own survival and that of the indigenous people. More than ten years in the making, Avatar marks Cameron's return to feature directing since helming 1997's Titanic, the highest grossing film of all time and winner of eleven Oscars® including Best Picture. WETA Digital, renowned for its work in The Lord of the Rings Trilogy and King Kong, will incorporate new intuitive CGI technologies to transform the environments and characters into photorealistic 3D imagery that will transport the audience into the alien world rich with imaginative vistas, creatures and characters.
Quick thoughts: This movie managed to get on my top 30 of '09, but frankly I'm actually losing interest in this movie instead of gaining as the months go on. The sci-fi genre is not a favorite of mine, nor do I really care about the whole 3D craze. Really the main selling point here is James Cameron's return to filmmaking. I'm sure this will be a bigger deal for others than it is for me.
19. Invictus (December 11)
Plot: The film tells the inspiring true story of how Nelson Mandela joined forces with the captain of South Africa's rugby team to help unite their country. Newly elected President Mandela knows his nation remains racially and economically divided in the wake of apartheid. Believing he can bring his people together through the universal language of sport, Mandela rallies South Africa's underdog rugby team as they make an unlikely run to the 1995 World Cup Championship match.
Quick thoughts: Similar to Avatar, this has a lot of pedigree but not exactly a story I'm all that interested in. However, given that it stars Morgan Freeman as Mandela and has Matt Damon co-starring, that just might be enough quality acting to lure me in. With Clint Eastwood directing this, look for Invictus to be big come awards season.
18. Up in the Air (December TBA)
Plot: From Jason Reitman, the Oscar® nominated director of Juno, comes a comedy called Up in the Air starring Oscar® winner George Clooney as Ryan Bingham, a corporate hatchet man who loves his life on the road but is forced to fight for his job when his company downsizes its travel budget. He is required to spend more time at home just as he is on the cusp of a goal he's worked toward for years: reaching five million frequent flyer miles and just after he's met the frequent-traveler woman of his dreams.
Quick thoughts: This seems like a unique and different concept and Jason Reitman has certainly established a lot of goodwill with Juno and Thank You For Smoking. However, I'm hesitant to put this one any higher up on the list until I see an actual trailer for the movie.
17. Disney's A Christmas Carol (November 6)
Plot: Disney's A Christmas Carol, a multi-sensory thrill ride re-envisioned by Academy Award®-winning filmmaker Robert Zemeckis, captures the fantastical essence of the classic Dickens tale in a groundbreaking 3-D motion picture event. Ebenezer Scrooge (Jim Carrey) begins the Christmas holiday with his usual miserly contempt, barking at his faithful clerk (Gary Oldman) and his cheery nephew (Colin Firth). But when the ghosts of Christmas Past, Present and Yet to Come take him on an eye-opening journey revealing truths Old Scrooge is reluctant to face, he must open his heart to undo years of ill will before it's too late.
Quick thoughts: If you haven't seen the trailer yet, this has a similar look to The Polar Express, which may or may not be a selling point for people. Let's face it, there's nothing new about the story, so the hope is that the new visual presentation combined with Jim Carrey's multi-voiced performance will make this something worth seeing during the holiday season.
Potbellies? More like hot bellies!
Looks like all that drinking and lack of excerise has finally paid off. I'm now considered trendy according to the New York Times.
It's Hip to Be Round
It's Hip to Be Round
Sunday, August 16, 2009
Scenes from a fall
Summer sure went by fast and you know what that means - cooler temperatures and fall movies. Gone are the noisy, visual effects laden blockbusters and in come the adult fare and awards bait. Over the next week I'm going to preview the top 20 films to look forward to for the remainder of the year. This post, however, will only briefly list the honorable mentions; those films which will likely be big but I really have no interest in seeing them.
All About Steve - September 4th
9 - September 9th
Zombieland - October 9th
Where the Wild Things Are - October 16th
Amelia - October 23rd
Saw VI - October 23rd
The Fantastic Mr. Fox - November 13th
Planet 51 - November 20th
Brothers - December 4th
The Lovely Bones - December 11th
It's Complicated - December 25th
If any of these titles sound good to you, you're on your own to find out more about them.
All About Steve - September 4th
9 - September 9th
Zombieland - October 9th
Where the Wild Things Are - October 16th
Amelia - October 23rd
Saw VI - October 23rd
The Fantastic Mr. Fox - November 13th
Planet 51 - November 20th
Brothers - December 4th
The Lovely Bones - December 11th
It's Complicated - December 25th
If any of these titles sound good to you, you're on your own to find out more about them.
Saturday, August 15, 2009
NMR: Cult comedies
Quick note, this is actually the first time I have seen either of these movies.
Clerks: This certainly had its moments, but overall I wasn't wowed by it. Having said that, I can see why this was an iconic movie for its generation. Even though it's a movie about store clerks, which would seem like a universal plot, the film is very much rooted in the 90s. I think that had a lot to do with why I wasn't able to connect with it better. It's impressive what Kevin Smith was able to do on a shoestring budget, but I doubt I'll probably ever watch this one again. Rating: ***
The Big Lebowski: Similar to Clerks, I can see why this appealed to a certain population, but it just didn't do much for me. For this one, I kept wanting to like it more than I was. I really liked all of the characters as they were quirky and interesting and being played by guys giving good performances. Really it was the story here that didn't win me over. I felt let down by the resolution of the whole thing and found all the fantasy sequences to be detracting to the film. I'm sure if I was a stoner, I might have more fun watching this, but since I'm not, this too will be a one and done viewing for me. Rating: ***
Clerks: This certainly had its moments, but overall I wasn't wowed by it. Having said that, I can see why this was an iconic movie for its generation. Even though it's a movie about store clerks, which would seem like a universal plot, the film is very much rooted in the 90s. I think that had a lot to do with why I wasn't able to connect with it better. It's impressive what Kevin Smith was able to do on a shoestring budget, but I doubt I'll probably ever watch this one again. Rating: ***
The Big Lebowski: Similar to Clerks, I can see why this appealed to a certain population, but it just didn't do much for me. For this one, I kept wanting to like it more than I was. I really liked all of the characters as they were quirky and interesting and being played by guys giving good performances. Really it was the story here that didn't win me over. I felt let down by the resolution of the whole thing and found all the fantasy sequences to be detracting to the film. I'm sure if I was a stoner, I might have more fun watching this, but since I'm not, this too will be a one and done viewing for me. Rating: ***
Friday, August 14, 2009
Depp but not deep
This review should catch me up, at least in terms of in theater reviews. There are still some lingering Netflix reviews I'll need to take care off.
Public Enemies had all the makings for an instant classic. You have a rich cast with Johnny Depp, Christian Bale and Marion Cotillard. You have an imaginative and established director with Michael Mann. And to top it off, it's a gangster flick; a genre that has developed several great films in recent years. Watching this however, you couldn't help but feel something was still missing.
But before I get ahead of myself, let me appropriate give credit where it is due. First off, Michael Mann delivers one of the most beautiful films I have seen in long time. I don't know if the picture quality is better at Dayton theaters than the ones in Raleigh or if Michael Mann is just that good of a director. Regardless, everything pops off the screen with beauty and clarity. Everything looks authentic and realistic. Art direction is not something I typically notice or care about, but it was a definite asset of this film.
However, while the film is nice to look at, the real draw here is Depp. Once again, this guy gives a performance that is rich and draws you in. You're not looking at Depp, you're looking at the person he's portraying. He shows both the reckless and calculating sides of famed gangster John Dillinger. He does just enough to make the character fun without going so far as to glorify the man. It's performances like these that continue to solidify Depp as one of the greatest actors of his generation.
Depp also has good chemistry with Cotillard, who plays his love interest, Billie. Their relationship is an interesting one as they both seem to realize its destined for failure given the danger of his profession, yet go through with it anyways. Bale is the one who's the odd man out here. Playing FBI agent, Melvin Purvis, Bale isn't really given that much to do here and only has one decent scene with Depp. However, the film really isn't about Purvis and I think Bale was brought on as an extra selling point for the film. In reality, the role probably didn't need to go to that large of a star. Then again, there were some other odd casting choices seen here. Like Leelee Sobieski showing up in the last twenty minutes of the film and barely having any lines. It seems like they could have either found more for her to do or hire someone less famous for such a thankless role.
That Sobieski cameo seems reflective of the main problem that plagues this film; it doesn't seem like a whole lot of thought was put into creating this film. The story, as a whole, doesn't seem to have a point. I found myself engaged in every scene, but also wondering what significance it had on the larger picture. The film depicts a wide range of events in Dillinger's life without really saying anything about the man. Without any symbolism or meaning behind the actions being displayed, the film failed to have a lasting impression on me. In the moment, I found myself really enjoying the film, but also found myself quickly forgetting about it shortly after it was over.
It's a shame the source material isn't better here. People like Depp and Mann are such consumate professionals that they're able to produce quality work out of anything. It's quite apparent that their fine skills are once again on display here. It is thanks to their efforts that the film rises above mediocre and becomes something fairly decent.
I'm recommending the film based on the strength of their work. Depp and Mann deserve some recognition during awards season, but I worry now that the weak story may cause most people to overlook their work. For the average viewer, Public Enemies is best suited as a rental since the film lacks that level of significance to make it worthy of seeking out in the theaters. You may not need to rush out and see this film, but Depp and Mann make it one that you ultimately can't refuse. Grade: B+
Public Enemies had all the makings for an instant classic. You have a rich cast with Johnny Depp, Christian Bale and Marion Cotillard. You have an imaginative and established director with Michael Mann. And to top it off, it's a gangster flick; a genre that has developed several great films in recent years. Watching this however, you couldn't help but feel something was still missing.
But before I get ahead of myself, let me appropriate give credit where it is due. First off, Michael Mann delivers one of the most beautiful films I have seen in long time. I don't know if the picture quality is better at Dayton theaters than the ones in Raleigh or if Michael Mann is just that good of a director. Regardless, everything pops off the screen with beauty and clarity. Everything looks authentic and realistic. Art direction is not something I typically notice or care about, but it was a definite asset of this film.
However, while the film is nice to look at, the real draw here is Depp. Once again, this guy gives a performance that is rich and draws you in. You're not looking at Depp, you're looking at the person he's portraying. He shows both the reckless and calculating sides of famed gangster John Dillinger. He does just enough to make the character fun without going so far as to glorify the man. It's performances like these that continue to solidify Depp as one of the greatest actors of his generation.
Depp also has good chemistry with Cotillard, who plays his love interest, Billie. Their relationship is an interesting one as they both seem to realize its destined for failure given the danger of his profession, yet go through with it anyways. Bale is the one who's the odd man out here. Playing FBI agent, Melvin Purvis, Bale isn't really given that much to do here and only has one decent scene with Depp. However, the film really isn't about Purvis and I think Bale was brought on as an extra selling point for the film. In reality, the role probably didn't need to go to that large of a star. Then again, there were some other odd casting choices seen here. Like Leelee Sobieski showing up in the last twenty minutes of the film and barely having any lines. It seems like they could have either found more for her to do or hire someone less famous for such a thankless role.
That Sobieski cameo seems reflective of the main problem that plagues this film; it doesn't seem like a whole lot of thought was put into creating this film. The story, as a whole, doesn't seem to have a point. I found myself engaged in every scene, but also wondering what significance it had on the larger picture. The film depicts a wide range of events in Dillinger's life without really saying anything about the man. Without any symbolism or meaning behind the actions being displayed, the film failed to have a lasting impression on me. In the moment, I found myself really enjoying the film, but also found myself quickly forgetting about it shortly after it was over.
It's a shame the source material isn't better here. People like Depp and Mann are such consumate professionals that they're able to produce quality work out of anything. It's quite apparent that their fine skills are once again on display here. It is thanks to their efforts that the film rises above mediocre and becomes something fairly decent.
I'm recommending the film based on the strength of their work. Depp and Mann deserve some recognition during awards season, but I worry now that the weak story may cause most people to overlook their work. For the average viewer, Public Enemies is best suited as a rental since the film lacks that level of significance to make it worthy of seeking out in the theaters. You may not need to rush out and see this film, but Depp and Mann make it one that you ultimately can't refuse. Grade: B+
Thursday, August 13, 2009
Cop out
From EW.com
As sad as I am to see this show go, Reno's most recent season was definitely its weakest and I'd rather see it go out now instead of continuing into a downward spiral.
Comedy Central confirms that it has pulled the plug on Reno 911! Star/co-creator Thomas Lennon broke the news that the show’s recently wrapped sixth season will be its last on his Twitter feed saying, “Reno 911! was cancelled at 1:30 pm today. Won’t be wearing the shorts again.” When contacted by EW today, Comedy Central declined to comment.
As sad as I am to see this show go, Reno's most recent season was definitely its weakest and I'd rather see it go out now instead of continuing into a downward spiral.
Community
I'm sure by now you've all seen the commercials for NBC's new sitcom, Community starring The Soup's Joel McHale. Well if you're tired of summer reruns and crappy reality TV, then I urge you to go here, where you can check out Community's pilot episode. I just finished watching it and was very pleased with what I saw. It had a decent amount of laughs, particularly for a pilot episode and it seems like it's got a strong ensemble cast. I think this will be a great addition to NBC's Thursday comedy lineup.
For those that can't see the pilot or are simply looking for more content, I'm including below a clip from a future episode featuring Ken Jeong (The Hangover, Role Models) as a Spanish teacher at the college.
For those that can't see the pilot or are simply looking for more content, I'm including below a clip from a future episode featuring Ken Jeong (The Hangover, Role Models) as a Spanish teacher at the college.
Papal Chase
You'll forgive me if these next few movies reviews are a little shorter/lighter on analysis. Since I'm doing them so far away from having seen the movies, I may not remember everything I wanted to say about it.
First up is Angels & Demons, the follow up to 2006's The Da Vinci Code, even though in terms of the novels Angels and Demons actually was written first. Like many, I had been disappointed with the effort director Ron Howard and star Tom Hanks had made with The Da Vinci Code. The film was flat and failed to capture the excitement of uncovering cryptic clues that made the book so popular. I was naturally nervous about this second entry, but still willing to give it a shot since both Howard and Hanks are smart enough guys to own up to their rare misfires and work harder to do better the next time out. The end result here is definitely an improvement, if for no other reason than they had better source material to work with.
The plot here sees Robert Langdon (Hanks) called into Vatican City to investigate the kidnapping of four cardinals on the eve of the papal conclave preparing to elect a new pope. Langdon is the guy chosen because the kidnappings seem to be related to an ancient group known as the Illuminati. The Vatican has been warned that they will kill one cardinal every hour leading up to midnight when they plan on blowing up Vatican City. The setup here is simple, yet creates an exciting setting. We watch as Langdon attempts to solve the clues to learn of each cardinal's location in hopes of preventing their deaths. The stakes here are very well laid out unlike the meandering plot of The Da Vinci Code.
Hanks, to his credit, seems much more relaxed in the role this time. He may not play Langdon exactly the way most picture the character as they read the books. But this time, he seems much more assured of how he wants to play the character, which in turns makes his performance better. He also has a better cast to work off of here as Ewan McGregor, Stellen Skarsgaard, and Armin Mueller-Stahl all bring some clout to their supporting roles.
About the only supporting character I was not crazy about was Ayelet Zurer, who played Vittoria. In the book, she's not only integral to helping Langdon solve these puzzles, but she also is somewhat of a love interest. Here, her presence is greatly diminished and she might as well be just a no name cop hanging around as Langdon solves the case. She had such a huge impact on Langdon in the book that he even reminisces about her in The Da Vinci Code. None of that relationship however is developed in the film.
Of course, just like with the Harry Potter films, there are bound to be changes/omissions whenever a film is adapted from a popular book. This film is no exclusion as several key scenes are either left out or changed drastically. However, unlike the alterations made in the HP franchise, I wasn't bothered by the changes here for two reasons. For one, it had actually been quite a few years since I had read the book, so I didn't really realize what had changed until I read about them online later. Also, I felt the film flowed very well and most of the changes seemed to make the story flow better.
What still remains is the outlandish way that the film ends. The over-the-top twists nearly ruin the whole film, but since these things happened in the book, you can't necessarily blame the film for how things get resolved. You'll likely roll your eyes watching these unrealistic events unfold, but at some point you just have to roll with it. Don't let the ending spoil an otherwise decent popcorn flick.
Like it's predecessor, this is a flawed film. However, thanks to Hanks and Howard's familiarity with the material and a more focused story, Angels & Demons is a much more tolerable movie. If you've read the book or actually enjoyed The Da Vinci Code, then you owe it to yourself to seek this out when it eventually finds its way onto home video. It provides just enough action and suspense to make it the perfect movie that will allow you to shut your brain off for a couple of hours and veg out. After all, isn't that the reason they turn books into movies in the first place? Grade: B-
First up is Angels & Demons, the follow up to 2006's The Da Vinci Code, even though in terms of the novels Angels and Demons actually was written first. Like many, I had been disappointed with the effort director Ron Howard and star Tom Hanks had made with The Da Vinci Code. The film was flat and failed to capture the excitement of uncovering cryptic clues that made the book so popular. I was naturally nervous about this second entry, but still willing to give it a shot since both Howard and Hanks are smart enough guys to own up to their rare misfires and work harder to do better the next time out. The end result here is definitely an improvement, if for no other reason than they had better source material to work with.
The plot here sees Robert Langdon (Hanks) called into Vatican City to investigate the kidnapping of four cardinals on the eve of the papal conclave preparing to elect a new pope. Langdon is the guy chosen because the kidnappings seem to be related to an ancient group known as the Illuminati. The Vatican has been warned that they will kill one cardinal every hour leading up to midnight when they plan on blowing up Vatican City. The setup here is simple, yet creates an exciting setting. We watch as Langdon attempts to solve the clues to learn of each cardinal's location in hopes of preventing their deaths. The stakes here are very well laid out unlike the meandering plot of The Da Vinci Code.
Hanks, to his credit, seems much more relaxed in the role this time. He may not play Langdon exactly the way most picture the character as they read the books. But this time, he seems much more assured of how he wants to play the character, which in turns makes his performance better. He also has a better cast to work off of here as Ewan McGregor, Stellen Skarsgaard, and Armin Mueller-Stahl all bring some clout to their supporting roles.
About the only supporting character I was not crazy about was Ayelet Zurer, who played Vittoria. In the book, she's not only integral to helping Langdon solve these puzzles, but she also is somewhat of a love interest. Here, her presence is greatly diminished and she might as well be just a no name cop hanging around as Langdon solves the case. She had such a huge impact on Langdon in the book that he even reminisces about her in The Da Vinci Code. None of that relationship however is developed in the film.
Of course, just like with the Harry Potter films, there are bound to be changes/omissions whenever a film is adapted from a popular book. This film is no exclusion as several key scenes are either left out or changed drastically. However, unlike the alterations made in the HP franchise, I wasn't bothered by the changes here for two reasons. For one, it had actually been quite a few years since I had read the book, so I didn't really realize what had changed until I read about them online later. Also, I felt the film flowed very well and most of the changes seemed to make the story flow better.
What still remains is the outlandish way that the film ends. The over-the-top twists nearly ruin the whole film, but since these things happened in the book, you can't necessarily blame the film for how things get resolved. You'll likely roll your eyes watching these unrealistic events unfold, but at some point you just have to roll with it. Don't let the ending spoil an otherwise decent popcorn flick.
Like it's predecessor, this is a flawed film. However, thanks to Hanks and Howard's familiarity with the material and a more focused story, Angels & Demons is a much more tolerable movie. If you've read the book or actually enjoyed The Da Vinci Code, then you owe it to yourself to seek this out when it eventually finds its way onto home video. It provides just enough action and suspense to make it the perfect movie that will allow you to shut your brain off for a couple of hours and veg out. After all, isn't that the reason they turn books into movies in the first place? Grade: B-
Wednesday, August 12, 2009
NMR: Gran Torino
Technically this is not a Netflix review because I got impatient waiting for my copy of this through them and just decided to watch it On Demand through Time Warner since I had a coupon for a free film. That aside, I ended really enjoying this film, more than I actually thought I would. In what many believe may be his final acting performance, Clint Eastwood does a phenomenal job as Walt Kowalski, a retired veteran who's just lost his wife and hates how his neighborhood is being overtaken by immigrants. Even though Walt isn't a real likable character, I immediately related to him and his annoyance with the way the world was changing around him. With the way everything is set up, it becomes obvious where the story is headed, but I didn't mind knowing that because I had become invested in the character. The main critique most had of the film was the poor acting of some of the Hmong neighbors, who were real people and not professionally trained actors. I would agree that it's obvious that they are unpolished, but I personally did not feel it detracted from the film. Even though it did not get a wide release until January, this is technically a 2008 film, which is why you won't see it on my top ten list, even though I thought it was excellent. Had I thought I would have liked it this much, I would have kept my '08 top ten list up longer so that I could have included this. If you haven't seen it yet, I'd say you should definitely rent it, if for no other reason than to see one of the greatest actors of all time show he's still got it, even at 79. Rating: *****
Saturday, August 8, 2009
OH-IO
So I'm now officially back in the great state of Ohio. I moved in to my new apartment in Dayton this past week and am please with how everything went. My new apartment is probably smaller than my place in NC, but superior to it in every other way (cost, cleanliness, location, etc.). I apologize that there's still been a lack of posts on here recently. Please bear with me on that. I'm heading up to Cleveland this weekend, but once I get back next week, things should begin to return to normal. At that point, hopefully I can write up my reviews for Angels & Demons, Gran Torino, and Public Enemies. Until then, just hang tight. And if you're in the Dayton area, shoot me a line, I'd love to have visitors!
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