Family feud

With the new fall TV season quickly approaching comes the announcement of a new Survivor. The big twist for this next installment, dubbed 'Blood vs. Water', is that returning players will be squaring off against a tribe of their family members. For more on what you can expect this season and who will be a part of the cast, here's the story from EW.com:

Jeff Probst already announced on Entertainment Weekly Radio that the next season of Survivor — subtitled Blood vs. Water — would feature returning Survivor contestants playing with (or, rather, against) their loved ones. Then, yesterday we revealed that one of those pairs would be Survivor: One World’s Kat Edorsson and her boyfriend, Big Brother season 12 winner Hayden Moss. Now the rest of the cast can be officially unveiled. And that cast will be playing in the most twist-heavy Survivor season ever.

Among the cast of Survivor: Blood vs. Water —which filmed this past May and June in the Philippines — will be a contestant from the group that started it all, as season 1 player Gervase Peterson returns to compete along with his niece Marissa. He will be joined by three million dollar winners — Tina Wesson from The Australian Outback (who will be playing with daughter Katie), Aras Baskauskas from Panama (with brother Vytas), and Rupert Boneham, who has never won in his three previous outings but did collect a million dollars as the winner of a special fan voted prize given away during the All-Stars season. He will be joined by his wife Laura.

In a surprise, the new cast also features three players from One World — which is generally considered one of the weakest Survivor seasons ever. Joining Kat will be Monica Culpepper (and husband Brad) and the controversial Colton Cumbie (and fiancé Caleb). Rounding out the cast are threepeaters Tyson Apostol (with girlfriend Rachel) and the former Candice Woodcock (now Candice Cody, with husband John), as well as Laura Morett from Samoa (with daughter Ciera).

Survivor host Jeff Probst gives credit for the loved ones concept to Survivor casting director Lynne Spillman. “It’s something she brought up for years,” Probst told EW.com. “But this year she pitched it and she said, ‘I think I can pull it off. I think I’ve found the right amount of couples.’ And once we started talking about it and talking about who would play, it went from something we thought about doing next year to something we were going to do this season. It was one of those moments were I left and went ‘Oh, everything’s different.’” As if having returning players playing against their loved ones was not a big enough twist, there are several other smaller changes, some of which could dramatically alter the way the game is played. Here they are:

* For the first time ever, the game will not be 39 days long, but rather 39-and-a-half days, as the couples will begin the game the night prior to day one with a new twist titled “Day Zero.” The 10 pairs will be sent out at sunset to 10 different locations to live by themselves for the night. They will then all meet up to be officially welcomed by host Jeff Probst and start the game the next morning. “The whole idea was to try and get them thinking and maybe believing that they would play as a pair,” says Probst.

* Just minutes after congregating, the returning players and their loved ones will be split into two different tribes, with the returning players making up the yellow Galang tribe and the newbies comprising the red Tadhana tribe. “Suddenly your partner becomes your adversary, your competition,” says Probst. “And that was the whole premise of Blood Vs. Water. How is that going to play out in a game where only one person can win?”

* First impressions can be key in the game like Survivor, and that will prove true here as just moments after meeting each other, each team will vote one member off their tribe. They will later be informed that these people have not been voted out of the game, but rather will be sent to Redemption Island, which makes its return after having been absent for the past three seasons. There they will battle to stay alive and reenter the game at a later point.

* Confused yet? Well, it gets even more confusing! Jeff Probst will then immediately offer each of the loved ones of the two people voted off the opportunity to trade places with them, meaning that if, say, returning player Tina is voted out of her tribe at the start, her daughter Katie can opt to take her place at Redemption Island instead, and Tina would then join the tribe of newbies.

* As mentioned, Redemption Island is back. Anyone voted out will be sent there and will then compete in a three person duel. The last place finisher in each contest is out of the game for good, while the top two remain. However, if someone’s loved one is still in the game they can take their loved one’s place before a duel. (So if, say, Monica is at Redemption Island but her husband Brad thinks he would do better at a duel involving strength, he can swap places with her, electing to do the duel while she takes his place on his tribe. They could then swap again at the next duel if it is a contest better suited to her strengths.) “That puts blood and water to the test,” says Probst. “And we’re gonna do it at every duel. So the first time early in the game, somebody may say ‘It’s just too early.” But as those duels increase and they get closer to what they think might be a merge, their strategy is going to start to change.”

* That’s not all when it comes to Redemption Island. The person who finishes first in each duel will also get to give a clue to the location of a hidden immunity idol to any person from either tribe that they choose. “There’s all these things you can do,” says Probst. “Because for a moment, even though you’re on the outest, furthest part of the game, you have a little bit of power.”

Tribe Watch '13 (Week 20)

Record: 66 - 58

Standing: Second in AL Central (7 games behind Detroit)

Well anything the Tribe did this past week would have been an improvement over the week before so I guess we should be positive, but I sure would like to see this team playing better than they are right now. After dropping the opening game to Minnesota, they managed to take the next two and the series, which is what they should do against lesser opponents. After heading out west, however, the Indians could only manage to win one game against the A's. Oakland is a decent team, so there's no shame to losing two games to them in their place, but it is just frustrating because they currently sit ahead of us in the Wild Card standings, so it would be have been helpful to gain some ground on them. Right now it seems like our focus should be on earning one of the wild card slots as Detroit shows no signs of relinquishing first place before the end of the year. Our efforts to procure a playoff spot begin this week as we finish up our west coast road trip with a three game set against the Anaheim Angels. Then we finally head back home to take on the Minnesota Twins in a weekend series. Neither of those teams are making the playoffs this year, so we need to rack up a lot of wins against them. Despite our recent struggles, it is still great to be playing meaningful baseball this late into the season. As the Indians try to make that late season push, I'll be there with them each step of the way rooting them on. Go Tribe!

It's always hardest on the adults

Check out this trailer for A.C.O.D. (which stand for Adult Child of Divorce), the latest indie dramedy that features one hell of a talented and funny cast.

Class act

When Neill Blomkamp's directorial debut came out in 2009, it felt like a bit of fresh air within the sci-fi genre. Finally we had a movie that gave audiences something more than your normal creature feature. With his follow-up effort, Elysium, Blomkamp has once again attempted to blend a social class allegory with science fiction.

Elysium refers to a large space station that hovers over Earth and houses the wealthiest, most elite people while everyone else remains on Earth, which has turned into one big third world country. Elysium's inhabitants not only live a posh lifestyle, they have access to the most advanced technologies, including machines that can cure you of any disease you have. Making sure that those perks remain used by only the privileged is the head of Homeland Security, Secretary Rhodes (Jodie Foster). She stops at no cost to keep Elysium pure, even if it means shooting down ships filled with people trying to sneak into their paradise.

On Earth, things are particularly are particularly grim for Max (Matt Damon). Raised in an orphanage, Max grew up running afoul of the law several times while bouncing from one dead end job to the next. While working at a robotics factory, Max is involved in a machine malfunction that leads to him receiving a lethal dose of radiation. With only five days left to live, Max sets out on a mission to get to Elysium so that he can cure himself.

The set-up for the movie offers tremendous promise. It offers a tantalizing future that is rooted in current day issues of immigration and class warfare. Damon, as always, is terrific in this role as you can sense the weariness his character has for his lifestyle even before he's given a death sentence. The film also has a lot of fan establishing this futuristic Earth that is run by robotic cops and a few corporate leaders who only periodically stay on Earth to make sure their businesses are still functioning properly.

The back half of the film cannot quite live up to the promise established in the beginning unfortunately. Max's quest to make it to Elysium is filled primarily with a lot of noisy action. In order to get on a ship headed to Elysium, Max aligns himself with Julio, a well-connected criminal who wants Max to get him some important information that could take down Elysium and its people. To help him with this mission, Julio fits Max with a robotic exoskeleton that makes him look like a beta version of Robocop. Standing in Max's way is Secretary Rhodes' hired gun, Agent Kruger. Kruger is a rogue thug played by a nearly unrecognizable Sharlto Copley.

Kruger and Max go toe-to-toe on a couple of occasions as the movie progresses. I will admit that Blomkamp's filming of the scenes is impressive. He has a true visual flare for shooting action sequences that feel fresh and engaging. It's just a shame that the scene did nothing for me on an intellectual level. I kept wishing that those scenes would have been balanced out with more scenes of political discourse regarding Elysium's policies. With that said, a little of Foster's Secretary Rhodes goes a long way in this film. Foster is an Oscar winner and has delivered several great performances, but I have no clue what she was going for her as she takes on a baffling accent that is borderline laughable. Any potential for political intrigue is undercut by her performance.

At a time when so many films play it safe or give us the same old story, I respect Blomkamp for providing us with something that feels different. I just wish he would have had the guts to see it all the way through instead of relying on sheer action at the back end of the picture. While the movie may have some flaws, I'm certainly recommending it because I want to see films that takes risks like this get rewarded with viewers. Blomkamp may thumb his nose at the 1 percenters, but with Elysium, he is quickly proving that he belongs in an elite class of directors. Grade: B+

Getting hammered

Some people have been having some fun with the new Thor trailer that came out last week. First up we have Conan reprising a bit where he shows us why he doesn't think Chris Hemsworth is the right guy to be playing Thor.



Then someone thought it would be a good idea to smash up the new trailer with the world of Arrested Development. You can check out that end result, called 'Thorested Developement' below.

Tribe Watch '13 (Week 19)

Record: 63 - 56

Standing: Third in AL Central (7 games behind Detroit)

Even yesterday's come from behind win against the Angels wasn't enough to buoy my spirits after a completely dismal week. Frankly I don't even want to talk about it. We can only hope this 10 day road trip that features the Tribe going against Minnesota, Oakland, and Anaheim puts them back on the right track (although tonight's loss to Minnesota certainly isn't a good sign). I gotta keep rooting for my team, but it's awfully tough to feel good about their postseason chances these days. Let's hope I'm singing a much different and happier tune next week. Until then, go Tribe!

Danny Ocean goes to war

Sorry for the glut of trailers this week, but they've been all good ones. Here's one for The Monuments Men, a movie that was in my Top 5 Most Anticipated for this year. The film stars George Clooney, (who also directs it), Matt Damon, Bill Murray, and John Goodman. Check it out below.

Missed the Mark

From Indians.com

CLEVELAND -- The Indians brought Mark Reynolds in over the offseason to provide the kind of right-handed power the team had lacked in recent years. For one month, the all-or-nothing slugger lived up to expectations.

Reynolds' three-month tailspin since an amazing April led to Thursday's decision by Cleveland to designate the first baseman for assignment. The Indians have promoted reliever Preston Guilmet from Triple-A Columbus to give the bullpen an extra arm for the time being.

"He's a guy that carried us the first month of the season," Indians manager Terry Francona said. "And then from that point to here, it's been pretty rough. It was getting harder and harder to find at-bats so he could get hot, because I think we all felt like he had a streak in him."

Reynolds is now in a 10-day waiting period, during which he is likely to be either traded or released by the Indians. Other teams will have an opportunity to also claim Reynolds off waivers, which could lead to a trade or Cleveland could simply let him go.

Francona noted that Reynolds did not request to be moved, but indicated that the struggling slugger is not interested in accepting a Minor League assignment.

"He expressed that he did not want to go to Triple-A and play baseball," Francona said. "So we do know that. Now, it's 10 minutes after a game, but that's what he told us [Wednesday] night."

Through 99 games with Cleveland, which signed him over the winter to a one-year contract with a base salary of $6 million, Reynolds hit .215 with a .307 on-base percentage, .373 slugging percentage, 15 home runs, 48 RBIs and 123 strikeouts. He opened the season as the Tribe's primary designated hitter, but he also helped out at first and third base.

Reynolds provided a powerful bat for Cleveland's lineup through May 6, when his batting average stood at .300. Over the first 28 games, he launched 10 home runs, collected 27 RBIs and posted a 1.026 OPS.

In the clubhouse, Reynolds was dubbed "Mega Mark" by his teammates for the tape-measure shots he was belting for the Tribe.

Unfortunately for Cleveland, Reynolds went as cold as he started hot.

"We knew when we got him that he wasn't a .300 hitter," Francona said. "He was hitting .300 and basically hitting everything in sight. And [explaining his slump] is probably not as easy as one sentence. The pitches he was hitting in April, he was either fouling, or sometimes you get one pitch in an at-bat, and he'd miss it or foul it and strike out.

"Earlier in the season, he was getting it, he was hitting it and he was doing a lot of damage."

Over the past 71 games dating back to May 7, Reynolds has posted the lowest batting average (.179) among qualified Major League players in that time period. His .532 OPS in that span rates as the second-lowest mark among big league hitters.

That three-month slump included just five home runs and 21 RBIs to go along with 96 strikeouts.

In parts of seven seasons in the Majors -- spent between stints with the D-backs, Orioles and Indians -- Reynolds has hit .233 with 196 home runs and 549 RBI in 952 games. Across the 2008-11 campaigns, he hit .231 with an average of 35 home runs, 92 RBI and 208 strikeouts per season.

While trying to balance keeping the Indians in the American League Central race with getting Reynolds going again at the plate, Francona had reduced the slugger's playing time in recent weeks. Surprising bench contributor Ryan Raburn -- who signed a two-year contract extension on Wednesday -- has garnered more time in the starting lineup.

"With Raburn swinging the bat the way he is, and [Mike] Aviles playing really well," Francona said, "it was becoming harder to get him to where he was going to be able to get hot. And then we needed a pitcher [due to Wednesday's 14-inning game].

"And I think it was becoming harder for Mark to handle not playing. It was just time to do what we did."

Guilmet offers some bullpen insurance for the Indians, who cycled through an assortment of arms in a extra-inning loss to the Tigers on Wednesday night. The 25-year-old right-hander, who appeared in one game for the Indians earlier this season, has posted a 1.95 ERA with 64 strikeouts in 55 1/3 innings for Triple-A Columbus this season.

For the time being, Francona noted that the Indians might proceed with an eight-man bullpen, which is something the club has done in multiple stretches throughout this season. The positional versatility of players such as Raburn, Aviles, Nick Swisher and Carlos Santana has made it easier to play short-handed on the bench.

"You always have to be cognizant of the fact that, if there's any injury somewhere, all of a sudden you're looking for that bat," Francona said. "But you have to make decisions. Obviously, going into [Thursday], from where we sit, we think we're a better team with an eight-man bullpen."

Justin Masterson, who is a leader on the mound and off the field for the Indians, does not believe the move to part ways with Reynolds will negatively affect the clubhouse.

"We've still got a lot of good guys," Masterson said. "I wouldn't say it's a huge distraction, really, for anybody. But, some may let it creep in more than others. In the end, everyone knows that if you just go out and perform and do your stuff, hopefully that takes care of it.

"It may not work out here at some point in time. But, it may work somewhere else."

Feeling froggy

After their successful comeback a couple of years ago, Kermit and the gang are heading back to the big screen and bringing a whole new crop of famous faces along with them. Here's your first look at Muppets Most Wanted set to come out next spring.

RBR: The Incredible Burt Wonderstone

As I've mentioned on here before, I'm a sucker when it comes to movies about magic. When you couple that subject matter with a talented cast that features the likes of Steve Carell, Steve Buscemi, Alan Arkin, and Jim Carrey, it should equal great success. It's too bad that the people behind The Incredible Burt Wonderstone seem to have no clue what to do with the interesting subject matter or its great actors. This comedy attempts to tell a story about a modern day magician. There are several ways you could take the story - you could do a riff on Sigfried and Roy and the odd nature of their working relationship, you could address how those "Magicians' Secrets Revealed" show have spoiled the fun of magic for a lot of people, you could deal with the rivalry between renegade street magic and more traditional magic. This film touches upon each of those storylines but never delves into any of them deeply enough or in any compelling fashion. Storyline issues aside, the root of the film's problem is their decision to make Carell's character such an insufferable boor. As Wonderstone he's initially portrayed in flashbacks as a sympathetic nerd who uses magic to escape the pains in his life. Once the film moves into present day, we're given no indication as to why he's become so obnoxious to everyone around him. This makes it difficult for us to have any interest in seeing him succeed when his career begins to suffer. The final blow comes during the film's final climatic scenes which reveal Wonderstone's grand illusion. It's not only disappointing to learn how the trick is done, its disturbing to see how unmagical it truly is. Frankly, the only magic trick I want to see now is for someone to make my memory of this movie disappear. Rating: **

Dark matter

With The Wolverine still fresh in theaters, we already begin to shift gears and get ready for the next Marvel entry. Here's the newest trailer for Thor: The Dark World

Inner Office workings

Audiences said goodbye to The Office this past May and now that it's over we're starting to get a look at what might have been. Here's an interesting video that will be included in the DVD/Blu-Ray of the final season that shows some famous actors originally auditions for the roles of Michael, Jim, Pam and the rest of the Dunder Mifflin crew. Watching it, it seems as if they made the right choices to go with the people that they did, but it's still funny to think of how different the show would have been had say Seth Rogen gotten the role of Dwight.

Do the Hustle

The last time Christian Bale was in a film by director David O. Russell, he was in quite the emaciated state playing a drug addict in The Fighter. Now that he's re-teamed with him, he's living life like a fat cat in the 70s. To see Bale and the rest of this all star cast which includes Bradley Cooper, Amy Adams, and Jennifer Lawrence check out the trailer for American Hustle posted below.

Tribe Watch '13 (Week 18)

Record: 62 - 49

Standing: 2nd in AL Central (3 games behind Detroit)

As I type, the Indians are in the middle of the first of four HUGE games against division rival, the Detroit Tigers. But before we talk about that series, let's discuss how we got here since this is my first opportunity to discuss the Tribe since before the All Star Break. The Indians had me worried when they got off to a shaky start to begin the second half of the season. Unimpressive outings against Minnesota and Seattle had me concerned that we were in line for yet another second half collapse. Since, then however, the team has played much better. They looked red hot during a homestand that saw the team sweep both the Texas Rangers and the Chicago White Sox. The White Sox series was particularly fun since it involved a couple of walk-off wins (one of which I had the good fortune of seeing in person). This past weekend the team went down to Miami and managed to take two out of three from a Marlins team that is better than what their record suggest thanks to a good crop of young pitchers. All in all, the team is finding ways to win even when they aren't playing their best. The frustrating thing about this recent run is that the Tigers, currently in first in the AL Central, and the Royals, currently third, have played just as well so there really has been no change to the standings. The one positive about our recent good play is that we have managed to move up into sole possession of the second wild card spot. If the season were to end today, we would be in the playoffs. All of that brings us to the start of this series with Detroit. It is a four game series that could shake up the division depending on how many games we win. This is the last time the Tigers will be playing in Cleveland this season so we'll want to have as good of a showing as possible. After Detroit leaves, the Angels come into town for a weekend series. Anaheim had high hopes coming into the season but have struggled all year. Still they are not a team to take lightly and we'll need to avoid having any sort of hangover effect after the Detroit series. This a VERY big week for the Indians and I hope everyone comes out to support this team. Win or lose I'm going to be loving every minute of it. Go Tribe!

RBR: Side Effects

It feels like it's been forever since I actually saw this film, but I'm just now getting around to putting up my review. Let's see how well I can remember my thoughts on it. Rooney Mara stars as Emily, a young woman who is struggling after the recent release of her husband (Channing Tatum) who was doing prison time for insider trading. Emily begins seeing a therapist (Jude Law) who prescribes a new drug to help her deal with her issues. A side effect of the drug is that it causes her to sleepwalk. During one of her sleepwalking episodes she unknowingly stabs her husband with a knife, killing him. From there the film takes several twists and turns as it is unclear as to who truly is responsible for this death. Directed by Steven Soderbergh in what is apparently his last film, Side Effects begins very compelling. Soderbergh creates a great sense of mystery and suspense. The social commentary on the over-reliance on prescription medication also feels fresh and compelling. The film somewhat comes off the rails in the second half with a few too many twists that make it confusing as to some of the characters' motives for their actions and how they benefitted from them. By the film's end you're left unsure as to whether or not the right people got their comeuppance or not. Still, the film is mostly enjoyable thanks to Soderbergh style, which will be missed if he makes his retirement stick. Fans of thrillers would be well off if they made an effort to check this film out. It's an easy prescription for me to fill.

Bad to the brittle bone

The Jackass crew have developed a new movie called Bad Grandpa. You'll notice this one has a more clear narrative than their previous films, which were extended versions of their TV show. Here's your first look at Johnny Knoxville playing Irving Zisman as he creates havoc across the country while toting around his "grandson".

Bourne to run

From EW.com:

The legacy of Jason Bourne will continue… but likely without Jason Bourne.

Universal has hired screenwriter Anthony Peckham (Sherlock Holmes) to pen the next chapter in the Bourne franchise, which will remain focused on Jeremy Renner’s drug-enhanced super-soldier, Aaron Cross. (Deadline initially reported the news.) Renner took the reins from Matt Damon after the original Bourne trilogy concluded with 2007′s Bourne Ultimatum. Last year’s Bourne Legacy, which pitted Cross against Edward Norton’s shady government handler, was a modest hit, grossing $276 million worldwide. Though that didn’t equal Damon’s output in Ultimatum ($443 million), it was more than the original 2002 franchise-starter.

Producer Frank Marshall has frequently mentioned his wish to unite Damon and Renner in a Bourne film, but it remains unclear how the politics would work. (Damon has repeatedly insisted he won’t do another Bourne without director Paul Greengrass, and he doesn’t have the best relationship with Legacy director Tony Gilroy.) There’s some hope, since Peckham wrote the script for Invictus, which earned Damon an Oscar nomination, and the new Bourne installment — The Bourne Infinity? The Bourne Ubiquity? — didn’t immediately announce a director… Stay tuned.

Home sweet home

You may have noticed that my blog has been a bit dead for the past two weeks. The reason being is that I've been busy dealing with a few personal matters. First, my sister got married a couple of weeks ago. It was a beautiful ceremony and reception and I couldn't be happier for her and her new husband.

After that, I moved back to northeast Ohio. Even with my humble belongings, the move was still quite the undertaking. But now I am back home where all of my family is and I couldn't be happier. This truly feels like a new start for me!

Hopefully now I can get back into the swing of things and provide all of you with a steady dose of good content. Thanks for putting up with my delay. We can now resume with our normal programming!

Tribe Watch '13 (All Star Break)

Record: 51 - 44

Standing: Second in AL Central (1.5 games behind Detroit)

Over the weekend, the Indians TV announcers mentioned how manager Terry Francona spoke with the team and promoted the idea of finishing strong to close out the first half of the season. It appears that the Tribe took those words to heart as they took two out of three from Toronto and then swept the Kansas City Royals. Now as the team takes off for a few days before transitioning into the second half, we can examine where they currently stand. I think the best way to define my feelings is cautiously optimistic. The Indians have a better record than they did at this point last year and are relatively healthy. The weak schedule in the second half also works in their favor. But before we can pencil this team into a postseason slot, there are a few things that should be addressed. First of all, while our overall record is good, we have played terribly against Detroit, Boston, and New York. Two of those three teams are in first place in their respective divisions. For this team to be seen as legitimate contenders, we need to play better against good teams. There's also a couple players who need to do more offensively. Mark Reynolds in particular has been trending downward when it comes to hitting. We need him to play better to shore up our lineup. And of course, we could always use more pitching. The starters, which not great, have performed admirably and should be improved when Zach McAllister returns. The bullpen. however, seems like it could use some additions. Hopefully as the trade deadline nears some moves can be made to address these issues. For now, let's enjoy the time off and get ready to come out fighting come Friday when we begin a weekend series with the Twins in Minnesota. I'm looking forward to wild and fun second half. Go Tribe!

RBR: A Good Day to Die Hard

I don't write as many reviews for this blog that I do because it's a job or some responsibility, I enjoy it. It's enjoyable because I love movies. Even when a film is bad, there can usually be something enjoyable that can be derived from its awfulness. So when I say that watching the latest entry in the Die Hard was one of the most unpleasant experiences I had watching a film, you can know that it's not being said out of hyperbole. Frankly, this movie does not even feel as if belongs in the same universe as the previous John McClane films. This seems to be a failure at all levels of recognizing what made the franchise enjoyable in the first place. One such trademark was classic villains. Actors like Alan Rickman and Jeremy Irons brought energy to their characters and made for great foils against Bruce Willis. In this film, the story is so convoluted that it is unclear who exactly is the primary antagonist. It just seems that every character in this universe has some level of evil to them, leaving McClane no choice but to shoot at anything that moves. This, then weakens the McClane character. One of his best features is the way he disrupts the villain's master plan. Here, neither he nor the audience, have a clue or a care as to who should be stopped or why. The fact that the film is set in Russia (McClane is visiting to try to save his son, who is on trial for murder) also proves to be a mistake. It's one thing for McClane to be a one man wrecking crew in his own country for the sake of saving it. Doing such wreckless acts of violence elsewhere comes off as mean and irresponsible. I could also criticize the cartoonish level that the violence takes on in the film, remarking that no human being could live through half the things that McClane does, but that's actually been a part of the series since the start. What I can complain though is the fake nature in which these over-the-top scenes are filmed. With the earlier films, directors had to be creative to make you believe he could survive those stunts. But with the excess use of CGI in this film, the audience gets completely taken out of the moment because none of it looks real or believable. Overall, there is such a pure lack of fun in this film. Even McClane's signature line (which was thankfully back to its R-rated completeness) is done in a lazy, throwaway manner. This fifth entry would suggest that the franchise has been tapped out of its creativity and usefulness, but I certainly hope that they make another film just so that the character can go out on a better note than this. If this is the end, then it's going out on a sad day to die hard. Rating: **

Stay for the Poppins

Apparently, getting Mary Poppins to the silver screen was anything but Supercalifragilisticexpialidocious. Here's the first trailer for Saving Mr. Banks, the story of Walt Disney (Tom Hanks) and his attempts to convince author PL Travers (Emma Thompson) to turn her book into a movie.

Forging a new Bond

Big news regarding the next installment in the James Bond franchise...

From comingsoon.net:

Producers Michael G. Wilson and Barbara Broccoli, EON Productions; Gary Barber, Chairman & CEO, Metro-Goldwyn-Mayer; Michael Lynton, CEO, Sony Entertainment, Inc, and Amy Pascal, Co-Chairman of Sony Pictures Entertainment today announced that Daniel Craig will once again return as the legendary British secret agent in the 24th James Bond film and Sam Mendes will also return to direct the screenplay written by John Logan. The film is set for release in UK theaters on October 23, 2015 and in US theaters on November 6, 2015 (currently the same date as Ant-Man and Peanuts).

Skyfall, the 23rd James Bond film, took in $1.1 billion worldwide and set a new mark as the highest-grossing film of all time in the UK; it was the best-selling Bond film on DVD/Blu-ray and was the most critically acclaimed film in the history of the longest-running film franchise.

Commenting on the announcement, Wilson and Broccoli said, "Following the extraordinary success of 'Skyfall,' we're really excited to be working once again with Daniel Craig, Sam Mendes and John Logan.

"I am very pleased that by giving me the time I need to honour all my theatre commitments, the producers have made it possible for me to direct 'Bond 24.' I very much look forward to taking up the reins again, and to working with Daniel Craig, Michael G. Wilson and Barbara Broccoli for a second time, said Mendes.

Barber added, We are thrilled to reunite the extraordinary talents of director Sam Mendes with our star Daniel Craig for the next great Bond adventure. He added, "As evidenced by the phenomenal success of our last collaboration with EON Productions and Sony, the incredible legacy of this 51-year-old franchise continues to amaze."

Lynton and Pascal said, "It's a privilege to work on the Bond films. EON, John Logan and Sam Mendes have come up with an extraordinary follow up to 'Skyfall' and we, along with our partners at MGM, can't wait to share this new chapter with audiences all over the world."

Delivering the news bit by bit

Of course, we all cannot wait until Anchorman 2 arrives in theaters later this year. In the meantime, why not look back at the first movie from a unique perspective. Someone has recreated the film by turning the cast into 8 bit characters. It's pretty funny and it'll have you reciting your favorite lines all over again.

Tribe Watch '13 (Week 14)

Record: 46 - 42

Standing: Second in AL Central (2.5 games behind Detroit)

It looked like the Indians were going to continue their winning ways after that impressive four game sweep of the White Sox the weekend before. The Tribe managed to win the first game of the series against the Kansas City Royals, but then dropped the last two to end their long road trip on a bit of a down note. Upon returning home, it appeared as if the team had some jet lag and they went on to lose the first two games against the Tigers. Things would have been very bleak had the Indians not managed to pull off a victory yesterday. With that win, the team still now has a chance at earning a split with Detroit if they manage to win tonight. One of the key issues during the losing streak this past week was poor pitching. In some cases it was the starters not having good outings. When they did have a good start, then it seemed to be the bullpen that struggled. Even though we won yesterday, the bullpen still blew a 5-run lead before the Indians managed to come back and win it for good. Clearly, our staff has to step up their game if they want to remain competitive in the division. But it's also time to start thinking about who we can possibly get in a trade to help shore up this staff. As we hit the halfway point in the season, it's time for us to make the moves needed in order to make sure we play postseason baseball. Speaking of the halfway point, this is the final week of the season before the All Star Break. After tonight's game with Detroit, we have a pair of three game series at home with the Toronto Blue Jays and the Kansas City Royals. The Jays have been steadily improving since getting off to a horrendous start, so it would be nice if we could cool them off again. Plus, we need to start playing better against teams from the AL East. As for the Royals, we've played them very well thus far this season, so let's hope we can keep that up. We certainly don't want them to gain any ground on us and believe they still have a chance in the division. It certainly would be nice to head into the break being in first place, so let's cheer on this team and make it happen. Go Tribe!

Father time

The teaser was released a few weeks ago and now here's your first full look at Delivery Man, the new dramedy starring Vince Vaughn as a man who has unknowingly fathered over 500 kids.

Buddy Sis-tem

Paul Feig may not be a household name, but chances are you've enjoyed one of his comedy projects. He's created critically acclaimed shows (Freaks & Geeks), directed well known sitcoms (The Office) and even found himself in front of the camera as well (playing biology teacher Mr. Poole on Sabrina, the Teenage Witch. Feig finally garnered some mainstream success when he directed Bridesmaids, a film that attempted to show that the R-rated comedy is not just a man's territory. In his latest effort, The Heat, Feig once again shows that the ladies can be just as foul as any guy around.

The Heat stars Sandra Bullock and Melissa McCarthy as polar opposite cops who are forced together to bring down a major drug dealer. Bullock is the straight-laced workaholic cop while McCarthy is a foul-mouthed loner cop who just wants to clean up her town. Both of these two have played these type of characters before so they know what to do in order to yield laughs out of the archetype, but I did wonder throughout the film if it would have been better for them to try and play the opposite role instead. My guess is that I would have given the film more credit, but the laughs probably wouldn't have been as frequent.

The buddy cop genre has certainly been around for a while and has always yielded mixed results. For every Lethal Weapon there's an I Spy. Credit to Feig who recognizes that he's mining familiar territory and yet still finds a way to make it work. He knows what tropes to play for parody and which to keep straight in order to make the story still feel like it has consequences. A lot of this is done through the scenes that give us a glimpse into the family of McCarthy's character. The interactions she has with her Bostonian clan produce some of the biggest laughs, as well as a few serious moments.

The one drawback to the film is an issue that plagued Bridesmaids as well. There were too many scenes that forced the agenda that women can be crass as well. To me funny is funny, regardless of who's telling the joke. I get no greater satisfaction seeing McCarthy curse up a blue storm than I would Will Ferrell or any other male comedian. I understand the need to show this off since so few women have actually tried to be raunchy, but I hope this becomes less frequent. Let's the jokes be organic to the story rather than be included simply to try and prove a point.

The good news for The Heat is that for as many forced jokes, there's at least twice as many well earned laughs. Bullock and McCarthy have a good chemistry together to the point where I would actually be interested in seeing them team up again, whether it was for a sequel reuniting these characters or in a completely separate project. The film is also buoyed by the presence of several other funny people in smaller roles including Tony Hale, Jane Curtin, Marlon Wayans, and SNL's Taran Killam. Each of these actors know how to get a laugh out of the character they are playing instead of us just laughing at the mere presence of them showing up in the movie.

The interesting thing about this movie is that I'm not quite sure how it will play with me when I attempt to rewatch it a few years from now. Some comedies like The Other Guys have aged well, while others simply don't produce the same number of laughs when you know what's coming. All I can say is that on my first viewing I laughed a lot more than I expected. The Heat creates another successful entry into the familiar buddy cop genre thanks to the deft directing of Paul Feig and the strong chemistry of its two female leads. Grade: B+

Night cap

For one reason or another, certain sketches on Saturday Night Live are created and rehearsed, but ultimately never make it onto the live broadcast. Here are a pair of sketches cut after dress rehearsal that I felt deserved a look thanks to NBC actually posting them on their website. The first was cut from when Zach Galifianakis hosted. I'll have to assume it was timing reasons because this seems to be too funny not to have included in the show.




The second is even more fascinating. It comes from the Justin Bieber episode. Instead of trying to explain why this didn't work, I'll let Bill Hader and a pair of SNL writers do it as they commentate on the sketch and explain why it became the "greatest trainwreck" ever.

Tribe Watch '13 (Week 13)

Record: 44 - 38

Standing: Tied for first place in the AL Central

It was looking initially like it would be another uneventful week. We began by splitting the four game set with the Orioles in which we looked like we could have easily won all four games or lost all four games. Still, splitting against a solid team like Baltimore was positive. The start of the four game series with the White Sox made it seem as if we were in for an ominous weekend. In the first game of a double-header, our starter is unable to get out of the first inning and put the Indians in an early five-run deficit. However, the Tribe finally woke up and managed to clobber Chicago 19-10 in the first game. Then then had a four run 9th inning in the second game that allowed to come back and win that won as well. The Indians then proceed to sweep the entire four games capping it off today with a shutout victory by Justin Masterson. Those first three games against Chicago showed the Indians tenacity. They not only came from behind in each of those games, but they did so when it would have been much easier to just throw in the towel. Friday's double header lasted over seven hours to get those two games in. Between the length of the games and the amount of innings that the bullpen had to throw because of poor starting pitching, it's amazing we came away with any wins. And yet, this team pulled through and had an amazing weekend. To do it against those losers from Chicago made it even sweeter. Perhaps the best news of all to come out of the Tribe's successful weekend is the fact that they have climbed back up into first place, now tied with Detroit, who had a rough week. We're starting to see guys like Nick Swisher get hot again, so it seems like this team isn't about to die like they have the past years. We can improve our standing in the division further this week as we play another pair of divisional opponents. This long road trip finishes up this week as we make a stop in Kansas City to play the Royals for 3 games. Then we head home this weekend for a big series against the Tigers. The outcome of that series could really cement who's the best in this division as we head into the All Star Break. As we head into the 4th of July, let's hope the Indians provide some fireworks of their own. Go Tribe!

Hell to pay

I know we've already seen a pair of horror comedies this year (A Haunted House, Scary Movie 5), so I can understand if there's some viewer fatigue for this genre. That said, I couldn't help but post the trailer for yet another movie that spoofs the horror genre. Hell Baby seems to have the edge over those previous films if for no other reason than it's been written and directed by the guys behind Reno: 911. I certainly laughed a lot watching the trailer, so I hope the true for the movie as a whole as well.

Die hardly

The old adage goes, "those who cannot remember the past are condemned to repeat it". This is a phrase that doesn't exactly hold true in Hollywood. Instead, studios tend to repeat history because they do remember the past. When a formula works, they reuse it time and time again. One of the most frequently used formulas is the Die Hard formula. For the past 25 years since the original Bruce Willis film hit theaters, Hollywood has frequently used the 'one man overcomes the odds to defeat a group of evil terrorists' trope. It's one thing when we are talking about a sequel to the franchise (which we already saw this year). It's another thing when it's a completely separate film that borrows the framework. So then, what are we to make of a film that not only uses the trope but then also uses the exact same context and setup as another film that was released mere months before it?

That is the question were left answering as White House Down, the latest film from master of disaster Roland Emmerich, hits theaters. Just like Olympus Has Fallen (a film which I have yet to see) did this past spring, our country has been put into peril as terrorists infiltrate the White House and hold our government hostage. Playing the role of John McLain this time (right down to the white tank top) is Channing Tatum playing John Cale, a security guard for the Speaker of the House who has aspiration of working for the Secret Service.

When all hell breaks loose, Cale finds himself as the lone guy able to help protect President James Sawyer (Jamie Foxx, doing a not so subtle job of actually playing President Obama). The two scamper through the White House hoping to avoid death while also trying to eliminate the bad guys. Of course, the film finds time to have this racially mismatched duo crack wise with each other during the down moments, which feels cribbed from Die Hard 3.

We then move on to borrowing from the fourth Die Hard film as the protagonist's kid is put into peril. In this case, the moppet is Joey King, playing Cale's daughter. She's a political junkie who happened to be visiting the White House with her father at the time of the attacks. And of course, to remind us that the apple doesn't fall too far from the tree, we get several scenes of her finding ways of talking tough and standing up to the terrorists, even though most 10 years would be absolutely petrified by the events that occur in the film.

And if you thought that Die Hard 2 was ignored, you'd be wrong. These domestic terrorists are able to gain access to these government buildings with embarrassing ease largely because of their being at least one, if not more, moles within the President's administration. Apparently, in this America, the concept of background checks is the only thing that is too far-fetched.

I will grant you that director Roland Emmerich will never be confused as someone who makes sophisticated films. If you've seen any of his previous films, you'll know that they require you to stop thinking and just enjoy the goofy ride. I've been able to do that with some of his past films because they are so outlandish in their attempts at putting people in peril. However, after completely destroying the world in 2012, he really had no way of topping himself and thus this film feels like a let down. There are a few moments of zany inspiration, like a rocket launcher being used during a car chase on the front lawn of the White House, but it overall just felt like a noisy rerun of better action films.

There's an attempt to add some gravitas to the picture through its casting. James Woods is the retiring head of the Secret Service. Maggie Gyllenhaal is a Secret Service agent. And Richard Jenkins plays the aforementioned Speaker of the House. They all manage to keep a straight face through this silly plot, but their presence alone isn't enough to improve the overall quality of the film. As for Tatum and Foxx, they seem to be having fun in their respective roles, but they also come off as pale imitations of the real or fictional person they are emulating.

For a film like this to work, there needs to be a true sense of fun, which is absent here. You have to slog through a half hour of obvious exposition to set up every single plot payoff that will come in the film's finale. And as the action starts to pick up, the film spends too much time trying to figure out how reverent it should be when it comes to depicting a White House under siege. I also could have done with one or two fewer twists that come near the films end that unnecessarily overcomplicate the film's plot. I don't have a problem when a film liberally borrows from a successful formula, but White House Down follows it so dutifully that it prevents the film from being the escapist fun that it should be. Grade: C

Check this out

A big moment occurred this past week on The Price is Right. A game that many thought had been long retired made a glorious return. After a 4 year absence, Check Game came back all refurbished and looking good. Even if people hardly use checks anymore, it's still great to see this classic return to the price game rotation. You can watch it's first playing below.

Tribe Watch '13 (Week 12)

Record: 38 - 36

Standing: Second in AL Central (4 games behind Detroit)

A rather ho hum week for the Tribe. They managed to take two out of thee from both Kansas City and Minnesota. I certainly can't complain about that. Winning series is the name of the game and if we can keep that up, we'll be in good shape. Right now though, there's not a lot of energy or excitement behind the wins. We're not hitting as well as we could. We're not pitching as well as we could. We're doing just enough to eke out wins. For now that's ok, especially against divisional opponents. The wins against KC certainly helped put some separation between us and them for now. But I'd certainly like to see some more of that magic that we had during our really good stretch a month ago. Right now, I think a few key injuries are preventing that. Those won't last, so hopefully that means we can get that spark back sooner rather than later. In the meantime, let's just keep winnings and you'll find I'll have very little to complain about. Looking ahead to this week, we begin a lengthy road trip that involves playing a pair of 4-game series; first against Baltimore and then against the White Sox. Baltimore is showing that their postseason appearance last year wasn't a fluke. The Indians have not played well thus far against AL East teams, so it would be nice if that would begin to change. As for Chicago, they may have plummeted to the bottom of our division, but that doesn't mean we should take them lightly. I'd love to see us take advantage of their poor play and really beat up on them. If they do, you'll be looking at one very happy Indians fan come next week. Go Tribe!

Legend...wait for it...ary

Great Odin's raven! It's actual footage from Anchorman 2: The Legend Continues. No more teasers folks. Sit back, put on some jazz flute, and take in your first look at the new adventures of the Channel 4 News Team.

Fight or flight

Back in 2006, the attempt to reboot the Superman franchise seemed like a sure bet. Comic book movies had been growing in popularity and this film was being directed by a man who had already successfully kick-started a different comic book movie franchise. And yet despite all the things it had going for it, Superman Returns never really took flight. There were several theories as to why it didn't catch on with the public. Some went as far as to say that perhaps a good Superman movie was impossible given the dramatic limitations associated with his character.

Fast forward to 2012 where Marvel sees huge success with The Avengers film. Not to be outdone, DC Comics became dead set on making a Justice League movie, in order to have their own successful film featuring a group of superheroes. But for that to happen, they need to once again re-establish the characters individually. Enter Man of Steel, the latest attempt at establishing the Superman franchise.

Once again, we begin with a telling of the familiar story of how Kal-El was sent to Earth, Smallville, Kansas to be exact, because his home planet is on the brink of extinction. Superman's father, Jor-El (Russell Crowe), struggles with the decision to send his son away while also dealing with the treasonous General Zod (Michael Shannon), who differs philosophically from him on how the future of Krypton should be handled. The end result is General Zod being sent away to a limbo prison known as the Phantom Zone; this confinement is short-lived, however, as the destruction of Krypton enables Zod to become free

The film hits its stride as the scene shifts to Earth and focuses on Kal-El, now Clark Kent, and his upbringing. The film takes a non-linear approach to show how Clark has struggled with being different from everyone else, yet unable to show this to the world. Kevin Costner playing Clark's Earth father Jonathan is excellent in his scenes. He adds an emotional heft to his scenes that almost make it feel like he's in a different movie than everyone else. You feel the struggles he goes through to give protect Clark from the rest of the world while also protecting the rest of the world from Clark. The other interesting thing about this portion of the film is the decision to make Clark a wandering loner once he becomes an adult. Unsure of who he is or why he's different, Clark migrates from one town to the next hoping to avoid arousing suspicion. I like the Bruce Banner/Hulk approach they take to depicting this character and since it seems like we aren't going to be seeing another film solely featuring the big green guy anytime soon, why not use it here.

Though familiar, this front half of the film largely works. The back end of the picture is a different story as the plot shifts to the central conflict between Superman and Zod, who has come to Earth seeking Superman with plans to use him as a way to create a new Krypton. From the moment these two meet the film turn into a seemingly endless collection of action scenes that never find a way of differentiating from each other. It is one fistfight after another as Superman takes on Zod and his group of devoted soldiers. With Zod's group all being Kryptonians, they too have the same powers as Superman on Earth, which means their battles are quite epic and destructive. One of the driving narratives in all Superman stories, this film included, is Superman's devotion to Earth and to protect its citizens. Those motives can be questioned here given the way he leaves multiple towns in complete ruin in an effort to stop Zod.

Christopher Nolan's presence as a producer for the film does not seem like it was enough to counter director Zach Snyder's (300, Watchmen) compulsion for mind-numbing action. With his Batman trilogy, Nolan focused more on theme and narrative. Snyder takes an approach more akin to the Transformers franchise where the focus is on maximizing carnage instead of developing a compelling story. By the time the movie reaches its inevitable end, I felt exhausted, not enthralled.

While Man of Steel is a flawed film, I don't feel as if its problems set the franchise back in the same way that Returns did. This film suitably establishes the key pieces that can be used to set up future films. British actor Henry Cavill, though occasionally wooden in his delivery, has the perfect look for the role and I'm certainly interested to see what he could do in this role a second time. Amy Adams is also good as a more modern take on Lois Lane. In a way, Man of Steel works similarly to the first film of his Marvel counterpart, Captain America. Both films have their flaws, but succeed in at least showing us that these modern defenders of America still have a place in our post-modern society. Grade: C+

Balls to the Wall

After aiming at families with Hugo, Martin Scorcese returns to more adult fare with his latest, The Wolf of Wall Street, starring Leonardo Dicaprio, Matthew McConaughey, and Jonah Hill. This looks to be in the vein of Goodfellas, as it focuses on the excesses of people in power but you all know that it will inevitably all come crashing down on them. You can check out the first trailer for the film below.

Tribe Watch '13 (Week 11)

Record: 34-34

Standing: Second in AL Central (4.5 games behind Detroit)

The Indians had hit rock bottom the week prior as they were in the midst of an eight game losing streak and an even longer losing streak on the road. Thankfully this past week has seen some improvement in the team, at least as it relates to winning. The Tribe manages to take two out of three from both the Rangers in Texas and against the Nationals at home. I would not say that the wins were dominating, but the key for this team right now is to win series. If they do that on a consistent basis, they can compete. Clearly there are still guys offensively who are slumping. The good news is that slumps don't last forever, so they'll start to get hot again before you know it. The other positive for this team is that the schedule gets a lot easier from here on out. Only about a third of the Indians' remaining games will be against teams who currently have a winning record. It's important though that we continue to stay competitive right now for several reasons. One is because you don't want to fall too far behind Detroit. If they gain too much of a lead in the division, we'll lose some of our motivation to win. Second, if the front office feels like we are close, they'll be more compelled to be active near the trading deadline, which would mean hopefully making a move that would bring in a key piece to help fill in the gaps. Winning this week will be particularly important since we'll be facing off against a pair of divisional rivals. First, we begin a three-game set with the Kansas City Royals starting tonight. Kansas City has been on a roll recently and they are only a half game behind us in the standings. It'll be important to beat them so as to remain in second place. Then this weekend we take on the Minnesota Twins. The Twins are a team that we should beat on paper, but when it comes to divisional rivals, there's no such thing as a guarantee. Both series will be in Cleveland, where we've played much better. Let's hope the city of Cleveland keeps coming out to support this team. I'd love to see Progressive Field to be rocking all week long. Go Tribe!

Pucker up

A few weeks, a pair of pitchers from the Cleveland Indians, Zach McAllister and Vinnie Pestano, did a video for the MLB Fan Cave while in New York. They created a mobile Kiss Cam they took around the city for unsuspecting citizens to participate in. I like these efforts to get athletes more involved with the fans and to show their funny side as well. You can check out their hijinx below.

Omen holiday

Nearly five years ago to the day, I made a post on my blog about a viral video featuring Seth Rogen and Jay Baruchel dealing with the apocalypse. Fast forward to today and that short clip has mushroomed into a full fledged movie. This is the End features Rogen and Baruchel, as well some of their other famous friends like James Franco, Jonah Hill, Craig Robinson, and Danny McBride playing exaggerated versions of themselves as they deal with the end of days.

The film begins with Franco throwing a house party for all of his famous Hollywood friends. This of course leads to several celebrity cameos having fun with their real life personalities. For instance, you'll never be able to look at Michael Cera the same way after having seen this movie. Things turn cataclysmic in a hurry, however, as massive sinkholes develop, sending most of the party guests to their death. The central cast initially survive and barricade themselves in Franco's house unsure of what's happening.

It doesn't take long before the gang goes all Lord of the Flies on each other as they squabble over food rations, sleeping arrangements, and facing their mortality. The amount of humor your derive from these scenes will vary greatly. For me, I found there to be far more misses than hits when it came to the jokes. What was interesting is that most of the scenes weren't unfunny. Rather it's that I found myself sitting there nodding in agreement with what was being said rather than laughing at the anarchy. Because these guys are playing versions of themselves, a lot of the jokes were at the expense of each other. They would mock their personality traits or their bad movies or just their general phoniness. While some will be amused by the self-deprecating nature of the humor, I found myself wondering if these guys shouldn't be taking these comments more seriously and reevaluate their career choices.

Making the film more problematic is the tone that's created surrounding the humor. There are some truly disturbing scenes, especially early on as people meet their untimely death. I realize that the apocalypse isn't exactly a day in the park, but it was hard for me to appreciate the film's humor given the unpleasant setting that it had established. A lot of the horror and craziness of the film felt more like something from Sam Raimi, which is not a genre that I'm particularly fond of.

Despite placing the film within a very specific context, This is the End too often feels disjointed. The film moves from one comedy bit to the next with no sense of progression. Ideas and jokes are introduced but very few get paid off by the end of the film. You'll have things like Emma Watson randomly show up which provides the guys with an opportunity to make a few rape jokes and then she's gone and they move onto the next riff. You begin to see that this has been a project that's been percolating for 5 (or more) years. They have this collection of various ideas that may work individually but really don't add up to anything worthwhile.

I will give credit though for giving the right cast members the appropriate personalities in the film. For instance, Jay Baruchel is intended to serve as the heart and humanity of the film, which works considering he's probably the most likeable and least "Hollywood" of the bunch. Meanwhile, Danny McBride does what he does best by playing the douchy a**hole and Jonah Hill is a disingenuous prick. I probably would have struggled with the film even more than I did had they tried to force unnatural personalities onto any of these guys.

It's interesting that this film comes right off the heels of The Internship. In many ways these films couldn't be more different. While I seem to be in disagreement with a lot of other critics on both of these films, a lot of what my reviews for both pictures come down to is mood. The Internship offered a sunny optimism that infectiously made me enjoy all of the characters in the film. I'd much rather spend two hours with that cast than I would with the dreary, unpleasant narcissism that's on display in This is the End.

After watching this movie, it's become clear that this was an idea that worked as a short viral video and should have stayed at that. As a feature length movie, this is nothing more than a poorly cobbled together collection of bits, some of which are admittedly very funny, that really don't add up to anything more than a crass vanity project for Rogen and co. I actually could do a whole separate post analyzing why the film's final joke doesn't work at all, but given that it features another surprise cameo, I won't discuss it any further here. I have been a fan of a lot of these guys' work in the past, but there have been a lot of misfires by them, Rogen in particular, recently that make me question whether or not I should continue seeing their future films. Unless some drastic changes are made, I'm afraid "this is the end" for me watching this work. Grade: C

Seeing things

Last year, a documentary called Room 237 generated some buzz by offering a Critical Theory approach to examining Stanley Kubrick's film, The Shining. The film posits several theories about hidden meanings supposedly embedded into the film. For fans of the horror film, this offered a tantalizing look into some potential conspiracy theories. If you're not familiar with this documentary, here's the trailer for it.




The reason why I mention Room 237 is because today a video was released for a film called Spook Central, which supposedly gives the same critical treatment to Ghostbusters. If this film is legit, I will be very excited to see it. However, there are some elements to it that suggest this is a hoax rather than the real deal. While the voiceovers in the trailer sound legit, the editing of the video clips is rather rough and unpolished. Then there's the fact that some websites are reporting that "Ivo Shandor" directed this film (Shandor was a character in the film) and yet the video shows Michael Beck as the director. Other names listed in the credits of the video are of people who are dead. So who knows what to think at this point. If it turns out to be bogus, it's still fun to watch and ponder if such a film could be made. Decide for yourself by watching the video below.

RBR: Promised Land

While there are some subjects that just scream "this needs to be made into a movie", I highly doubt that the debate on frakking is one of them. And yet, here we are with a movie about just that. Matt Damon stars as a rising star at a natural gas company who's job it is to convince people in small farming communities to sell the rights for their land to be mined for gas. When he and his partner (played by Frances McDormand) visit a small Pennsylvania town they are met by a colorful cast of townsfolk and a bit more opposition than they are used to when presenting the issue. To further complicate matters, a young environmentalist, played by John Krasinski (The Office) comes into town to further the anti-frakking cause. Directed by Gus Van Sant (Good Will Hunting), the film has its heart in the right place but struggles to maintain a compelling narrative. I knew exactly what the end result would be. However, I will give the film some credit for including a twist that I did not see coming that helps the story come to its inevitable conclusion. This is a movie that is difficult to hate, but it is also one that is difficult to get excited about unless you are really interested in the debate over this controversial extraction method. I liked most of the performances here, although I felt as if the film did not do its female characters much service here. Both McDormand and Rosemarie DeWitt, as a local girl that both Damon and Krasinski vie for, come off unfavorably based on the decisions that they make in the film. There are certainly far worse films that you could consider renting instead of this one, but outside of its unique subject matter, there's not a lot here that really warrants a recommendation. Rating: ***

Tribe Watch '13 (Week 10)

Record: 30 - 32

Standing: Second in AL Central (5.5 games behind Detroit)

What an utterly disastrous week for the Indians. The team was already struggling and then they proceed to get swept by both the Yankees and the Tigers. Our losing streak is at 7 games. We have lost 11 straight games on the road, which is the longest streak the Indians have had in over twenty years. We are back under .500 for the season. And we are now 5 and half games out of first place. There just are not many bright spots for this team right now as the offense is not producing and the pitching, while not terrible, have been giving up runs in key situations. The only thing I'm holding on to right now and keeping me from believing we are destined to have another second half implosion is the fact that we are playing an unbelievably rough schedule right now. It's been weeks since we have played a sub .500 team. We've got one more tough week and then things cool off considerably. We have to find a way to weather this storm. This week the Indians finish up this brutal road trip with a 3 game series in Texas. Then they will come back home this weekend to play the Washington Nationals. If we can have even a moderately productive week, it may help us refocus and get back to our winning ways against the lesser teams that we'll eventually play. If we have another week like this past one, then there may not be any recovery from it, which would set us up for another long disappointing summer. It may look bleak at the moment, but we gotta keep this town as "Believeland". Send some positive energy toward this team - any little bit could help these days. As always, Go Tribe!

RBR: Gangster Squad

In 2012, this had been one of my most highly anticipated films of the year. On the surface it had an interesting story, a rising director, and a stellar cast. The interest in this film certainly was not by me alone as there had been a lot of buzz around the film in the months prior to its release. Then last July everything changed. After the horrible shooting at the Colorado theater, a major scene from this film involving gangsters opening fire in a theater had to be removed and replaced with an alternative scene. This pushed the film's release back to January of this year. This to me was a curious move. I understood the need for reshoots so as to be sensitive to the victims, but releasing the film in January, a time typically set aside as a dumping ground for bad movies, didn't make sense if the film was as good as it appeared. Turns out, it was apropos to give it that release date as this is a wildly disappointing film. While certainly not terrible, I sat in wonderment as to how such talented people could be involved in such mediocre work. The film is slow going to begin as it tries to establish all of its primary character. The central battle is between square-jawed good cop, John O'Mara (Josh Brolin) and boxer turned mobster, Mickey Cohen (Sean Penn). Penn, who I feel often overacts too much in his roles turns in a surprisingly forgettable performance here. You never really feel the menacing hold that he supposedly has over the city of Los Angeles. O'Mara puts together a group of fellow cops who's mission it is to take out Cohen. They include a number of decent character actors including Anthony Mackie, Michael Pena, Giovanni Ribisi, and Robert Patrick. As this squad comes together to find ways of picking apart Cohen's empire, the film does pick up a bit. These scenes work for the most part, but also don't offer anything that we haven't seen in other gangster films. If the focus had remained on the squad vs. Cohen, the film may have worked better. Unfortunately, they saddle the film with unnecessary subplots like the romance between Jerry (Ryan Gosling), who plays a renegade member of the squad, and Grace (Emma Stone), who is also seeing Cohen. I love Emma Stone, but she doesn't work in this role. The one performance that does work here is Mireille Enos, who plays Brolin's wife. Early on, it seems like she's just going to be the stereotypical cop wife who's constantly worried about her husband's safety. However, we see that she actually plays a more integral role in her husband's efforts to take down Mickey. Frankly, I would have actually liked to see more of their relationship and eliminate Emma Stone's character completely. As for the film's climax, it is not only unsatisfying, but also somewhat unbelievable given what we are told about Cohen's boxing background. With such a deflating ending, the whole movie vanishes from your memory almost as soon as its over. I'd like to say that the performances alone make it worthy enough to a be rental, but I can't. The only real crime being committed here is it stealing 2 hours away from audience's lives. Rating: ** 1/2

Tern back time

I've been doing my best to catch up on my movie reviews and now it turns out I can actually do one BEFORE a movie is widely released in theaters. Earlier this week I caught a sneak preview of The Internship, the first re-teaming of Vince Vaughn and Owen Wilson since 2005's Wedding Crashers. It's pretty remarkable to think that it's taken this long to get these two back on screen together considering how successful that film was and the struggles both men have had at recapturing that greatness alone since then.

In this new outing, they play a couple of struggling watch salesmen who find themselves being squeezed out of their own industry. In the sales world, the human being is going the way of the dinosaur it seems. Desperate to stay relevant, Vaughn's Billy comes up with the idea of having him and Wilson's Nick apply for an internship at Google. Despite not being in the typical demographic of who gets selected, these two guys manage to earn a chance of vying for the position. Once on Google's campus, they compete with a group of young, tech-savvy nerds in a series of "mental Hunger Games" for one of the internship slots.

A lot has been and will continue to be made about the proliferation of Google in this movie. Some critics have gone so far as to say the movie is nothing more than a 2 hour commercial for the search engine. I, however, did not take much issue with this. Yes, they likely could have told the same story using a completely fake tech company, but I never felt as if I was constantly being persuaded to use their services. The inclusion of Google seems organic to the story and creates a unique atmosphere that feels different than if this were set on an average college campus or corporate office. In fact, I probably had a tougher time with the Miller Lite product placement, than I did with Google. That seemed way more forced than their use of Google.

What didn't feel forced was the performances and friendship of Vaughn and Wilson. They pick right up where they left off with the fast-talking, laid-back fun they so easily conveyed in Crashers. What's more, there seems to be an energy to their performances that hasn't been seen from either of them in a long time as well. Vaughn, especially has seemed like he's phoned it in on a lot of his recent comedies, so it was nice to see him get excited with a role once again (this may partially have to do with the fact that Vaughn also co-wrote the script). No doubt if you were a fan of their previous work together, you'll be happy to see them back together here.

Though not nearly as wild or raunchy as their previous effort (this film is rated PG-13), this film works because it delivers laughs consistently. There are 2 or 3 big scenes that not only offers an overall humorous presence, but contain several good jokes within the scenes. Without spoiling it, there's a really great scene involving the characters competing in an "athletic competition" that had me rolling with laughter. The film also doesn't rely solely on Vaughn and Wilson to provide all the humor. Supporting actors like Aasif Mandvi (The Daily Show) and Josh Gad (The Book of Mormon) steal their scenes. You also have some cameos appearances from some well known people. They pop-in, generate a few laughs, and quickly leave so as not to bog down the story.

Some will argue that a film like this doesn't need its 2 hour runtime, but in this particular case I think it worked. For one, I never felt like the movie dragged. And perhaps more importantly, with the extra time I felt like director Shawn Levy (Real Steel) was able to let the story breathe a little bit more. The group of younger students that Vaughn and Wilson team up with are each given some character development that enables us to have a rooting interest in their success just as much as we want to see Vaughn and Wilson triumph. With that said, the inclusion of a love story between Wilson and a Google employee played by Rose Byrne probably didn't need to be included, even if there's nothing wrong with their scenes.

Nothing about the story in The Internship is particularly new. It takes elements of the fish-out-of-water story, along with college campus hijinx to give us another tale of the underdog's unlikely ability to win. Any feeling of cynicism toward that lack of originality is eliminated because of the lack of cynicism seen in the film. Despite being beaten down by the world at every turn, these two characters remain enthusiastic about life and infuse that into everyone they meet. And unlike a movie like Larry Crowne where the positivity was seen as naiveté toward current real life economic hardships, the optimism here is infectious and makes you believe that the American Dream is still possible for each and every one of us.

The Internship does not have the same sharpness as some of the best comedies of the past decade, but I would have to call this a pleasant surprise. The film's trailer does not properly convey how much fun this film is. Even if you know where the story is heading, the jokes aren't telegraphed and that is what's most important about a movie like this. If you're looking to laugh, I recommend you use Google to search for when The Internship is showing in your city (oh no, maybe the film got to me after all!!). Grade: B

All bets are on

Here's your first look at Ben Affleck's follow-up (as an actor) to Argo. In Runner Runner he goes to the dark side as he tangles with Justin Timberlake in the world of online gambling. I'm not sure if it's best picture worthy, but certainly looks like it could be an exciting thriller. You can check out the trailer below.

A space time continuum

One of my most enjoyable movie watching experiences was with the 2009 reboot of the Star Trek franchise. Director J.J. Abrams had the unenviable task of trying to reboot an iconic franchise for a whole new generation. While it is always daunting to try and take on a role played so famously by someone else, it was the cast that made that movie work. They not only had great chemistry with each other, but they all seemed to find a way to balance paying homage with infusing something new into their characters.

Four years later, the Enterprise crew is back for a new set of adventures in Star Trek Into Darkness. Once again, Abrams directs this likeable cast of explorers as they battle an enigmatic villain named John Harrison. Played with scowling menace by Benedict Cumberbatch, Harrison wreaks havoc on Starfleet with attacks on several of their buildings. Captain Kirk (Chris Pine) and his crew are tasked with taking out the threat but they learn there's more to this character than just being your average terrorist. Of course, I can't say too much more about him without spoiling key pieces to the film's story

Without going into too great of detail to the movie's plot points, I can say that I don't feel the story holds up well under scrutiny. Whenever you're dealing with big budget action picture, there are likely going to be some plotholes. Those don't bother me as much as the familiarity factor. Too much of the overall story, as well as individual set pieces feel cribbed from other films. Take for instance the scene where the Enterprise crew has midway through the film captured Harrison and placed him in a "secure" cell so that they can interrogate him. This setup has been done way too much recently in films including Skyfall, The Avengers, and The Dark Knight. Anyone with half a brain can see exactly what will happen next.

The writers not only borrow material from other franchises, but from their own as well. Several of the film's key plot points were done in previous Trek films. If you recall in the 2009 reboot one of the twists was that the timeline had been altered thanks to Spock going through a wormhole. This was how the film could justify having both Zachary Quinto and Leonard Nimoy both play Spock. I guess the writers felt this gave them justification for revisiting storylines from the original series and films and giving them slight changes. It's too cute of a concept and just comes off as being lazy rather than clever. The fact that it took this group four years to make a film that at times feels like a remake of Wrath of Khan is rather disappointing.

The issues of disappointment, however, really only come after you have left the theater. In the moment, Star Trek Into Darkness holds up as a thoroughly entertaining film. Once again, the interplay between the cast is what works the best. The actors have great comedic timing with each other during the film's lighter moments. And yet when things get more serious, you largely buy into the emotions (or in Spock's case lack of emotion) that they try to convey.

From a technical standpoint, the movie is also a winner. I know some get irritated with Abrams' use of lens flare, but it's only noticeable if you want it to be noticeable. The rest of the visual effects are impressive and give the film an added sense of drama. You appreciate the detail that goes into each location whether it is the intricacies of the construction inside the Enterprise or the unique, strange planets that the crew travels to. Watching it, I wasn't only impressed with what I was seeing, but also excited about the prospect of Abrams being able to bring that same creative vision to the Star Wars franchise in a few years.

Like the vast area that the Enterprise travels through, Star Trek Into Darkness is an empty thrill. It's a well made film that really does not offer viewers anything new. The excitement that the 2009 reboot offered has begun to wane. All of the parts are there to allow this to remain a successful franchise, but future films need to be smarter with the stories they tell. This sequel offers few surprises and telegraphs the few that it does have with unnecessarily heavy amount of scenes of exposition. With J.J. moving over to Jedi country, hopefully some new voices can come in and do something great with the solid foundation is in place. As for this film, while very entertaining as summer popcorn fare, its story boldly goes where too many men have gone before. Grade: B

How do you Do?

It wouldn't be summer it seems without at least one teen sex comedy. Some can be downright awful, but The To-Do List starring Parks and Recreation's Aubrey Plaza seems like it might have some wit to go along with the raunchiness. At the very least, it can boast a stellar cast of very funny people. Check out the trailer below, but warning, the clip is NSFW!

Tribe Watch '13 (Week 9)

Record: 30 - 26

Standing: Second in AL Central (0.5 games out of first place)

From a record standpoint, the Indians did better this week than the previous week, but it was still something of a letdown. The week began with the Indians splitting their series with the Reds as both teams won both of their home games. I was pleased that our starting pitching did well against their potent lineup and if we were to face them again in the World Series, I have confidence that we would not be outmatched. The Tribe then finished out their homestand by losing 2 of 3 to Tampa Bay. The first game should have been a rain out, but given the poor scheduling done by MLB, their hand was forced and the game didn't truly get started until midnight and was a battle of bullpens, so not the best display of our talent. The one that hurts is our loss on Sunday. It hurts for a few reasons. One is that is was a lopsided loss and we haven't had a ton of those so far this year. Second, it was a rare bad start by pitcher Zack McAllister. Losing that game also meant we lost the series. But perhaps worst of all is that it was a deflating loss that comes on the eve of the Tribe's most important road series of the year. Our next 9 games will be on the road against the likes of the New York Yankees, Detroit Tigers, and Texas Rangers. Detroit and Texas are currently in first place in their respective divisions and the Yankees were atop the AL East last week before going on a recent skid. These are three very good teams that the Indians will need to find a way of staying competitive against. If we can somehow come out with at least 5 wins on this road trip, I'll be very happy. It'll also further bolster my confidence that this team has what it takes to play in the postseason. It may be disastrous, it may be great, but either way I'll be watching them every step of the way. Go Indians!

RBR (Redbox review): Silver Linings Playbook

For a film who's central character is dealing with mental illness, I felt like I was suffering from bi-polar disorder while I watched. You go through some extreme feelings as the movie unfolds, which in my case left me uncertain of how to exactly review this film. We'll begin with the movie's premise; a young man (Bradley Cooper) who's been recently released from a mental institution after witnessing his wife having an affair, tries to put the pieces of his life back together by dealing with his family's fandom of the Philadelphia Eagles and starting up a friendship with a young woman who seems to be just as unstable as he is. And of course, the film's climax involves ballroom dancing. WHAT?!? On paper, this story should not work at all. And yet, it does, thanks largely to the strong performances by the film's cast. Those performances though, can also be a source of frustration. Take for instance, Jennifer Lawrence who plays the unstable woman Cooper befriends. From a casting perspective, she seems all wrong to play this loose, morose widow. However, her performance is so engaging you stop thinking that she shouldn't be in this movie. There are several other elements about both how this film was made and the story it told that I kept wanting to alter. And yet, at each point the film wore me down with its charm and moxie. I stopped caring about its weak depiction of mental illness or the nonsensical bet that the story's climax hinges on and just enjoyed being around these characters. I'm not convinced that this is a good movie and yet it somehow feels wrong to harshly critique it. It's success both at the box office and during the awards season is proof that I'm not the only one who felt that way. If you've resisted seeing this movie thus far, stop fighting it and give it a watch. It's one of those "four-quadrant" movies that offers something for all people - young and old, men and women. It's likely you'll enjoy the viewing experience. Just don't go crazy like I did trying to figure out why you liked it because there is seemingly no good answer. Rating: ****

Mandarin play

I am waaaaay behind on my reviews, but I'm hoping to correct that starting now with my review of the first summer blockbuster of 2013.

How do you top dealing with an invading race of evil aliens? Well if you're Tony Stark, you take on an even tougher opponent - anxiety attacks. That's right, in Iron Man 3 we see the seemingly unflappable Tony Stark (Robert Downey Jr.) struggle with internal stress after the events that took place in last summer's The Avengers. Of course, there's still evil elsewhere in the world that he has to deal with, but we'll get to that in a moment.

Perhaps realizing that there was no way to top the out-of-this-world story of The Avengers, this film takes a closer look at the man in the metal suit. This is as much a Tony Stark film as it is an Iron Man film and that's not a bad thing. In this third outing, we dig deeper into Stark's growing realization of his responsibilities whether that's to his devoted assistant/girlfriend Pepper Potts (Gwyneth Paltrow), his close friend Rhodey (Don Cheadle), or the American population. That onus weighs heavily on Stark who can't sleep and avoids talking to anyone about his problems. Thankfully for the audience, Stark has too much of an ego to pull a Bruce Wayne recluse act, so instead he opts to hide his fears through sarcasm and wit. Once again, Downey shines here, delivering a number of hilarious one-liners.

Downey's performance stands out here, even moreso than normal, thanks to Shane Black, who took over directing duties from Jon Favreau. Black, who also co-wrote the film, has worked with Downey before and knows how to get the most out of him. Black, who's previous credits include Kiss Kiss Bang Bang and writing the original Lethal Weapon, really makes this film his own. Aside from knowing how to write for Downey, some of the other elements in the film including the Christmas setting and the buddy cop vibe are representative of Black's style as well. While I had no problems with Favreau's work, I really liked what Black brought to the franchise.

Some Iron Man fans, however, may take umbrage with some of the decisions he made. The biggest one of all will deal with the film's central villain, The Mandarin. While this villain does not have the same pop culture recognition as other comic book villains, he is considered by many to be Iron Man's greatest foe. In the film, he's an enigmatic character with a flare for the dramatic. Played by Sir Ben Kingsley, this is one of the most interesting villains I've ever seen in a film like this. While the role isn't as meaty as say Heath Ledger's Joker, there's a lot more going on with the character than just menace. As someone who was not a reader of the comics, the creative liberties that the film takes with the character's origins did not bother me, but I can understand why some would not embrace this interpretation.

This revised Mandarin works for me because there seems to be a concentrated effort to make a character that has been in existence for several decades relevant in today's society. The villains have been a weakness to this point in the franchise, but that changes here and elevates the movie as result. This is particularly true when it comes to the film's climax. In the first two films, particularly in the second, the final battle was underwhelming and perfunctory. This time, the audience gets more bang for their buck as good vs. evil clashes in grand fashion on an oil tanker. I would probably say that the film's final act is still its weakest, but in comparison to what we got earlier in the franchise, this is a vast improvement.

If I had a complaint about the film, it's that I would have liked for the story to build more toward future films, since we know more Avengers adventures are to come. Instead, this is very much a stand-alone film. Yes, the film makes a few references to the greater Marvel universe but nothing that really gets you excited for the future or provides you a sense of what's to come. Still, as summer blockbuster fare this does nothing but deliver. You have some fine performances, a nice balance of comedy and drama, and a few exhilarating action sequences (I particularly enjoyed the Air Force One rescue scene). What more could you ask for?

At the film's end, there's the promise that "Iron Man will return" and let's hope that means for more than just another go-round with the Avengers. While I recognize that Downey Jr. isn't getting any younger and may also get tired of putting on the big metal suit, there's no one else I could ever see playing this role. He brings Iron Man to life in more ways than one. Grade: A-

Oh baby!

Vince Vaughn will be gracing the screen in just a couple of weeks with The Internship, but if that isn't good enough for you, you can also check him out here in a teaser trailer for another comedy he'll be starring in later this year called Delivery Man.

Tribe Watch '13 (Week 8)

Record: 27-22

Standing: Second in AL Central (1.5 games behind Detroit)

Well we all knew that the good times couldn't last forever. After an impressive run, the Tribe came back down to Earth this week. After an improbable win on Monday, the Indians lost both games against Detroit and then lost 3 of 4 in Boston. While the outcome wasn't desirable, I don't think there's any reason to push the panic button just yet. There's a lot of evidence to suggest that we will not have a repeat of the past two years where we get off to a great start and then absolutely collapse in the second half of the season. Even though we did lose five times this past week, our offense still did their job for the most part. I think our struggles can partially be blamed on some absolutely lousy weather this week. There was at least three games that were played in the rain, which can never be fun. If there is an area of concern, it's one that I wouldn't have thought of prior to the beginning of the season - the bullpen. Several of our losses this week were a result of our relief pitchers' inability to hold onto a lead. Vinnie Pestano has not been as effective since returning from the disabled list and closer Chris Perez left today's game with an injury. We'll need the back end of our pitching staff to pick it up if we want to continue to compete. The biggest issue is that the Indians have an extremely rough schedule over the next 3-4 weeks. If we can hold tight during this stretch, we should be ok as the remainder of the schedule is relatively light. If we go into a tailspin during the next month, it may turn into a repeat of the last couple of seasons. That rough stretch begins this week with an interesting 4 game series against our in-state rival, the Cincinnati Reds. It's interesting for the fact that the first two games will take place in Cincy and then the last two will be in Cleveland. The Tribe will then remain in town over the weekend as they take on the Tampa Bay Rays. I'm confident they'll be able to ride out this storm and remain with Detroit in that fight for first place. Regardless of outcome, I'll be watching them every step of the way. Go Tribe!

Millers Crossing

Pot comedies typically do nothing for me, but We're the Millers not only has an appealing cast (Jason Sudekis, Jennifer Aniston, Ed Helms, Nick Offerman), but also is more of a road trip movie than it is about drugs, so this has drawn my interest. This may work well during those dog days of summer. I've posted the first trailer here below.

Bill of goods

So this past Saturday marked Bill Hader's last show on Saturday Night Live. This is truly a great loss for the SNL cast. Unlike the also departing Fred Armisen, who overstayed his welcome on the show and clearly was only interested in doing skits that amuse him and spoke to his unfunny sense of humor. Anyway, back to Hader and his leaving. During his tenure, he certainly created a number of memorable characters (Stefon! Vinnie Vidici! Herb Welch!). But perhaps more impressive was his ability to impersonate several varied characters. He was really a go-to guy that instantly elevated every sketch that he was in. Hopefully he'll be able to make that difficult transition from being a not-ready-for-prime-time-player to a big star on the mainstream stage. To honor all his great work, here's a video compilation of every single one of the impressions he did on SNL.

Watch Every Impression Bill Hader Did on SNL